What is Morphology? is a concise and critical introduction to the central ideas of morphology, which has been revised and expanded to include additional material on morphological productivity and the mental lexicon, experimental and computational methods, and new teaching material. Introduces the fundamental aspects of morphology to students with minimal background in linguistics Includes additional material on morphological productivity and the mental lexicon, and experimental and computational methods Features new and revised exercises as well as suggestions for further reading at the end of each chapter Equips students with the skills to analyze a wide breadth of classic morphological issues through engaging examples Uses cross-linguistic data throughout to illustrate concepts, specifically referencing Kujamaat Joola, a Senegalese language Includes a new answer key, available for instructors online at http://www.wiley.com/go/aronoff
This handbook of computational linguistics, written for academics, graduate students and researchers, provides a state-of-the-art reference to one of the most active and productive fields in linguistics.
Previous work on morphology has largely tended either to avoid precise computational details or to ignore linguistic generality. Computational Morphologyis the first book to present an integrated set of techniques for the rigorous description of morphological phenomena in English and similar languages. By taking account of all facets of morphological analysis, it provides a linguistically general and computationally practical dictionary system for use within an English parsing program. The authors covermorphographemics (variations in spelling as words are built from their component morphemes),morphotactics (the ways that different classes of morphemes can combine, and the types of words that result), andlexical redundancy (patterns of similarity and regularity among the lexical entries for words). They propose a precise rule-notation for each of these areas of linguistic description and present the algorithms for using these rules computationally to manipulate dictionary information. These mechanisms have been implemented in practical and publicly available software, which is described in detail, and appendixes contain a large number of computer-tested sets of rules and lexical entries for English. Graeme D. Ritchie is a Senior Lecturer in the Department of Artificial Intelligence at the University of Edinburgh, where Alan W. Black is currently a research student. Graham J. Russell is a Research Fellow at ISSCO (Institut Dalle Molle pour les etudes semantiques et cognitives) in Geneva, and Stephen G. Pulman is a Lecturer in the University of Cambridge Computer Laboratory and Director of SRI International's Cambridge Computer Science Research Centre.
Provides a critical introduction to the central ideas and perennial problems of morphology, fully revised and updated in a new edition What is Morphology? is a concise, student-friendly introduction to the fundamentals of contemporary morphological theory and practice. Requiring only a basic knowledge of linguistics, this popular textbook describes morphological phenomena and their interactions with phonology, syntax, and semantics while familiarizing students with the importance of linguistic morphology as a subject of research. Each chapter contains engaging examples and student-friendly explanations to support the development of the skills necessary to analyze a wealth of classic morphological problems. The third edition is fully updated to reflect the current state of the field, featuring a new chapter on morphology’s intersections with typology and computational linguistics. Expanded coverage of morphological productivity and processing is supported by additional exercises, examples, and further reading suggestions. Thoroughly revised chapters cover essential topics including morphemes, the lexicon, phonology, inflection, syncretism, and derived lexemes. This accessible textbook: Introduces fundamental phenomena with a descriptive theme and minimal theory Uses cross-linguistic data to explain and clarify new concepts Provides new and revised chapters written by prominent experts in their respective areas Includes answers to all exercises via a companion instructor’s website The latest edition of What is Morphology? remains the ideal textbook for undergraduate and graduate linguistics students, researchers and scholars unfamiliar with linguistic morphology, and professionals involved in industrial applications of linguistics such as speech recognition, natural language understanding, machine translation, text-to-speech, and natural language generation.
This new edition of Understanding Morphology has been fully revised in line with the latest research. It now includes 'big picture' questions to highlight central themes in morphology, as well as research exercises for each chapter. Understanding Morphology presents an introduction to the study of word structure that starts at the very beginning. Assuming no knowledge of the field of morphology on the part of the reader, the book presents a broad range of morphological phenomena from a wide variety of languages. Starting with the core areas of inflection and derivation, the book presents the interfaces between morphology and syntax and between morphology and phonology. The synchronic study of word structure is covered, as are the phenomena of diachronic change, such as analogy and grammaticalization. Theories are presented clearly in accessible language with the main purpose of shedding light on the data, rather than as a goal in themselves. The authors consistently draw on the best research available, thus utilizing and discussing both functionalist and generative theoretical approaches. Each chapter includes a summary, suggestions for further reading, and exercises. As such this is the ideal book for both beginning students of linguistics, or anyone in a related discipline looking for a first introduction to morphology.
