Five short stories that contain special places that make the characters feel at home. Charley's Home holds safety in it's abandoned walls. Ooma of the forest leaves certain death to find a new life and laughter. Circles tells how many things never change. The Diary tells of deception, death, greed and unexpected happiness. The Brick Monstrasity has a family in it that needs to change their spending habits..
NATIONAL BESTSELLER • Through gorgeous photography and heartfelt essays, the interior designer and author of Made for Living reveals her detail-oriented approach to renovating, decorating, and building a beautiful home. The details can make a room. The bullnose edge of a marble countertop. The wood grain and color of the flooring. The particular pleat of the drape. Amber Lewis, the esteemed designer known for her signature California-inspired style, obsesses over the tiniest of features to create her eclectic, laid-back look. In Call It Home, she shares her secrets to choosing and applying fabric, paint, finishes, tile, flooring, and more for a beautifully designed home, shortcutting the often-overwhelming decision-making process. Amber walks you through eight new homes she designed—including her own—and the thought processes behind every major choice. Whether you're decorating one room, renovating your entire house, or planning new construction, she shares how to approach a project from start to finish, guiding you on how to find the right team so you can get the perfect results. Then she takes you through mountain retreats and surfside homes, dreamy escapes she’s created by pulling inspiration from the surrounding property for a look that’s unique to each home. Through personal essays, you’ll learn how she set about the project, what challenges her team faced, and the materials she used to achieve the finished result. With more than 200 gorgeous images of livings rooms, kitchens, dining rooms, entryways, bedrooms, and baths, you'll have photographs of Amber’s details on hand when you're ready to create your own collection of stunning spaces—and call it home.
Widely acclaimed for her powerful explorations of race, womanhood, spirituality, and mortality, poet Lucille Clifton has published thirteen volumes of poems since 1969 and has received numerous accolades for her work, including the 2000 National Book Award for Blessing the Boats. Her verse is featured in almost every anthology of contemporary poetry, and her readings draw large and enthusiastic audiences. Although Clifton's poetry is a pleasure to read, it is neither as simple nor as blithely celebratory as readers sometimes assume. The bursts of joy found in her polished, elegant lines are frequently set against a backdrop of regret and sorrow. Alternately consoling, stimulating, and emotionally devastating, Clifton's poems are unforgettable. In Wild Blessings, Hilary Holladay offers the first full-length study of Clifton's poetry, drawing on a broad knowledge of the American poetic tradition and African American poetry in particular. Holladay places Clifton's poems in multiple contexts -- personal, political, and literary -- as she explicates major themes and analyzes specific works: Clifton's poems about womanhood, a central concern throughout her career; her fertility poems, which are provocatively compared with Sylvia Plath's poems on the same subject; her relation to the Black Arts Movement and to other black female poets, such as Gwendolyn Brooks and Sonia Sanchez; her biblical poems; her elegies; and her poignant family history, Generations, an extended prose poem. In addition to a new preface written after Clifton's death in 2010, this updated edition includes an epilogue that discusses the poetry collections she published after 2004. Readers encountering Lucille Clifton's poems for the first time and those long familiar with her distinctive voice will benefit from Hilary Holladay's striking insights and her illuminating interview with the influential American poet.
We Call It Home begins in the 19th century, when the private sector failed to provide affordable housing for the poor. This led the Liberal government to build the first state houses in 1905: workers' dwellings. It moves on to examine the state house styles -- the archetypal state house of the first Labour Government is well known, but this wasn't the only kind of state house. Schrader asks why the government seemed so keen on housing nuclear families at the expense of other family groups, and through his interviews finds out who did the chores, what they ate, and what they did together, and charts the changing structure of state house families. Finally, Schrader looks at the changing public perceptions of state housing. In the 1930s securing a state house was viewed as a 'step up', but by the 1970s it had come to be seen as a 'step down'. Why the change? It is the author's hope that We Call It Home " ... will give readers a greater understanding of the ways in which state housing has affected the lives of generations of Kiwis, and of the important role it has played in shaping New Zealand society."
Let's Call It Home is a slow search for wholeness in the fragmented landscape of language, place, family, and faith. These poems offer themselves as touchstones on the dizzying pilgrimage of ascent and descent towards rooted ground, that place we both hail from and are forever approaching, the home we both know intimately and perennially hunger for. And here, on this road, if the conclusions are provisional and the destination--as seen from this end of things--shifting, the hope compelling us out the door is as certain as the ache that sings us homeward and the unshakable sense of a steadying hand at our backs.
The poor standard of current housing, and the inability of too many people on low incomes to access decent housing, is causing a cascade of problems that are avoidable. Housing affordability. Unhealthy homes. Wealth inequality. Environmental sustainability. Social mobility. The state of New Zealand housing is central to many major issues confronting this country. In this wide-ranging BWB Text, leading international housing researcher Philippa Howden-Chapman reveals how New Zealand has lost its way on housing. This succinct introduction, drawing on two decades of award-winning research, helps chart a new way ahead for housing that is healthy, inclusive and sustainable.
John Creedon has always been fascinated by place names, from growing up in Cork City as a young boy to travelling around Ireland making his popular television show. In this brilliant new book, he peels back the layers of meaning of familiar place names to reveal stories about the land of Erin and the people who walked it before us. Travel the highways, byways and boreens of Ireland with John and become absorbed in the place names, such as 'The Cave of the Cats', 'Artichoke Road', 'The Eagle's Nest' and 'Crazy Corner'. All hold clues that help to uncover our past and make sense of that place we call home, feeding both mind and soul along the way.
This work is a walk and a journey into the realities of life. It shares reflections from tragedy and grief to hope and healing. The different pieces of this work, challenge the reader to succor the self, despite the problems and pain of life and in the process, persevere to a place of wellness. This work challenges us to redefine our role in the world and in our relationships. It calls on us to reconstruct our rubric so we can look beyond the casual that we have been taught, to paying attention to the constructive and consequential that we must know. It summons us to give ourselves a chance to be carefully prudent enough to succeed. It reminds us of our responsibility and at the same time focuses us on our finality. It calls us to authenticity, reminds us of life’s adversity, but also points us to our possibility. It calls us to get away from being gullible and from the gimmicks of our space and from the aura of grandiosity in our interactions, to a place of growth and well-being. It challenges us to get in touch with ourselves and embrace the opportunity of the genesis of a much brighter and fulfilling life in our tomorrow.
A lyrical and loving ode to Planet Earth and the ways in which its many features are interconnected--to each other and to us--told in the cumulative style of "This Is the House that Jack Built." This is our Earth, the planet we call home. These are the mountains, stretching from Earth, the planet we call home. This is the sun, that warms up the mountains, stretching from Earth, the planet we call home. And on the story goes: The planet we call home has mountains that stretch from the earth, and those mountains have streams that swell in the sun, and those streams lead to rivers that meander by towns, and on and on—all interconnected and all dependent on one another. And throughout it all is us, the people who call this planet home, and who care for its many wonders and help keep it beautiful and vibrant for generations to come. With a warm, cumulative text by debut author Aimee Isaac, gorgeous, sweeping art by award-winning and bestselling illustrator Jaime Kim, this is a perfect read for budding environmentalists—and for anyone who loves the planet we all call home.
To all who ever wished to write their own words to tunes they have heard and loved, but hesitated to do so for one or another reason, these may start you off!
