Some books write a lot, and it takes a while to get the plot.Other books paint paper with ink, only for your eyes to drink, but I like the books that make you think, with ideas that take you to the brink, change what you thought was real, and in the end make you feel.What happens when an Unstoppable Forcemeets an Immovable Object is a paradoxical journeythrough the Universe from our minds to our heart, designed for people of a
After enduring a vicious bear attack in the Russian Far East's Kamchatka Peninsula, a French anthropologist undergoes a physical and spiritual transformation that forces her to confront the tenuous distinction between animal and human. In the Eye of the Wild begins with an account of the French anthropologist Nastassja Martin’s near fatal run-in with a Kamchatka bear in the mountains of Siberia. Martin’s professional interest is animism; she addresses philosophical questions about the relation of humankind to nature, and in her work she seeks to partake as fully as she can in the lives of the indigenous peoples she studies. Her violent encounter with the bear, however, brings her face-to-face with something entirely beyond her ken—the untamed, the nonhuman, the animal, the wild. In the course of that encounter something in the balance of her world shifts. A change takes place that she must somehow reckon with. Left severely mutilated, dazed with pain, Martin undergoes multiple operations in a provincial Russian hospital, while also being grilled by the secret police. Back in France, she finds herself back on the operating table, a source of new trauma. She realizes that the only thing for her to do is to return to Kamchatka. She must discover what it means to have become, as the Even people call it, medka, a person who is half human, half bear. In the Eye of the Wild is a fascinating, mind-altering book about terror, pain, endurance, and self-transformation, comparable in its intensity of perception and originality of style to J. A. Baker’s classic The Peregrine. Here Nastassja Martin takes us to the farthest limits of human being.
What happens when an unstoppable force meets an immovable object in the field of death? In the dark underbelly of the mob, Tristan Caine has been an anomaly. As the only non-blooded member in the high circle of the Tenebrae Outfit, he is an enigma to all - his skills unparalleled, his morality questionable, and his motives unknown. He is lethal and he knows it. As does Morana Vitalio, the genius extraordinaire daughter of the rival family. What Caine does with weapons, Morana does with computers. When a twenty-year old mystery resurfaces, Morana infiltrates Caine's house, intent on killing him, unaware of a tie that binds them together. Hate, heat, and history clash together with unexpected sparks. But something bigger, something worse is happening in their world. And despite their animosity, only they can fight it down. The Predator is an enemies-to-lovers, dark, contemporary romance set in a fictional universe with mafia, passion and incredible storytelling.
'Establishes beyond doubt that Iain Banks is a novelist of remarkable talents' Daily Telegraph Graham Park is in love. But Sara Fitch is an enigma to him, a creature of almost perverse mystery. Steven Grout is paranoid - and with justice. He knows that They are out to get him. They are. Quiss, insecure in his fabulous if ramshackle castle, is forced to play interminable impossible games. The solution to the oldest of all paradoxical riddles will release him. But he must find an answer before he knows the question. Park, Grout, Quiss - no trio could be further apart. But their separate courses are set for collision. Praise for Iain Banks: 'The most imaginative novelist of his generation' The Times 'His verve and talent will always be recognised, and his work will always find and enthral new readers' Ken MacLeod, Guardian 'His work was mordant, surreal, and fiercely intelligent' Neil Gaiman 'An exceptional wordsmith' Scotsman
"A master absurdist...Highly recommended." —The New York Times Before the success of her debut SF-and-fantasy novel All the Birds in the Sky, Charlie Jane Anders was a rising star in SF and fantasy short fiction. Collected in a mini-book format, here—for the first time in print—are six of her quirky, wry, engaging best: In "The Fermi Paradox Is Our Business Model," aliens reveal the terrible truth about how humans were created—and why we'll never discover aliens. "As Good as New" is a brilliant twist on the tale of three wishes, set after the end of the world. "Intestate" is about a family reunion in which some attendees aren't quite human anymore—but they're still family. "The Cartography of Sudden Death" demonstrates that when you try to solve a problem with time travel, you now have two problems. "Six Months, Three Days" is the story of the love affair between a man who can see the one true foreordained future, and a woman who can see all the possible futures. They're both right, and the story won the 2012 Hugo Award for Best Novelette. And "Clover," exclusively written for this collection, is a coda to All the Birds in the Sky, answering the burning question of what happened to Patricia's cat. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
The motley crew of “Doom Metal” sets sail for the cliffs of insanity, captained by Nightwing-or so he thinks! The team fractures, and Detective Chimp reveals the horrible secret wish in his heart. And speaking of hearts, Hawkgirl will stop at nothing to find Martian Manhunter, even if she jeopardizes the League’s mission and their souls. Part three of this five-issue tie-in to Dark Nights: Death Metal features the debut of a villain so huge he dwarfs all hope. Enter the Omega Knight.
Does humanity possess the freedom to think and act, or are we always caused and determined to think and act—exactly how we think and act—by things outside of our control? If we are always causally determined to think and act by things outside of our control, then how can humans be genuinely responsible for any of our thoughts or following actions? However, if humanity is genuinely free and responsible for at least some of our thoughts and actions, then how can the Christian rationally affirm the doctrine that God is totally sovereign and predestines all things? In Human Freedom, Divine Knowledge, and Mere Molinism, Timothy A. Stratton surveys the history of theological thought from Augustine to Edwards and reaches surprising historical conclusions supporting what he refers to as “limited libertarian freedom.” Stratton goes further to offer multiple arguments appealing to Scripture, theology, and philosophy that each conclude humanity does, in fact, possess libertarian freedom. He then appeals to the work of Luis de Molina and offers unique arguments concluding that God possesses middle knowledge. If this is the case, then God can be completely sovereign and predestine all things without violating human freedom and responsibility.
"Lively, amusing...done to a turn!"—Kirkus Reviews A fateful mistake... When Elinor Rochdale boards the wrong coach, she ends up not at her prospective employer's home but at the estate of Eustace Cheviot, a dissipated and ruined young man on the verge of death. A momentous decision... His cousin, Mr Ned Carlyon, persuades Elinor to marry Eustace as a simple business arrangement. By morning, Elinor is a rich widow, but finds herself embroiled with an international spy ring, housebreakers, uninvited guests, and murder. And Mr Carlyon won't let her leave ... What readers are saying about The Reluctant Widow "Delightful and purely entertaining. The plot involves comedy, intrigue, espionage, cloaks and daggers, and things going bump in the night - served with a sauce of witty repartee that is the Heyer hallmark. Unforgettable." "One of my favorites!" "A delightfully funny and mysterious romp." "Reading Georgette Heyer is the next best thing to reading Jane Austen." — Publisher's Weekly
The hugely powerful and pervasive presence of the Colossus supercomputer mechanically runs Earth and its myriad operations. Managed by its creator, Dr. Charles Forbin, it is incapable of lies and void of human emotion. It is not a robot and not human. As part of its brief to enhance the human race, it runs eerie emotion research centres, authorizing acts of savagery to measure resistance and feeling. Art and abstract creation are banned, and surveillance is constant. No one is free. The power of Colossus is spiralling out of control. The Sect worship it as a God, enforcing its word at every opportunity and seeking out traitors. The Fellowship secretly oppose it as a force of evil, and they risk their lives in a concentrated effort to destroy it and escape its domination. Meanwhile, as Forbin becomes increasingly disillusioned with what he has unleashed on the world, his wife, Cleo, becomes distant, with disastrous consequences.
