She’s fallen for a man she can never have … Escaping her past, Sienna never expected to find herself living in a timeless land of cattle musters, cranky cattlemen, and wi-fi withdrawals. But the attraction to her breathtakingly handsome boss proves to be the biggest challenge of all. Jake never wanted to be boss, yet he’ll sacrifice everything for family. Until the curious Sienna arrives stirring up the dust, and his heart, to unearth a devastating string of family tragedies. Even though Sienna knows their attraction is mutual, it’s clear Jake is holding back for a reason. And when she discovers why … Be prepared to get your boots a little dusty as you take a heart-warming emotional ride into this adventurous story about mending broken hearts and breaking rules as traditions are about to be tested. Are you ready for an escape to Happily Ever After?
Bizarrism is a collection of strange-but-true tales, featuring a grand parade of eccentrics, visionaries, crackpots, cult leaders, artists, theorists and outsiders of every stripe. First published in 1999, this new, fully revised and expanded edition revisits a host of unique individuals, including: William Chidley, who believed that, when it comes to sex, we’ve all been making a terrible mistake; Arthur Cravan, who combined poetry with boxing; Slim Gaillard, jazz singer and dispenser of ‘vout’; William Lindsay Gresham, author of the classic noir novel Nightmare Alley; Rosaleen Norton, Australia’s most notorious witch; Harry Crosby, poet, sun worshipper and the best looking corpse of 1929; Reginal Levgiac, author of the mysterious pamphlet Drugs Virus Germs. In writing their stories, Mikul does not judge, but instead celebrates these characters for their fabulous weirdness. For him, they are the “beacons of shining if erratic brilliance in a world of sensible conformity”. The world would be a poorer place without them.
These volumes present John Kinsella’s uncollected critical writings and personal reflections from the early 1990s to the present. Included are extended pieces of memoir written in the Western Australian wheatbelt and the Cambridge fens, as well as acute essays and commentaries on the nature and genesis of personal and public poetics. Pivotal are a sense of place and how we write out of it; pastoral’s relevance to contemporary poetry; how we evaluate and critique (post)colonial creativity and intrusion into Indigenous spaces; and engaged analysis of activism and responsibility in poetry and literary discourse. The author is well-known for saying he is preeminently an “anarchist, vegan, pacifist” – not stock epithets, but the raison d’être behind his work. The collection moves from overviews of contemporary Australian poetry to studies of such writers as Randolph Stow, Ouyang Yu, Charmaine Papertalk–Green, Lionel Fogarty, Les Murray, Peter Porter, Dorothy Hewett, Judith Wright, Alamgir Hashmi, Patrick Lane, Robert Sullivan, C.K. Stead, and J.H. Prynne, and on to numerous book reviews of poetry, fiction, and non-fiction, originally published in newspapers and journals from around the world. There are also searching reflections on visual artists (Sidney Nolan, Karl Wiebke, Shaun Atkinson) and wide-ranging opinion pieces and editorials. In counterpoint are conversations with other writers (Rosanna Warren, Rod Mengham, Alvin Pang, and Tracy Ryan) and explorations of schooling, being struck by lightning, ‘international regionalism’, hybridity, and experimental poetry. This two-volume argosy has been brought together by scholar and editor Gordon Collier, who has allowed the original versions to speak with their unique informal–formal ductus. Kinsella’s interest is in the ethics of space and how we use it. His considerations of the wheatbelt through Wagner and Dante (and rewritings of these), and, in Thoreauvian vein, his ‘place’ at Jam Tree Gully on the edge of Western Australia’s Avon Valley form a web of affirmation and anxiety: it is space he feels both part of and outside, em¬braced in its every magnitude but felt to be stolen land, whose restitution needs articulating in literature and in real time. Beneath it all is a celebration of the natural world – every plant, animal, rock, sentinel peak, and grain of sand – and a commitment to an ecological poetics.
The first thirty years of a young man's progress through life from 1936 to 1966. This is not an exceptional story but a detailed and readable account which gives a penetrating insight into the social history of the period. Illustrated with over 100 images.
This collection of short stories about the Outback is the result of the fifth writing competition for the Outback Writers’ Festival held in Winton. Owing to Covid-19 the festival was cancelled. All royalties go to the festival to assist attracting great Australian authors to the festival in Winton.
This collection of short stories about the Outback is the result of the seventh writing competition for the Outback Writers’ Festival held in Winton on 21–23 June 2022. The winner was announced at the Festival. The best stories are in this book. See www.outbackwritersfestival.com.au and Facebook for the results. Follow us on Facebook and let us know whether you think the judges got it right. All royalties go to the Festival to assist in attracting great Australian authors to the festival in Winton.
This collection of short stories about the Outback is the result of the inaugural writing competition for the Outback Writers Festival held in Winton on 21, 22, & 23 June 2017.
This collection of short stories about the Outback is the result of the sixth writing competition for the Outback Writers’ Festival held in Winton on 22–24 June 2021. The winner was announced at the Festival. Boolarong Press sponsored the under 18 section. The best stories are in this book. See www.outbackwritersfestival.com.au and Facebook for the results. Follow us on Facebook and let us know whether you think the judges got it right. All royalties go to the Festival to assist in attracting great Australian authors to the festival in Winton.
