Washington Heights is a thrilling book that captures the scandals, sex-fuels, drug lords, murderers of the underground world in the streets of New York City. The main character Lady from young, promised herself that she would do everything in her power to have a better life and not have to struggle and work as hard as her mom did. Therefore, Lady started a click of girls who work really hard for a better future. Roxy, Jenny, Laila, China and Lady where professionals at their job. They hustle money from big time drug dealers for a good cause, to open a Community Center for Parents and Kids of Immigrant Decent and get help. They dream of bettering their community so the next people in Washington Heights have a safe place to play and grow up in.
Robert W. Snyder's Crossing Broadway tells how disparate groups overcame their mutual suspicions to rehabilitate housing, build new schools, restore parks, and work with the police to bring safety to streets racked by crime and fear. It shows how a neighborhood once nicknamed "Frankfurt on the Hudson" for its large population of German Jews became "Quisqueya Heights"—the home of the nation's largest Dominican community. The story of Washington Heights illuminates New York City's long passage from the Great Depression and World War II through the urban crisis to the globalization and economic inequality of the twenty-first century. Washington Heights residents played crucial roles in saving their neighborhood, but its future as a home for working-class and middle-class people is by no means assured. The growing gap between rich and poor in contemporary New York puts new pressure on the Heights as more affluent newcomers move into buildings that once sustained generations of wage earners and the owners of small businesses. Crossing Broadway is based on historical research, reporting, and oral histories. Its narrative is powered by the stories of real people whose lives illuminate what was won and lost in northern Manhattan's journey from the past to the present. A tribute to a great American neighborhood, this book shows how residents learned to cross Broadway—over the decades a boundary that has separated black and white, Jews and Irish, Dominican-born and American-born—and make common cause in pursuit of one of the most precious rights: the right to make a home and build a better life in New York City.
The history of Washington Heights, Inwood, and Marble Hill is interesting not only because the communities played a major role in the American Revolution but because of their cultural and educational institutions and residents whose culture and ethnicity have contributed to the well-being of the area. These communities have always been a haven for immigrants who have come here to live and work since the pre-Columbian era. Native Americans came to trade goods, Jewish refugees came during the 1930s to flee the tyranny of the Nazis, and since the end of World War II there has been an influx of the Latino community. The area is also noted for its dolomitic Inwood marble, which has been quarried for government buildings in New York City and some of the federal buildings in Washington, D.C. Through vintage images, Washington Heights, Inwood, and Marble Hill illustrates the transformation of this area over the decades.
Nosebleeds from Washington Heights reveals a number of salient episodes that took place in Washington Heights between 1940 and 1958. Written as poignant short stories, the tales are replete with what for many may be long forgotten people, places and events. For some, it will be an unforgettable passport back into those lost years filled with the kind of detail and stuff of which memories are made, which will jar and delight.
Christopher Atamian celebrates the extraordinary cultural mosaic and landscape of Washington Heights in playful, nostalgic rhyme that honors familial love as much as urban romance, cutting to the core of queer desire. Drawing on influences as disparate as Nigoghos Sarafian and Patti Smith, Chris mesmerizes the reader with mythological figures and spiritual reverie, ultimately offering redemption for our troubled times-through his Armenian American and native New Yorker eyes. - Nancy Agabian, "Me as her again: True Stories of an Armenian Daughter", "Princess Freak"
GOOD MORNING AMERICA BUZZ PICK • The Pulitzer Prize–winning playwright and co-writer of In the Heights tells her lyrical story of coming of age against the backdrop of an ailing Philadelphia barrio, with her sprawling Puerto Rican family as a collective muse. LONGLISTED FOR THE ANDREW CARNEGIE MEDAL • ONE OF THE BEST BOOKS OF THE YEAR: NPR, New York Public Library, BookPage, and BookRiot • “Quiara Alegría Hudes is in her own league. Her sentences will take your breath away. How lucky we are to have her telling our stories.”—Lin-Manuel Miranda, award-winning creator of Hamilton and In the Heights Quiara Alegría Hudes was the sharp-eyed girl on the stairs while her family danced their defiance in a tight North Philly kitchen. She was awed by her mother and aunts and cousins, but haunted by the unspoken, untold stories of the barrio—even as she tried to find her own voice in the sea of language around her, written and spoken, English and Spanish, bodies and books, Western art and sacred altars. Her family became her private pantheon, a gathering circle of powerful orisha-like women with tragic real-world wounds, and she vowed to tell their stories—but first she’d have to get off the stairs and join the dance. She’d have to find her language. Weaving together Hudes’s love of music with the songs of her family, the lessons of North Philly with those of Yale, this is a multimythic dive into home, memory, and belonging—narrated by an obsessed girl who fought to become an artist so she could capture the world she loved in all its wild and delicate beauty.