This book is a significant novelty in the scientific and editorial landscape. Morphology is both an ancient and a new discipline that rests on Goethe's heritage and re-forms it in the present through the concepts of form and image. The latter are to be understood as structural elements of a new cultural grammar able to make the late modern world intelligible. In particular, compared to the original Goethean project, but also to C.P. Snow's idea of unifying the “two cultures”, the fields of morphological culture that are the object of this glossary have profoundly changed. The ever-increasing importance of the image as a polysemic form has made the two concepts absolutely transitive, so to speak. This is concomitant with the emergence of a culture that revolves around the image, attracting the verbal logos into its orbit. Incidentally, even the hermeneutic relationship between past and present relies more and more on the image, causing deep changes in cultural environments. Form and image are not just bridging concepts, as in the field of ancient morphology, but real transitive concepts that define the state of a culture. From the Internet to smartphones, television, advertising, etc., we are witnessing – as Horst Bredekamp observes – an immense mass of images that fill our time and affect the most diverse areas of our culture. The ancient connection between science and art recalled by Goethe emerges with unusual evidence thanks to intersecting patterns and expressive forms that are sometimes shared by different forms of knowledge. Creating a glossary and a culture of these intersections is the task of morphology, which thus enters into the boundaries between aesthetics, art, design, advertising, and sciences (from mathematics to computer science, to physics, and to biology), in order to provide the founding elements of a grammar and a syntax of the image. The latter, in its formal quality, both expressive and symbolic, is a fundamental element in the unification of the various kinds of knowledge, which in turn come to be configured, in this regard, also as styles of vision. The glossary is subdivided into contiguous sections, within a complex framework of cross-references. In addition to the two curators, the book features the collaboration of a team of scholars from the individual disciplines appearing in the glossary.
Ecological morphology examines the relation between an animal's anatomy and physiology—its form and function—and how the animal has evolved in and can inhabit a particular environment. Within the past few years, research in this relatively new area has exploded. Ecological Morphology is a synthesis of major concepts and a demonstration of the ways in which this integrative approach can yield rich and surprising results. Through this interdisciplinary study, scientists have been able to understand, for instance, how bat wing design affects habitat use and bat diet; how the size of a predator affects its ability to capture and eat certain prey; and how certain mosquitoes have evolved physiologically and morphologically to tolerate salt-water habitats. Ecological Morphology also covers the history of the field, the role of the comparative method in studying adaptation, and the use of data from modern organisms for understanding the ecology of fossil communities. This book provides an overview of the achievements and potential of ecological morphology for all biologists and students interested in the way animal design, ecology, and evolution interact.
Morphology is a lively, comprehensive introduction to morphological theory and analysis in contemporary generative grammar. It is designed to take absolute beginners to a point where they can approach the current literature in the subject. It contains numerous in-text exercises which involve the reader in doing morphology by formulating hypotheses and testing them against data from English and numerous other languages. Although primarily intended to be a course book for use on morphology courses, it will also be useful for students taking courses in the closely related sub-fields of phonology and syntax. The book is divided into three parts:. Part 1 surveys traditional and structuralist notions of word-structure which still provide the necessary background to morphological investigations. Part 2 explores the relationship between the lexicon, morphology and phonology in current generative grammar. Part 3 examines issues in the interaction between the lexicon, morphology and syntax.
Neurobiology of Language explores the study of language, a field that has seen tremendous progress in the last two decades. Key to this progress is the accelerating trend toward integration of neurobiological approaches with the more established understanding of language within cognitive psychology, computer science, and linguistics. This volume serves as the definitive reference on the neurobiology of language, bringing these various advances together into a single volume of 100 concise entries. The organization includes sections on the field's major subfields, with each section covering both empirical data and theoretical perspectives. "Foundational" neurobiological coverage is also provided, including neuroanatomy, neurophysiology, genetics, linguistic, and psycholinguistic data, and models. Foundational reference for the current state of the field of the neurobiology of language Enables brain and language researchers and students to remain up-to-date in this fast-moving field that crosses many disciplinary and subdisciplinary boundaries Provides an accessible entry point for other scientists interested in the area, but not actively working in it – e.g., speech therapists, neurologists, and cognitive psychologists Chapters authored by world leaders in the field – the broadest, most expert coverage available
