The special 300th issue of Weird Tales honors grandmaster Robert Bloch with a special issue dedicated to him. Includes a previously unpublished collaboration between Bloch and Henry Kuttner, plus contributions from Ray Bradbury, Lawrence Watt-Evans. All artwork is by Featured Artist Gahan Wilson.
The Weird Fiction Megapack collects both modern and classic stories from the classic pulp magazine, Weird Tales, with selections ranging throughout the 20th Century, but focusing mainly on the classic era of the 1930s. Included are works by many famous authors, such as H.P. Lovecraft, Robert E. Howard, Clark Ashton Smith, Manly Wade Wellman, E. Hoffmann Price, Tennessee Williams, and many more -- with an emphasis on great but less-well-known stories that readers may not have encountered before. "To Become a Sorcerer," by Darrell Schweitzer (included here) was a finalist for the World Fantasy Award. Included are: BOY BLUE, by Steve Rasnic Tem TAP DANCING, by John Gregory Betancourt TO BECOME A SORCERER, by Darrell Schweitzer THE GOLGOTHA DANCERS, by Manly Wade Wellman THE DEATH OF ILALOTHA, by Clark Ashton Smith THE SALEM HORROR, by Henry Kuttner THE DISINTERMENT, by H.P. Lovecraft and D.W. Rimel THE SEA-WITCH, by Nictzin Dyalhis VINE TERROR, by Howard Wandrei THE PALE MAN, by Julius Long WEREWOLF OF THE SAHARA, by G.G. Pendarves TRAIN FOR FLUSHING, by Malcolm Jameson THE DIARY OF PHILIP WESTERLY, by Paul Compton MASK OF DEATH, by Paul Ernst THE GIRL FROM SAMARCAND, by E. Hoffmann Price THE MONKEY SPOONS, by Mary Elizabeth Counselman THE VENGEANCE OF NITOCRIS, by Tennessee Williams THE NINTH SKELETON, by Clark Ashton Smith BIMINI, by Bassett Morgan THE CURSE OF YIG, by H.P. Lovecraft and Zealia Bishop THE HAUNTER OF THE RING, by Robert E. Howard THE MEDICI BOOTS, by Pearl Norton Swet THE LOST DOOR, by Dorothy Quick DOOM OF THE HOUSE OF DURYEA, by Earl Peirce, Jr. IN THE DARK, by Ronal Kayser And don't forget to check out the other volumes in this series, covering science fiction, fantasy, horror, mystery, westerns, single author collections -- and much, much more! Search this ebookstore for "Wildside Megapack" to see the complete list.
"Think of this collection as a literary grab-bag...chances are there's at least one story you'll like/love/enjoy, others which will amuse you, still others which might disturb, and perhaps one or so which you probably won't like. While the bulk of my fictional output over the years has been roughly divided between horror/dark fantasy, science fiction and erotica (of various types), a few pieces have either slipped through the genre cracks, or simply didn't make it into my other collections, either due to content, length, or availability at the time I was assembling those other collections. I've done a couple of western stories, and some undefined things which cover multiple genres, and some poetry which didn't fit in my other collections either -- there's even a short non-fiction piece about my beloved, late cat Bruiser (the same cat featured in my novel The Amulet), as well as a chapter from an outlined but never written Ewerton novel." -- A.R. Morlan, from the Introduction
Welcome to Black Cat Weekly #10. Carlton Clarke, the famed Chicago telepathic detective, returns to our pages with “The Broken Marconigram.” First published in 1915, this tale takes Clarke and Sexton, his “Watson,” to New Orleans in search of a friend who’s been kidnapped by a Satanic cult. These chronicles of the first “telepathic detective” originally appeared in newspaper syndication across the United States in 1908, and I continue to be impressed by them. There is much here for Sherlock Holmes fans to appreciate. Our roving mystery editor, Barb Goffman, has tracked down by gem by David Dean, “The Duelist.” Plus Hal Charles—the byline of writing team Hal Blythe and Charlie Sweet—contributes another solve-it-yourself mystery. Prolific pulp author Dale Clark—whose copyrights I purchased some years ago—makes his Weekly debut with a terrific World War II-era tale about an undercover F.B.I agent. I don’t think it’s ever been reprinted. And science fiction writer Murray Leinster (real name Will Jenkins) contributes one of his rare mysteries, “One Corpse, Guaranteed!” They don’t make titles like that any more! This issue’s mystery novel is a Bull-Dog Drummond tale by “Sapper.” See my introduction to for more info on this series and author. And that’s just the mysteries! For science fiction fans, we have “The Dangerous Scarecrow,” by Carl Jacobi—he was a member of the Lovecraft Circle, whose talents extended far beyond weird fantasy into science fiction. Plus I’ve snuck