Four bullet-torn bodies in a drug-ridden South Bronx alley. A college boy shot in the head on the West Side Highway. A wild shootout on the streets of Washington Heights, home of New York City's immigrant Dominican community and hub of the eastern seaboard's drug trade. All seemingly separate acts of violence. But investigators discover a pattern to the mayhem, with links to scores of assaults and murders throughout the city. In this bloody urban saga, Robert Jackall recounts how street cops, detectives, and prosecutors pieced together a puzzle-like story of narcotics trafficking, money laundering, and murders for hire, all centered on a vicious gang of Dominican youths known as the Wild Cowboys. These boyhood friends, operators of a lucrative crack business in the Bronx, routinely pistol-whipped their workers, murdered rivals, shot or slashed witnesses to their crimes, and eventually turned on one another in a deadly civil war. Jackall chronicles the crime-scene investigations, frantic car chases, street arrests at gunpoint, interviews with informants, and knuckle-breaking plea bargaining that culminated in prison terms for more than forty gang members. But he also tells a cautionary tale--one of a society with irreconcilable differences, fraught with self-doubt and moral ambivalence, where the institutional logics of law and bureaucracy often have perverse outcomes. A society where the forces of order battle not just violent criminals but elites seemingly aligned with forces of disorder: community activists who grab any pretext to further narrow causes; intellectuals who romanticize criminals; judges who refuse to lock up dangerous men; federal prosecutors who relish nailing cops more than crooks; and politicians who pander to the worst of our society behind rhetorics of social justice and moral probity. In such an up-for-grabs world, whose order will prevail?
"The Murder Mamis" washington heights is a thrilling novel that captures the life scandals, sex-fuels, drugs abuse, fame, power and murder of the underground world of washington heights new york city the big apple.
This cookbook features recipes for German-Jewish cuisine as it existed in Germany prior to World War II, and as refugees later adapted it in the United States and elsewhere. Because these dishes differ from more familiar Jewish food, they will be a discovery for many people. With a focus on fresh, seasonal ingredients, this indispensable collection of recipes includes numerous soups, both chilled and hot; vegetable dishes; meats, poultry, and fish; fruit desserts; cakes; and the German version of challah, Berches. These elegant and mostly easy-to-make recipes range from light summery fare to hearty winter foods. The Gropmans-a mother-daughter author pair-have honored the original recipes Gabrielle learned after arriving as a baby in Washington Heights from Germany in 1939, while updating their format to reflect contemporary standards of recipe writing. Six recipe chapters offer easy-to-follow instructions for weekday meals, Shabbos and holiday meals, sausage and cold cuts, vegetables, coffee and cake, and core recipes basic to the preparation of German-Jewish cuisine. Some of these recipes come from friends and family of the authors; others have been culled from interviews conducted by the authors, prewar German-Jewish cookbooks, nineteenth-century American cookbooks, community cookbooks, memoirs, or historical and archival material. The introduction explains the basics of Jewish diet (kosher law). The historical chapter that follows sets the stage by describing Jewish social customs in Germany and then offering a look at life in the vibrant _migr_ community of Washington Heights in New York City in the 1940s and 1950s. Vividly illustrated with more than fifty drawings by Megan Piontkowski and photographs by Sonya Gropman that show the cooking process as well as the delicious finished dishes, this cookbook will appeal to readers curious about ethnic cooking and how it has evolved, and to anyone interested in exploring delicious new recipes.
Morris-Jumel Mansion is an engaging look at the history of Manhattan's oldest residence. Built by Roger Morris in 1765 as a summer estate, it has truly been a witness to history throughout the last 250 years. Located in the upper Manhattan neighborhood of Washington Heights, the mansion sits on a large hill, with sweeping views of both the East and Hudson Rivers. George Washington strategically located his headquarters here during the fall of 1776, but the Jumels, who made the house their home from 1810 to 1895, left the most indelible mark. In 1904, the residence became a museum, thanks to the Daughters of the American Revolution, who saved the house and allowed it to grow with the changing neighborhood. Today, this landmark is a symbol of both the long history of the city and the contemporary face of its now diverse neighborhood.
