Welsh Traditional Music

Welsh Traditional Music

Author: Phyllis Kinney

Publisher: University of Wales Press

Published: 2016-06-15

Total Pages: 340

ISBN-13: 1783162996

DOWNLOAD EBOOK

Welsh traditional music has, until now, been the 'Cinderella' of world music studies. Over the years, few English-language writers have paid it any attention, largely because the majority of the songs of Wales are in the Welsh language. Now, at last, that gap has been filled by an American. Phyllis Kinney's book, Welsh Traditional Music, will both delight and inform anyone with an interest in the subject, be they a general reader, an academic, or a performer. It covers the traditional music of Wales from its beginnings through to the present day and contains an extensive selection of more than 200 musical examples. The book not only includes musical analysis of many of the examples, but also places the songs firmly in their social and historical context. Among the many different forms of Welsh traditional music discussed are seasonal music (including wassail songs, Christmas and May carols and Plygain carols), folk drama, ballad-singing, the relevance of the eisteddfod and the musical journals of the nineteenth century,. In addition, it includes a history of collecting from the eighteenth century to the establishment and on-going activities of the Welsh Folk-Song Society in the twentieth. Both the the instrumental and the vocal traditions are examined and there is a section dealing with the uniquely Welsh tradition of 'cerdd dant'. Overall, the value of the book lies not only in its ground-breaking nature and the quality of its scholarship, but in its discussion of Welsh traditional music in the context of the Welsh musical tradition generally. Phyllis Kinney is an American who has steeped herself in the culture, and become fluent in the language, of her adopted country. She is an acknowledged authority on the traditional music of Wales and has produced a book which will become a classic.


A History of Welsh Music

A History of Welsh Music

Author: Trevor Herbert

Publisher: Cambridge University Press

Published: 2022-09-29

Total Pages: 786

ISBN-13: 1009041673

DOWNLOAD EBOOK

From early medieval bards to the bands of the 'Cool Cymru' era, this book looks at Welsh musical practices and traditions, the forces that have influenced and directed them, and the ways in which the idea of Wales as a 'musical nation' has been formed and embedded in popular consciousness in Wales and beyond. Beginning with early medieval descriptions of musical life in Wales, the book provides both an overarching study of Welsh music history and detailed consideration of the ideas, beliefs, practices and institutions that shaped it. Topics include the eisteddfod, the church and the chapel, the influence of the Welsh language and Welsh cultural traditions, the scholarship of the Celtic Revival and the folk song movement, the impacts of industrialization and digitization, and exposure to broader trends in popular culture, including commercial popular music and sport.


'Blerwytirhwng?' The Place of Welsh Pop Music

'Blerwytirhwng?' The Place of Welsh Pop Music

Author: Sarah Hill

Publisher: Routledge

Published: 2017-07-05

Total Pages: 166

ISBN-13: 1351573454

DOWNLOAD EBOOK

In the 1960s, Welsh-language popular music emerged as a vehicle for mobilizing a geographically dispersed community into political action. As the decades progressed, Welsh popular music developed beyond its acoustic folk roots, adopting the various styles of contemporary popular music, and ultimately gaining the cultural self-confidence to compete in the Anglo-American mainstream market. The resulting tensions, between Welsh and English, amateur and professional, rural and urban, the local and the international, necessitate the understanding of Welsh pop as part of a much larger cultural process. Not merely a 'Celtic' issue, the cultural struggles faced by Welsh speakers in a predominantly Anglophone environment are similar to those faced by innumerable other minority communities enduring political, social or linguistic domination. The aim of 'Blerwytirhwng?' The Place of Welsh Pop Music is to explore the popular music which accompanied those struggles, to connect Wales to the larger Anglo-American popular culture, and to consider the shift in power from the dominant to the minority, the centre to the periphery. By surveying the development of Welsh-language popular music from 1945-2000, 'Blerwytirhwng?' The Place of Welsh Pop examines those moments of crisis in Welsh cultural life which signalled a burgeoning sense of national identity, which challenged paradigms of linguistic belonging, and out of which emerged new expressions of Welshness.


Music in Welsh Culture Before 1650

Music in Welsh Culture Before 1650

Author: Sally Harper

Publisher: Routledge

Published: 2017-07-05

Total Pages: 462

ISBN-13: 1351557262

DOWNLOAD EBOOK

Music in Wales has long been a neglected area. Scholars have been deterred both by the need for a knowledge of the Welsh language, and by the fact that an oral tradition in Wales persisted far later than in other parts of Britain, resulting in a limited number of sources with conventional notation. Sally Harper provides the first serious study of Welsh music before 1650 and draws on a wide range of sources in Welsh, Latin and English to illuminate early musical practice. This book challenges and refutes two widely held assumptions - that music in Wales before 1650 is impoverished and elusive, and that the extant sources are too obscure and fragmentary to warrant serious study. Harper demonstrates that there is a far wider body of source material than is generally realized, comprising liturgical manuscripts, archival materials, chronicles and retrospective histories, inventories of pieces and players, vernacular poetry and treatises. This book examines three principal areas: the unique tradition of cerdd dant (literally 'the music of the string') for harp and crwth; the Latin liturgy in Wales and its embellishment, and 'Anglicised' sacred and secular materials from c.1580, which show Welsh music mirroring English practice. Taken together, the primary material presented in this book bears witness to a flourishing and distinctive musical tradition of considerable cultural significance, aspects of which have an important impact on wider musical practice beyond Wales.