"In this provocative book, Christopher I. Beckwith traces how the recursive argument method was first developed by Buddhist scholars and was spread by them throughout ancient Central Asia. He shows how the method was adopted by Islamic Central Asian natural philosphers - most importantly by Avicenna, one of the most brilliant of all medieval thinkers - and transmitted to the West when Avicenna's works were translated into Latin in Spain in the twelfth century by the Jewish philosopher Ibn Dā'ūd and others. -- Book jacket.
FROM THE AWARD-WINNING, BESTSELLING AUTHOR AND CO-HOST OF THE CHART-TOPPING EMPIRE PODCAST – A REVOLUTIONARY NEW HISTORY OF THE DIFFUSION OF INDIAN IDEAS 'A master storyteller' Sunday Times 'Richly woven, highly readable ... Written with passion and verve' Spectator 'A more masterful and accessible survey ... would be hard to find ... Enthralling' Literary Review India is the forgotten heart of the ancient world For a millennium and a half, India was a confident exporter of its diverse civilisation, creating around it a vast empire of ideas. Indian art, religions, technology, astronomy, music, dance, literature, mathematics and mythology blazed a trail across the world, along a Golden Road that stretched from the Red Sea to the Pacific. William Dalrymple draws from a lifetime of scholarship to highlight India's oft-forgotten position as the heart of ancient Eurasia. For the first time, he gives a name to this spread of Indian ideas that transformed the world. From the largest Hindu temple in the world at Angkor Wat to the Buddhism of China, from the trade that helped fund the Roman Empire to the creation of the numerals we use today (including zero), India transformed the culture and technology of its ancient world – and our world today as we know it. Praise for William Dalrymple and The Anarchy 'A superb historian with a visceral understanding of India' The Times 'Magnificently readable, deeply researched and richly atmospheric' Francis Wheen, Mail on Sunday
Will the might of the Byzantine Empire crush the ambitions of the Warrior Brothers? Eleventh century Italy. The Byzantines rule the South, but do so in the face of constant revolt from their unwilling subjects - a strife that extends from the great trading ports to the rich agricultural lands of Apulia. The Lombards, heirs to a northern tribe, are no exception and their leader, Arduin of Fassano, brings into the conflict the fearsome mercenary brothers, the de Hautevilles, to help him in his quest - to destroy the power of Constantinople. Will the might of the Byzantine Empire crush Arduin's revolt? Can his ambitious plan succeed, or will the treachery that stalks the land play into the hands of the Normans?
Presents a history of early Buddhism based solely on dateable artefacts and archaeology rather than received tradition, much of which data is provided by studying Pyrrho's history
Japan’s monastic warriors have fared poorly in comparison to the samurai, both in terms of historical reputation and representations in popular culture. Often maligned and criticized for their involvement in politics and other secular matters, they have been seen as figures separate from the larger military class. However, as Mikael Adolphson reveals in his comprehensive and authoritative examination of the social origins of the monastic forces, political conditions, and warfare practices of the Heian (794–1185) and Kamakura (1185–1333) eras, these "monk-warriors"(sôhei) were in reality inseparable from the warrior class. Their negative image, Adolphson argues, is a construct that grew out of artistic sources critical of the established temples from the fourteenth century on. In deconstructing the sôhei image and looking for clues as to the characteristics, role, and meaning of the monastic forces, The Teeth and Claws of the Buddha highlights the importance of historical circumstances; it also points to the fallacies of allowing later, especially modern, notions of religion to exert undue influence on interpretations of the past. It further suggests that, rather than constituting a separate category of violence, religious violence needs to be understood in its political, social, military, and ideological contexts.
For the mercenary group employed by the city of Jenaut, Demons seem to remain as the only great threat they would ever see. Five years and the burden of life begin to set and stress bonds. Yet, a lone power sits upon the horizon and grows ever increasingly hostile towards them. A tense anger carried on the air in whispers and remains on the tips of tongues. A constricting and fearful power, it seems the mercenaries stand powerless before it. Aid comes from places unexpected and emerges from shadows of nightmares only to disappear when they turn. Shortly, they begin to understand that Sylsteruin, their world, contains more frightening entities than they ever could dream. One such entity, watching with a growing hunger, begins to question the very foundations the Gods set forth as the world tips closer to war between Summoners, heralds of Gods. Will they find themselves lost in the maws of creatures mad? Will they change the words as Fate reads them? She cannot know, no one can know.
Archaeological discoveries indicate that early man, even in a primitive state, made tools to produce and control sound. Music has evolved right along with us. From the perspective of Western (European) culture, all known older, more advanced forms of music developed in the East. The first civilizations of Central Asia, the Middle East, and the Nile had music with well-developed applications, as did the Greeks and Romans, who follow them in our history books. The geographical regions now dominated by China and India, and the Turkic peoples spreading westwards from Mongolia, all had their own, as well as shared, variations of percussion, string, and wind instruments, as well as vocal music. During the millennia since then, Western culture has undergone constant increasingly rapid and advanced development, and so has its music; during the sixteenth century it was spread into the Americas, eventually achieving total domination. Soon after, colonial activity also forced East Asia and eventually the rest of the world to deal with Western culture, which affected and often threatened native cultures. Get a detailed look at history from a musical perspective with this scholarly work by a musicologist who is an expert in stringed musical instrument history and development.
Teaches students the art and practice of comparison in the globalizing world, fully updated to reflect recent scholarship and major developments in the field Comparing Religions: The Study of Us that Changes Us is a wholly original, absorbing, and provocative reimagining of the comparative study of religion in the 21st century. The first textbook of its kind to foreground the extraordinary or “paranormal” aspects of religious experience, this innovative volume reviews the fundamental tenets of the world’s religions, discusses the benefits and problems of comparative inquiry, explores how the practice can impact a person's worldview and values, and much more. Asserting that religions have always engaged in comparing one another, the authors provide insights into the history, trends, debates, and questions of explicit comparativism in the modern world. Easily accessible chapters examine the challenges of studying religion using a comparative approach rather than focusing on religious identity, inspiring students to think seriously about religious pluralism as they engage in comparative practice. Throughout the text, a wealth of diverse case studies and vivid illustrations are complemented by chapter outlines, summaries, toolkits, discussion questions, and other learning features. Substantially updated with new and revised material, the second edition of Comparing Religions: Draws from both comparative work and critical theory to present a well-balanced introduction to contemporary practice Explains classic comparative themes, provides a historical outline of comparative practices, and offers key strategies for understanding, analyzing, and re-reading religion Draws on a wide range of religious traditions to illustrate the complexity and efficacy of comparative practice Embraces the transcendent nature of the religious experience in all its forms, including in popular culture, film, and television Contains a classroom-proven, three-part structure with easy-to-digest, thematically organized chapters Features a companion website with information on individual religious traditions, additional images, a glossary, discussion questions, and links to supplementary material Comparing Religions: The Study of Us that Changes Us, Second Edition, is the perfect textbook for undergraduate students and faculty in comparative religion, the study of religion, and world religions, as well as a valuable resource for general readers interested in understanding this rewarding area.
