Weaving Abstraction in Ancient and Modern Art

Weaving Abstraction in Ancient and Modern Art

Author: Iria Candela

Publisher: Metropolitan Museum of Art

Published: 2023-11-01

Total Pages: 52

ISBN-13: 1588397793

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Expanding the understanding of textile and fiber arts, this edition of the Bulletin features two distinct bodies of work that are intimately connected despite being separated by hundreds of years. Placing ancient Andean textiles from South America by unknown artists in conversation with works by global modern practitioners—such as Anni Albers, Sheila Hicks, Lenore Tawney, and Olga de Amaral—Weaving Abstraction in Ancient and Modern Art shows how both traditions harnessed the structure of the loom to create dynamic geometric designs. The 50 extraordinary pieces in this volume span over 2000 years and illustrate weaving’s complex and varied ways of conveying meaning, from stunning iconography to bold structural choices. In highlighting the aesthetic and cultural choices of both ancient and modern artists, this publication elevates textile arts beyond mere ornament to assert their role in the history of art past and present.


Weaving Abstraction

Weaving Abstraction

Author: Vanessa Drake Moraga

Publisher:

Published: 2011

Total Pages: 218

ISBN-13: 9780874050363

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"First published on the occasion of the exhibition ... the Textile Museum, Wasghinton, D.C., October 15, 2011-February 12, 2012"--T.p. verso.


Weaving Modernism

Weaving Modernism

Author: K. L. H. Wells

Publisher: Yale University Press

Published: 2019-01-01

Total Pages: 281

ISBN-13: 0300232594

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An unprecedented study that reveals tapestry's role as a modernist medium and a model for the movement's discourse on both sides of the Atlantic in the decades following World War II


Woven Histories

Woven Histories

Author: Lynne Cooke

Publisher:

Published: 2023-10-23

Total Pages: 0

ISBN-13: 9780226827292

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Richly illustrated volume exploring the inseparable histories of modernist abstraction and twentieth-century textiles. Published on the occasion of an exhibition curated by Lynne Cooke, Woven Histories offers a fresh and authoritative look at textiles--particularly weaving--as a major force in the evolution of abstraction. This richly illustrated volume features more than fifty creators whose work crosses divisions and hierarchies formerly segregating the fine arts from the applied arts and handicrafts. Woven Histories begins in the early twentieth century, rooting the abstract art of Sophie Taeuber-Arp in the applied arts and handicrafts, then features the interdisciplinary practices of Anni Albers, Sonia Delaunay, Liubov Popova, Varvara Stepanova, and others who sought to effect social change through fabrics for furnishings and apparel. Over the century, the intersection of textiles and abstraction engaged artists from Ed Rossbach, Kay Sekimachi, Ruth Asawa, Lenore Tawney, and Sheila Hicks to Rosemarie Trockel, Ellen Lesperance, Jeffrey Gibson, Igshaan Adams, and Liz Collins, whose textile-based works continue to shape this discourse. Including essays by distinguished art historians as well as reflections from contemporary artists, this ambitious project traces the intertwined histories of textiles and abstraction as vehicles through which artists probe urgent issues of our time.


On Weaving

On Weaving

Author: Anni Albers

Publisher: Courier Corporation

Published: 2003-01-01

Total Pages: 214

ISBN-13: 9780486431925

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This survey of textile fundamentals and methods, written by the foremost textile artist of the 20th century, covers hand weaving and the loom, fundamental construction and draft notation, modified and composite weaves, early techniques of thread interlacing, interrelation of fiber and construction, tactile sensibility, and design. 9 color illustrations. 112 black-and-white plates.


Sheila Hicks Weaving as Metaphor

Sheila Hicks Weaving as Metaphor

Author: Arthur C. Danto

Publisher: Yale University Press

Published: 2006-01-01

Total Pages: 424

ISBN-13: 9780300116854

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This text examines the small woven and wrought works artist Sheila Hicks has produced over years. Focusing on 100 Hicks miniatures from many public and private collections, it includes three informative essays as well as illustrations of the artist's related drawings, photographs and chronology.


On Weaving

On Weaving

Author: Anni Albers

Publisher: Princeton University Press

Published: 2017-10-24

Total Pages: 273

ISBN-13: 1400889049

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The classic book on the art and history of weaving—now expanded and in full color Written by one of the twentieth century’s leading textile artists, this splendidly illustrated book is a luminous meditation on the art of weaving, its history, its tools and techniques, and its implications for modern design. First published in 1965, On Weaving bridges the transition between handcraft and the machine-made, highlighting the essential importance of material awareness and the creative leaps that can occur when design problems are tackled by hand. With her focus on materials and handlooms, Anni Albers discusses how technology and mass production place limits on creativity and problem solving, and makes the case for a renewed embrace of human ingenuity that is particularly important today. Her lucid and engaging prose is illustrated with a wealth of rare and extraordinary images showing the history of the medium, from hand-drawn diagrams and close-ups of pre-Columbian textiles to material studies with corn, paper, and the typewriter, as well as illuminating examples of her own work. Now available for a new generation of readers, this expanded edition of On Weaving updates the book’s original black-and-white illustrations with full-color photos, and features an afterword by Nicholas Fox Weber and essays by Manuel Cirauqui and T’ai Smith that shed critical light on Albers and her career.


Weaving as an Art Form

Weaving as an Art Form

Author: Theo Moorman

Publisher: Schiffer Craft

Published: 1975

Total Pages: 108

ISBN-13:

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Outstanding among textile artists -- Theo Moorman is a British weaver who has taught extensively in the United States. Illustrated with beautiful colour and black-and-white examples of her work are her thoughts on the design and aesthetic expression embodied in a woven fabric. The technique of weaving that bears her name is explained with numerous ways the Moorman technique may be varied and used with further exploration. Her experiences with commissioned works are utilised in a special chapter relating the problems and opportunities these present.