Featuring over 100 original Makos contact sheets, reproduced in full with the photographer's editing marks and comments, Warhol | Makos in Context includes unedited, raw material of his work during the years he saw Warhol almost daily. An insider's account of the high jinks and high times at the Factory and beyond, this is an unexpurgated visual record of New York's most intriguing circle and a primary source document that puts Warhol in context in Makos' life. |I wish I could take photographs like that.| - Andy Warhol on Christopher Makos
Includes a copy of the book enclosed in a Lucite box, with a unique, vintage, signed eight by ten inch contact sheet from the collection of the artist. Please contact us for selection and availability.
In Exhibitionism, Christopher Makos reveals some of the most extraordinary photographs ever taken of male portraiture, resulting in this astonishing visual essay. But it's not just the selection of these remarkable artworks that makes this collection special--it's the assembly and editing, finessed in partnership with Calvin Klein--which juxtaposes extraordinary photographs of men against extraordinary portraits of other man-made abstract forms.
Actress Jessica Lange's career spans more than 30 years and 30 films - the winner of two Academy Awards, she is one of the most acclaimed performers of both screen and stage. 50 Photographs finds her on the other side of the camera. Originally drawn to photography as a medium by which to document her children, Lange has been taking pictures for more than 15 years, approaching the art as an antidote to the constant fervour of Hollywood. A 2007 feature in Aperture presented her work to the public for the first time. This book presents some of her portfolio.
'Everything' is a four-decade retrospective through the inimitable career of Christopher Makos, taking us inside the world of one of downtown New York's premier photographers.
An artist-printed signed and numbered silver-gelatin photographic print, eight by ten inches, inside a specially produced clothbound slipcase with a book signed and numbered by the artist.
Since the time she was so desperate she had to pee on the street and noticed the patterns and light caught in her urination, Jong has captured her tracks through New York, Miami, Shanghai, Mexico, the countryside and seaside, under moonlight and opposite sunset. These images, exhibited at numerous galleries, capture not only Jong's rebellious exuberance, but also offer a comment on what constitutes the personal and the political. Pees on Earth is a statement about the ownership of self, of sensuality, of humanity, and of womanhood - all expressed with beauty and humour.
For decades now tattoos have been potent symbols of the Los Angeles gang-life scene. The black and white tattoos with recognizable gang symbols appear on members' faces, necks and all over their bodies, making their gang affiliation immediately clear to whomever crosses their path. This can mean the difference between life and death on he streets, and just as often, in prison. What does this prominently placed imagery mean for those men and women who somehow extricate themselves from gang life or are released from prison or want to separate themselves from the gang and start life anew? The very tattoos which may have helped guard against the constant threat of rival gangs now bar many ex-gang members from employment, life without harassment, and the freedom to move on from a past they have worked hard to overcome. Skin Deep is a photography project that seeks to show the effects of this ongoing gang conflict in Los Angeles. Photographer Steven Burton set out to photograph realistic portraits of former gang members who are trying to escape the revolving door of death and prison. For these men and women, the aftermath of gang life is not only carried within--it is also scrawled across their faces and bodies. Skin Deep uniquely highlights the impact tattoos have on the way a person is perceived by showing what each participant might look like without them. Utilizing before and, thanks to the advantages of Photoshop, after photographs, these men and women got a chance to see what they'd look like without the inked visual armor. After the bare images were presented to each, they were asked to talk about themselves and their families, what tattoos represent to them, and their aspirations for the future. Seeing themselves without tattoos--many for the first time in decades--naturally brought about a wide range of emotions, recollections, hopes, and dreams, with responses such as: "I am shocked. I don't know what to say about this. I am going to give this to my mom, she is going to be so happy." "I think this guy in the pictures would judge the one with tattoos right off the top." "That's crazy, that looks real crazy. Those came out cool man! I think I like it better without the tattoos." Burton met his subjects thanks to Father Greg Boyle, the founder of Homeboy Industries in LA, and the entire project is inspired by his tireless work to help rehabilitate these former gang members and give them all a crucial second chance in life. Skin Deep offers a chance to expose the realities these individuals face when trying to rebuild their lives and re-enter society. As importantly, for the public, the project provokes consideration regarding how society perceives and judges people with tattoos and violent pasts and seeks to garner empathy for those caught in the crosshairs of gang life as they try to change their futures.
In the Vale of Cashmeremarks the culmination of acclaimed photographer Thomas Roma'sfour-year odyssey into a densely wooded, secluded corner of Brooklyn's Prospect Park, where gay cruising dominates the footpaths and trails. The Vale ofCashmere, a name that dates back to the 1890s, has long been a meeting place for gay men. and currently, mostly Black men. However, encounters occur between men of all walks of life, as well as gender and sexual identities. With his large, tripod-mounted, hand-made camera, Roma stepped into the center of this community, an obvious but mostly ignored presence. Understandably, many of the menRoma approached to photograph in a formal portrait were not interested, butsurprisingly, many were. After they agreed to be photographed, Roma would offer themen time and the opportunity to show him something of themselves they might nothave the chance to otherwise. Although originally conceived solely as a portrait project, the more time Romaspent in the Vale of Cashmere, the more the physical beauty of the Vale becameinseparable from the portraits, and many landscape photographs were made to beincluded in the book. In addition to the landscapes, Roma utilized a custom modified miniaturecamera to provide sequential pictures depicting the steady march of themostly solitary men as they cruised the paths and roadways of the Vale. These candidphotographs, which run along the bottom of the pages of landscape photographs, arereproduced in small scale so as to make it impossible to identify any individual. Roma's motivation for doing the project camefrom his wish to honor the memory of a dear friend who died of AIDS in 1991, andwho introduced him to the Vale of Cashmere.
