Walter and Emma grew up poor during the Great Depression, lived through wars and public turbulence, and found peace in the teachings of the church. They raised a family of five children while ministering to their church-based congregations. Most of this book contains typical family issues and loving times intertwined with their religion and worldly obligations.
"The proverb goes that "blood is thicker than water." But do common bloodlines in fact demand special duties or prescribe affections? Does this maxim presume that we can or should only love others biologically similar to ourselves? Are we nobler if we do, or somehow defective if we don't? "Thicker than Water" examines the roots of this belief by studying the omnipresent discourse of bloodlines and kindred relations in the literature of early modern Europe, specifically its role in the creation and maintenance of oppressive social structures. Lauren Weindling examines how drama from England, France, and Italy tests these assumptions about blood and love, exposing their underlying political function. Among the key texts that Weindling studies are Shakespeare's Romeo and Juliet, Othello, and The Merchant of Venice, Pierre Corneille's Le Cid, Giambattista della Porta's La Sorella and its English analog, Thomas Middleton's No Wit/Help Like a Woman's, John Ford's 'Tis Pity She's a Whore, and Machiavelli's La Mandragola. Each of these plays in some way offers an extreme limit case for these beliefs in plots of love, courtship, and marriage (e.g., blood feuds or incest). They also illustrate that blood functions not as a biological basis for affinities, but discursively. Moreover, they feature the voices of marginalized groups, unprivileged by this ideology, which present significant counterpoints to this bloody worldview. Those outsiders reveal that finding alternative vocabularies to the bloody discourse of elite groups is both extremely difficult and often ineffectual, further evidenced by their persistence today. Much critical work on blood has examined this discourse as it manifests onstage: as evidence of guilt, the product of violence, or in bleeding figures. This book, instead, examines the work that blood does unseen in its connection to discourses of love and kinship-arbitrating social and emotional connections between persons, and thus underwriting our deepest forms of social organization"--
Maxim Jakubowski, together with Nathan Braund, edited the bestselling Mammoth Book of Jack the Ripper (1999), which has reprinted several times and was reissued in 2008 in a revised and expanded edition. The book focused on the countless theories that have been put forward with regard to the identity of the notorious Victorian serial killer and offered an extensive 100-page section presenting all the known facts in the case. It included 30 essays written by the most famous, often controversial Ripperologists putting forward their own theories. It remains one of the few titles to offer a series of alternative solutions to Jack the Ripper's identity and the truth behind the Whitechapel murders. But how many new theories and identities can researchers come up with? In this wonderful collection of brand-new stories, Jakubowski has compiled an extraordinary array of explorations into the identity of Jack the Ripper - this time unabashedly fictional, unrestrained by history and the known facts. Contributors include Carol Anne Davis, Martin Edwards, Peter Guttridge, Barbara Nadel;Alvaro Zinos-Amaro and Sally Spedding. 'Jack the Ripper' has appeared in a number of novels, as the lead character in some, beginning with Marie Belloc Lowndes's The Lodger (1913), filmed by Hitchcock. Authors as diverse as Michael Dibdin, Lindsay Faye, Philip Jose Farmer, Robert Bloch, Harlan Ellison, Alan Moore, Fredric Brown, Ramsey Campbell and Colin Wilson have all used poetic licence to 'revive' the notorious killer. The varied stories in this fantastic new collection continue this tradition with many possible identities put forward, some already suggested by historians, others more speculative, including famous names from history and fiction. Even Sherlock Holmes is on the case!
Valentine H. Smith was born 22 July 1838 in Montgomery County, Pennsylvania. His parents were Frederick Kline Smith (1801-1873) and Mary Hiltebeitel (1808-1867). He married Elizabeth Walter (1834-1913) 2 January 1862 in Philadelphia, Pennsylvania. They had seven children. Valentine died in 1890. Ancestors, descendants and relatives lived mainly in Connecticut and Pennsylvania. Includes Bennett, Reiter, Walter and related families.
