Wenceslaus Hollar (1607 Prague - 1677 London) was one of the most important artists of the 17th century. His international career, affluent patrons, and insatiable curiosity enabled him to create a diverse range of prints and drawings, remarkable for their varied subject matter and exceptional technical qualities. Hollar's oeuvre includes cities and fortifications, portraits, religious subjects, politics, mythology, architecture, heraldry and numismatics, antiquarian relics, costume, maps, sports, classical literature, landscape views, 'Old Master' drawings and paintings, and natural history. His work invokes his close observation of, and engagement with, the natural world, as much as the society of his times. Unfortunately, Hollar has received less attention than many of his contemporaries. He has all too often been undervalued as being primarily a 'reproductive printmaker' - one who reproduces in print the designs of others, or simply copies paintings into print. This volume seeks to revise how Hollar has formerly been characterized, through an exploration of hitherto unexamined drawings, as well as the more innovative qualities of his printmaking. It includes new research on Hollar's biography and his patrons, fresh perspectives on Hollar's portraits and urban scenes, and insights into Hollar's forays into the natural world. Partly the outcome of a 2010 symposium held at the Thomas Fisher Rare Books Library at the University of Toronto (repository of third largest collection of Hollar prints), this book comprises contributions from nine international print scholars, from Australia, Canada, Czech Republic, Germany, England, and The Netherlands. Their work on Hollar reaffirms his importance not only to the history of printmaking, but also to the art, science and culture of his times.
Filmmaker Attenborough provides an introductory survey of the artistic representation of plants and animals through human history, beginning with Leonardo da Vinci's drawings and continuing on through the mid-1700s.
In 2012, four hundred years elapsed from the death of Emperor Rudolf II, one of the great patrons of the arts and sciences. His patronage drew together Europe's most prominent figures from the spheres of culture and science, who were active at his court in Prague where he had moved his residence from Vienna. Painting, sculpture and other visual arts flourished under imperial patronage, as did printmaking that was gradually established as a new art medium in its own right. With the improvement of engraving and etching, printmaking was elevated to the status of a fine art during the second half of the 16th century, through the works of master engravers. The prints presented at the exhibition rank with the very best created in Rudolf's era. The graphic sheets in the exhibition collection are closely associated with Emperor Rudolf II and those in his immediate circle. Exhibition: National Gallery, Prague, Czech Republic (19.12.2012-26.5.2013).
This book focuses on Stonehenge, a prehistoric monument on Salisbury Plain in Wiltshire, England. It is one of the most famous landmarks in the United Kingdom and is believed to have been constructed from 3000 BC to 2000 BC.