in another of my own tales, “Tap Dancing,” a gentle ghost story. I never truly understood it when other writers said some stories were “gifts” that just came to them—until this story came to me. George Scithers placed it in the 300th issue of Weird Tales. It was the best thing I had written at that point in my career, and I wrote it almost word for word in its final form in one sitting. Truly it was a gift. We have not one, but two science fiction novels—Eando Binder’s 1971 classic, The Secret of the Red Spot, and Stephen Marlowe’s Revolt of the Outworlders. Good stuff. Here’s the complete lineup: Mysteries “One Corpse, Guaranteed!” by Murray Leinster [short story] “Thieves’ Blueprint,” by Dale Clark [short story] “Only Time Will Tell,” by Hal Charles [Solve-It-Yourself short-short] “The Duelist,” by David Dean [Barb Goffman Presents short story] Bull-Dog Drummond’s Third Round, by Sapper [novel, Bulldog Drummond series] “The Broken Marconigram,” by Frank Lovell Nelson [short story, Carlton Clarke #9]] Science Fiction & Fantasy “Tap Dancing,” by John Gregory Betancourt[short story] “The Dangerous Scarecrow,” by Carl Jacobi [short story] Revolt of the Outworlds, by Stephen Marlowe [novel] The Secret of the Red Spot, by Eando Binder [novel]
Few historical relics have exerted such a hold on our imaginations as the mummy. In 1834, Thomas J. Pettigrew's A History of Egyptian Mummies was the first scholarly work wholly devoted to the subject, providing, for its time, a remarkable analysis of the different mummification techniques used by the ancient embalmers. Such volumes of serious nonfiction have been supplemented over the years by additional works, both scholarly and otherwise, as well as works of fiction that incorporate and expand upon mummy lore. Indeed, the popular concept of the mummy as a malevolent monster dates back to the nineteenth century, when stories about mummies rising from the dead to terrify the living first captured the imagination of the reading public and set the revivified corpse on the path to becoming a major horror icon. In The Essential Guide to Mummy Literature, Brian J. Frost provides the first in-depth survey and bibliography of works of fiction featuring mummies. In this comprehensive volume, Frost traces the development of the mummy story, paying particular attention to works by Victorian authors and pulp fiction writers, as well as stories from the American pulp magazines. The annotated bibliography provides synopses of all the key works of fiction in the mummy canon, as well as others not so well known. Full publication details for each entry, with plot summaries of more than 500 works of fiction and abridged descriptions of 250 nonfiction books, are provided. Additionally, a filmography is included, along with listings of young adult novels, children's storybooks, and reference works for both adults and children. Well-organized and comprehensive, The Essential Guide to Mummy Literature will appeal to devotees of the horror genre and students of popular literature, as well as researchers and librarians.
This is a textual, bibliographical and cultural study of 60 years of Bradbury's fiction. The authors draw upon correspondence with his publishers, agents and friends, as well as archival manuscripts, to examine the story of Bradbury's authorship over more than half a century.
The Encyclopedia of Chinese Film, one of the first ever encyclopedias in this area, provides alphabetically organized entries on directors, genres, themes, and actors and actresses from mainland China, Hong Kong and Taiwan as well as 300 film synopses. Great care has been taken to provide solid cultural and historical context to the facts. The alphabetical entries are preceded by a substantial historical section, incorporating material on the the main studios and analysing the impact of Chinese film abroad as well as at home in recent years. This Encyclopedia meets the needs, equally, of * the film studies scholar * the student of Chinese culture * the specialist in Chinese film * the curious viewer wanting to know more. Additional features include: * comprehensive cross-references and suggestions for further reading * a list of relevant websites * a chronology of films and a classified contents list * three indexes - (one of film and tv titles with directors names and year of release, one of names including actors, writers, directors and producers and one of studios, all with pinyin romanizations) * a glossary of pinyin romanizations, Chinese characters and English equivalents to aid the specialist in moving between Chinese titles and English translations.