Commemoration of war is done through sport on Anzac Day to remember Australia's war dead. War, Sport and the Anzac Tradition traces the creation of this sporting tradition at Gallipoli in 1915, and how it has evolved from late Victorian and Edwardian ideas of masculinity extolling prowess on the sports field as fostering prowess on the battlefield.
This book is the first academic all-island history of either rugby union or association football, two of the three most popular male sporting pastimes in Ireland, across the seven decades that followed the political partition of that country between 1920 and 1922. It moves beyond the occasionally simplistic explanations of the development of Irish sport that have focused on political and sectarian divisions, and goes deeper into the social, cultural and geographical dynamics of the island of Ireland to explain why certain people have played certain games in certain places. Drawing on historical and archival sources as well as cutting-edge geographical information systems, the book brings to life the spatial trends in each game’s administrative development and geographical distribution, that have not normally been a feature of many previous histories of Irish sport. The book also examines first-and-second-hand accounts of athletes and administrators involved in rugby and football during that period, to explore what it meant to represent a province or country at these crucial moments in Irish history and compares the Irish experience of both sports with experiences in other comparable countries. Shining important new light on the interactions between Irish rugby and football and the political, social, economic and cultural trends of Ireland in the twentieth century, this book is fascinating reading for anybody with an interest in the history of sport, Ireland or the UK.
What prompts common people to kill a guard and rob an office they thought had some tickets for a Test match? Why does a scholar of medieval Bengali literature remark, 'Had life been a sport, it would be cricket'? Who do journalists vindicate by promoting cricket, the imperial game par excellence, as the lifeforce of the ordinary Indian? This book pursues these threads of the people's uncanny attachment to cricket, seeking to understand the sport's role in the making of a postcolonial society. With a focus on Calcutta, it unpacks the various connotations of international cricket that have produced a postcolonial community and public culture. Cricket, it shows, gave the people a tool to understand and form themselves as a cultural community. More than the outcomes of matches, the beliefs, attitudes and actions the sport generated had an immense bearing on emerging social relationships.
This is a fundamental text for the study of sport history. It answers the ‘why,’ ‘how,’ and ‘what’ questions, introducing the key principles and practices of sport history and walking the reader through the fascinating stories, debates, issues, and national and international narratives that constitute the history of sport. The book provides an overview of the field and the various professional roles assumed by practitioners, such as researchers, academics, and public historians. It is brief, crisp, and to the point. The main general topics of interest within the field – gender, race, nationalism, religion, sport and leisure, and megaevents – are covered with introductory vignettes, stories of interest, a wide variety of theoretical frameworks, and relevant historiography in the most current and timely text of its kind. Each chapter provides a list of further readings for more in-depth study. Students are taught how to conduct research and present their findings in a variety of mediums, and teaching and publication tips are offered for educators. Sport History: The Basics is essential reading for any student on a sport-related degree course or with an interest in social and cultural history. It is also fascinating reading for anybody with a general interest in sport.
This book reframes commemoration through distinctly geographical lenses, locating it within experiential and digital worlds. It interrogates the role of power in representations of memory and shows how experiences of commemoration sit within, alongside and in contrast to its official normative forms. The book charts how memories, places and experiences of commemoration play out and have, or have not, changed in and through a digital world. Key to the book’s exploration is a new epistemology of memory, underpinned by an embodied research approach.
Written from a practice-based perspective, this book focuses on the political character of 'cyberformance': the genre of digital performance that uses the Internet as a performance space. The Etheatre Project comprises a series of experimental cyberformances aiming to reconsider the characteristics of theatre in the Internet age.
This book points out a novel pattern in colonial intimacy - that Catholic colonizers tended to leave behind significant mixed communities while Protestant colonizers were more likely to police relations with local women. The varied genetic footprints of Catholic and Protestant colonizers, while subject to some exceptions, holds across world regions and over time. Having demonstrated that this pattern exists, this book then seeks to explain it, looking to religious institutions, political capacity, and ideas of nation and race.
This book makes the case for a standing UN Emergency Peace Service. With this one development - effectively a UN first responder for complex emergencies - the organization would finally have a rapid, reliable capacity to help fulfill its tougher assigned tasks. To date, the UNEPS initiative has encountered an unreceptive political, fiscal, and security environment. Yet overlapping crises are now inevitable as are profound shifts. This book presents an insightful review of the worrisome security challenges ahead and analysis of two recent high-level UN reports. It addresses the primary roles, core principles, and requirements of a UNEPS, as well as the arguments for and against such a dedicated UN service. Further, it reveals that the primary impediments and lessons learned also help demonstrate what may work and, equally important, what won't. With modest support, the book shows, the next steps are feasible, although it's important to recall that ideas, even good ideas, don't work unless we do.
This Palgrave Pivot uses modeling from microeconomic theory and industrial organization to demonstrate how consumers and producers have responded to major changes in the music industry. Byun examines the important role of technology in changing its structure, particularly as new methods of creating and accessing music prove to be a double-edged sword for creators and producers. An underlying theme in the project is the question of how the business of music affects creativity, and how artists continue to produce creative output in the face of business pressures, the erosion of copyright enforcement, and rampant online piracy. In addition to being a useful resource for economists interested in the music industry, this approachable Pivot is also ideal for business and music majors studying the effect of technology on their chosen fields.
