"This volume includes an incisive essay by art historian Richard Meyer, a beautifully illustrated dossier with discussions of the ten Jewish subjects and images of related prints and source photographs, and a timeline detailing the history of the series. Warhol's Jews: Ten Portraits Reconsidered offers a rare opportunity to explore at length a discrete group of works in the artist's vast oeuvre."--BOOK JACKET.
This volume focuses on Jewish American identity within the context of Pop art in New York City during the sixties to reveal the multivalent identities and selves often ignored in Pop scholarship. Melissa L. Mednicov establishes her study within the context of prominent Jewish artists, dealers, institutions, and collectors in New York City in the Pop sixties. Mednicov incorporates the historiography of Jewish identity in Pop art—the ways by which identity is named or silenced—to better understand how Pop art made, or marked, different modes of identity in the sixties. By looking at a nexus of the art world in this period and the ways in which Jewish identity was registered or negated, Mednicov is able to further consider questions about the ways mass culture influenced Pop art and its participants—and, to a larger extent, formed further modes of identity. The book will be of interest to scholars working in art history, Jewish studies, and American studies.
A catalogue produced by Tacoma Art Museum for the traveling exhibition of thesame name co-organized by the Booth Western Art Museum, the National Cowboy &Western Heritage Museum, and Tacoma Art Museum.
Shlomo Sand was born in 1946, in a displaced person’s camp in Austria, to Jewish parents; the family later migrated to Palestine. As a young man, Sand came to question his Jewish identity, even that of a “secular Jew.” With this meditative and thoughtful mixture of essay and personal recollection, he articulates the problems at the center of modern Jewish identity. How I Stopped Being a Jew discusses the negative effects of the Israeli exploitation of the “chosen people” myth and its “holocaust industry.” Sand criticizes the fact that, in the current context, what “Jewish” means is, above all, not being Arab and reflects on the possibility of a secular, non-exclusive Israeli identity, beyond the legends of Zionism.
An engaging exploration of the relationship between avant-garde art and American network television from the 1940s through the 1970s The aesthetics and concepts of modern art have influenced American television ever since its inception in the 1930s. In return, early television introduced the public to the latest trends in art and design. This engaging catalogue comprehensively examines the way avant-garde art shaped the look and content of network television in its formative years, from the 1940s through the mid-1970s. It also addresses the larger cultural and social context of television. Artists, fascinated with the new medium and its technological possibilities, contributed to network programs and design campaigns, appeared on television to promote modern art, and explored, critiqued, or absorbed the new medium in their work. More than 150 illustrations reveal both sides of the dialogue between high art and television through a selection of graphic designs, ephemera, and stills from important television programs--from The Twilight Zone to Batman to Rowan & Martin's Laugh-In, and more--as well as works by artists including Salvador Dalí, Lee Friedlander, Agnes Martin, Man Ray, Andy Warhol, and many others. Revolution of the Eye uncovers the cultural history of a medium whose powerful influence on our lives remains pervasive.
Showcasing the artist's vast and personal archive, this carefully researched book unveils an eclectic selection of objects including artworks, fashion, photographs, and ephemera--everything from "Autograph" to "Zombies."
From "I Like Ike" to razor-wire and National Guard troops ringing the U.S. Capitol, from Carl Perkins's "Blue Suede Shoes" to Brotha Lynch Hung's "Meat Cleaver," the United States has changed. Seven decades of material abundance and unprecedented technological advances have entwined with pronounced social and cultural fragmentation. What -- and who -- can explain this peculiar transformation of the land of the free and home of the brave? In From Elvis to Trump, Eyewitness to the Unraveling: Co-Starring Richard Nixon, Andy Warhol, Bill Clinton, the Supremes, and Barack Obama, Eric Rozenman takes readers on an often wry, but always substantive, journey through the past 65 years of American culture. The author provides first-hand accounts of key players and events. Presidents, prime ministers, dictators, rock stars, movie stars, survivors, protesters, and a Miss America all have their say. An FBI investigation of the author makes clear that those in charge didn't know the half of it. Bob Hope and Shirley Temple Black, Israeli Prime Minister Yitzhak Rabin, and Nobel Peace Prize laureate Elie Wiesel are among those who paint the era's impressionistic portrait, by turns entertaining and tragic. Through a fast-moving series of vignettes, From Elvis to Trump highlights a nation and a time that concludes - brakes screeching before a STOP sign that was there all along - in unparalleled change and challenge.
A thoughtful and age-appropriate introduction to an unimaginable event—the Holocaust. The Holocaust was a genocide on a scale never before seen, with as many as twelve million people killed in Nazi death camps—six million of them Jews. Gail Herman traces the rise of Hitler and the Nazis, whose rabid anti-Semitism led first to humiliating anti-Jewish laws, then to ghettos all over Eastern Europe, and ultimately to the Final Solution. She presents just enough information for an elementary-school audience in a readable, well-researched book that covers one of the most horrible times in history. This entry in the New York Times best-selling series contains eighty carefully chosen illustrations and sixteen pages of black and white photographs suitable for young readers.
Featuring sixty-seven illustrations, and providing an important reckoning and visualization of the previously hidden Jewish 'ghosts' within US art, Jewish Identities in American Feminist Art addresses the veiled role of Jewishness in the understanding of feminist art in the United States. From New York city to Southern California, Lisa E. Bloom situates the art practices of Jewish feminist artists from the 1970s to the present in relation to wider cultural and historical issues. Key themes are examined in depth through the work of contemporary Jewish artists including: Eleanor Antin Judy Chicago Deborah Kass Rhonda Lieberman Martha Rosler and many others. Crucial in any study of art, visual studies, women's studies and cultural studies, this is a new and lively exploration into a vital component of US art.
"Proust/Warhol : Analytical Philosophy of Art employs three key intellectual tools : the aesthetic theory of Arthur Danto, the account of Proust by Joshua Landy, and the analysis of the art of living by Alexander Nehamas. Proust/Warhol concludes with a discussion of an issue of particular importance for Warhol, the relationship between art and fashion."--Jacket
