AN IN-YOUR-FACE COLLECTION OF TRIVIA THAT'S SURE TO INSPIRE CHEST-THUMPING PRIDE IN EVERYONE OF IRISH DESCENT Is there anyone who does not think the Irish are the greatest people on Earth? Before stepping outside to convince them, first peacefully impart upon any misinformed bar patrons the incontrovertible evidence presented in F*ck You, I'm Irish. Amazing accomplishment or astounding person, if it bleeds kelly green and it's feckin' great, it's in this book. Irish pride has sparked parades, breakfast cereal, beer, riots, international holidays, the fame of Liam Neeson, sports mascots, more beer, and now, this fun and fascinating book. In its pages, Irish culture, history, and general weirdness come to life with snappy entries on everything from snake-chasing saints, cute hoors, and ruthless independence fighters to acclaimed authors, superstar rock bands, and fair-skinned super models. Forget about the leprechaun dolls, T-shirts, hats, wigs, and green beer that people buy every St. Paddy's Day! With true stories of immigrant struggles, rollicking wakes, hurling shenanigans, and Guinness-fueled escapades, F*ck You, I'm Irish offers a far better way to celebrate one's heritage than a manky "Kiss Me, I'm Irish" button.
"A good read even for those who have not the least ancestral or national bias—for those who desire civilized entertainment along with brilliant narrative." —Seattle Times In thirty-five years and dozens of return trips to Ireland, Thomas Lynch has found a template for the larger world inside the small one, the planet in the local parish. Part memoir, part cultural study, Booking Passage is a brilliant, often comedic guidebook for those "fellow travelers, fellow pilgrims" making their way through the complexities of their own lives and times.
We do not die alone - that's the remarkable conclusion of We'll Meet Again, an extraordinary new book by Colm Keane examining deathbed visions. The book recounts how dead parents, children, brothers, sisters and close friends are among those who return to meet us as we die. Well-known religious figures appear less frequently, while beautiful landscapes are observed by those who are passing away. Featuring a riveting collection of 70 real-life stories from all corners of Ireland, north and south, We'll Meet Again also hears from those left behind who describe after death visitations and other strange occurrences. The latest scientific evidence is examined. We'll Meet Again, written by award-winning journalist Colm Keane, is the first Irish book on this intriguing phenomenon and one of the most challenging studies ever compiled on this fascinating theme.
If an Irish person said to you, "Gimmie that yoke," would you think they were talking about an egg? If so, 99% of the time, you'd be wrong. How about banjaxed, bockety or craic? Any idea what they mean? The Little Book of Irishisms is for anyone who wants to understand the Irish, not just our words but how we are as people, relaxed about some things, picky about others. It's also for those who'd like to sound Irish, even just for Paddy's Day. You'll learn tricks to Irishify your chat - and how to avoid those clangers that people think we say but never do, like the classic, "Top of the morning to you." If you're coming to Ireland and want to fit right in, this book's for you. If you can't make it, here's a way of visiting in spirit. "Go on, go on, go on. You will, you will, you will," to quote the infamous Irish comedy, Father Ted. The Little Book of Irishisms is the perfect novelty gift for St. Patrick's Day, as a Christmas stocking filler, or at any time to someone who appreciates what it means to be Irish.
This study focuses on Louis MacNeice's creative and critical engagement with other Irish poets during his lifetime. It draws on extensive archival research to uncover the previously unrecognised extent of the poet's contact with Irish literary mores and networks. Poetic dialogues with contemporaries including F.R. Higgins, John Hewitt, W.R. Rodgers, Austin Clarke, Patrick Kavanagh, John Montague, and Richard Murphy are traced against the persistent rhetoric of cultural and geographical attachment at large in Irish poetry and criticism during the period. These comparative readings are framed by accounts of MacNeice's complex relationship with the oeuvre of W.B. Yeats, which forms a meta-narrative to MacNeice's broader engagement with Irish poetry. Yeats is shown to have been MacNeice's contemporary in the 1930s, reading and reacting to the younger poet's work, just as MacNeice read and reacted to the older poet's work. But the ongoing challenge of the intellectual and formal complexity of Yeats's poetry also provided a means through which MacNeice, across his whole career, dialectically developed various modes through which to confront modernity's cultural, political and philosophical challenges. This book offers new and revisionary perspectives on MacNeice's work and its relationship to Ireland's literary traditions, as well as making an innovative contribution to the history of Irish literature and anglophone poetry in the twentieth century.
This is the first complete introduction to Irish thought ever available. This volume will be of great value to anyone interested in Irish culture and its intellectual history.