This book about a child's simple faith is one that children will long remember--and adults will love to share. When Wanda discovers a thornbush growing in the empty lot at the corner of Fillmore and Hudson, she's quite sure it's a rosebush all ready to bloom. So she clears away the trash, checks on it every day, and brings water from the butcher shop across the street. But no roses appear. Wanda's neighbors and friends are all doubtful, but when she invites them to a tea party in her "rose garden" one day in June, they're in for a big surprise.
A topsy-turvy ride through corporate America, where the male is the minority and must face a comedic blend of sex discrimination and harassment that threatens his sanity. Michael Forrester, a floundering author, has been reduced to writing articles for a local newspaper under a pseudonym. When the newspaper runs an article he finds offensive to African American men, he writes a rebuttal, which offends so many women it gets him fired. Michael then sets out to write a book that proves corporate women are just as scandalous, competitive, and insensitive as their male counterparts. But when he manipulates events to get hired into an office that is staffed by all women, events quickly spiral out of control. As romances sprout like weeds and Michael finds himself fighting for the women he works alongside, rather than against them, the question is whether he will be able to focus on his work, keep his flings a secret, and achieve the success he has always dreamed of. In turns hilarious, sobering, and eye-opening, The Office Girls tells the story of every woman who works in the corporate world and the challenges they face on a daily basis. The misogyny, sexual harassment, and gender inequality faced by these characters will ring true for all women who have experienced corporate America.
Three black women and three white women are Southern Girls - followed from childhood (circa 1952) through middle age. In a small town a few hours outside of Birmingham, six little girls play together. As teenagers, the invisible line dividing their worlds become ever more pronounced. Wanda-Sue, a light skinned black, teeters between the world of her white half-sister, Charlotte (plus friends Dolly and June-Adele) and her black friends, sisters Ruth and Naomi. Each woman is driven by unique fears, hopes and secrets. As the years pass and their world changes, each woman's dreams are affected by the turbulent times in which they live. Southern Girls is a bittersweet memory play, set against the backdrop of the changing South which mirrors the lives of these six women. -- from back cover.
An empowering picture book from South Africa about a young girl who overcomes endless teasing. Skipping Stones Honor Award Winner 2021 Meet Wanda, with her beautiful head full of hair. She is brave and strong, but she's unhappy because of the endless teasing by the boys at school for her "thorn bush" and "thunderstorm cloud." Through Grandma Makhulu's hair secrets and stories she finds the courage to face her fears and learn to appreciate that her hair is a crown‚ "not a burden‚" and it is something to be proud of. This book is about identity and beauty, celebrating how cultural pride is learned and passed on over generations.
Wanda the witch is so shy she can’t talk at school. No matter how hard she tries, the words simply won't come out. But when another quiet little witch named Flo joins her class, it seems that Wanda’s not the only one who gets nervous sometimes. Then disaster strikes at the school-wide magic contest. Will Wanda have the courage to shout out the magic words and save her new friend?
Helen is serving a life sentence at Sloatsburg women's prison for the murder of her children. Dr. Louise Forrest, a recently divorced mother of an eight-year-old boy, is the new chief of psychiatry there. Captain Ike Bradshaw is the corrections officer who wants her. And Angie, an ambitious Hollywood starlet contacted by Helen, is intent on nothing but fame. Drawing these four characters together in a story of shocking and disturbing revelations, The Big Girls is an electrifying novel about the anarchy of families, the sometimes destructive power of maternal instinct, and the cult of celebrity.
Urban ethnography is the firsthand study of city life by investigators who immerse themselves in the worlds of the people about whom they write. Since its inception in the early twentieth century, this great tradition has helped define how we think about cities and city dwellers. The past few decades have seen an extraordinary revival in the field, as scholars and the public at large grapple with the increasingly complex and pressing issues that affect the ever-changing American city-from poverty to the immigrant experience, the changing nature of social bonds to mass incarceration, hyper-segregation to gentrification. As both a method of research and a form of literature, urban ethnography has seen a notable and important resurgence. This renewed interest demands a clear and comprehensive understanding of the history and development of the field to which this volume contributes by presenting a selection of past and present contributions to American urban ethnographic writing. Beginning with an original introduction highlighting the origins, practices, and significance of the field, editors Mitchell Duneier, Philip Kasinitz, and Alexandra Murphy guide the reader through the major and fascinating topics on which it has focused -- from the community, public spaces, family, education, work, and recreation, to social policy, and the relationship between ethnographers and their subjects. An indispensable guide, The Urban Ethnography Reader provides an overview of how the discipline has grown and developed while offering students and scholars a selection of some of the finest social scientific writing on the life of the modern city.
