For Gemma Alcott, daughter of business tycoon Burgess T. Alcott, III, the summer of 1929 is a season for picnics, sailing parties, and romance. But life becomes difficult when the Alcott wealth is lost in the Wall Street crash known as Black Tuesday. Gemma and her younger sister, Melody, are suddenly destitute. In their time of need, Kace Morgan, a distant relative appears and Gemma realizes she still has choices. But can she handle the loss of all she has known and a new life that is far from the sheltering wealth she has grown up with? Wednesday's child might have woe, but life is never so dark that God cannot deliver His own into paths of light. Book 3 in the series.
Zoe Knight leans on her young lover, Antonio, to help see her through all her woes, and when she gets a very nasty surprise and a serious wake-up call, things begin to spiral out of control. Original.
At twenty-one, Kathy Valentine was at the Whisky in Los Angeles when she met a guitarist from a fledgling band called the Go-Go’s—and the band needed a bassist. The Go-Go’s became the first multi-platinum-selling, all-female band to play instruments themselves, write their own songs, and have a number one album. Their debut, Beauty and the Beat, spent six weeks at the top of the Billboard 200 and featured the hit songs “We Got the Beat” and “Our Lips Are Sealed.” The record's success brought the pressures of a relentless workload and schedule culminating in a wild, hazy, substance-fueled tour that took the band from the club circuit to arenas, where fans, promoters, and crew were more than ready to keep the party going. For Valentine, the band's success was the fulfillment of a lifelong dream—but it’s only part of her story. All I Ever Wanted traces the path that took her from her childhood in Texas—where she all but raised herself—to the height of rock ‘n’ roll stardom, devastation after the collapse of the band that had come to define her, and the quest to regain her sense of self after its end. Valentine also speaks candidly about the lasting effects of parental betrayal, abortion, rape, and her struggles with drugs and alcohol—and the music that saved her every step of the way. Populated with vivid portraits of Valentine’s interactions during the 1980s with musicians and actors from the Police and Rod Stewart to John Belushi and Rob Lowe, All I Ever Wanted is a deeply personal reflection on a life spent in music.
A perfect saga treat from the Sunday Times bestselling author of A Mother's Grace, for fans of Dilly Court, Katie Flynn and Catherine Cookson. 'A vibrant page-turner with entrancing characters' Margaret Dickinson 'Rosie writes such heartwarming sagas' Lyn Andrews 'The new Catherine Cookson' Coventry Evening Telegraph Wednesday's child is full of woe . . . Warwickshire, 1865. Nessie Carson will do anything to keep her family together after her mother is killed, her father abandons them and they are evicted from their cosy little Nuneaton home. She and her brothers and sisters take on jobs as live-in assistants to a local undertaker. She is soon entwined in fortunes of her employer, Andre, who is forced to live a lie, and the local doctor - someone she's attracted to but can never have. But even in the darkest of times, and saddest of places, when you're as spirited as Nessie Carson, there is light, love and the promise of happiness if you're only brave enough to search for it . . . The Blessed Child is the fourth book in Rosie Goodwin's Days of the Week Collection. Why not try the rest, Mothering Sunday, The Little Angel, A Mother's Grace, A Maiden's Voyage, A Precious Gift and Time to Say Goodbye?
The perfect Valentine’s Day or anniversary gift: An illustrated collection of love and relationship advice from New Yorker writer Patricia Marx, with illustrations from New Yorker cartoonist Roz Chast. Everyone’s heard the old advice for a healthy relationship: Never go to bed angry. Play hard to get. Sexual favors in exchange for cleaning up the cat vomit is a good and fair trade. Okay, not that last one. It’s one of the tips in You Can Only Yell at Me for One Thing at a Time: Rules for Couples by the authors of Why Don’t You Write My Eulogy Now So I Can Correct It: A Mother’s Suggestions. This guide will make you laugh, remind you why your relationship is better than everyone else’s, and solve all your problems. Nuggets of advice include: If you must breathe, don’t breathe so loudly. It is easier to stay inside and wait for the snow to melt than to fight about who should shovel. Queen-sized beds, king-sized blankets. Why not give this book to your significant or insignificant other, your anti-Valentine’s Day crusader pal, or anyone who can’t live with or without love?
By the time he died in 1995, Kendrick Smithyman was regarded as one of New Zealand's most important poets. For decades, though, the uncompromisingly intellectual, relentlessly experimental Smithyman had to endure marginalisation and even ridicule at the hands of conservative editors and critics. Some of Smithyman's work was so far ahead of its time that it can only now hope to find a wide audience. Private Bestiary consists of poems discovered by Scott Hamilton during his exploration of the massive collection of private papers Smithyman bequeathed to the University of Auckland library. These previously-unseen pieces illuminate aspects of Smithyman's life and work that were hitherto obscure, and help us appreciate the extent of his achievement as a writer and a man. Reading Private Bestiary, we discover the young Smithyman protesting passionately about the marginalisation of Maori culture, at a time when most Pakeha intellectuals were oblivious to the subject. We see Smithyman experimenting with surrealism and with the prose poem in the conservative 1950s, when most other Kiwi poems were content to compose in traditional forms and use dowdily 'realistic' imagery. We encounter a series of 1960s poems which mix confessions about Smithyman's troubled personal life with black commentaries on the state of New Zealand society. We discover a number of wild, weirdly fragmented poems that appear to be attempts at a Rimbaud-like 'alchemy of the word'. Scott Hamilton is a social scientist as well as a literary scholar, and the notes he supplies at the back of Private Bestiary explain the historical and political as well as the literary significance of these extraordinary discoveries.
