Launched by Walt Disney in 1929 as a "musical novelty" series to complement his recent success with Mickey Mouse, the Silly Symphonies soon became much more. This line of delightfully innovative, animated cartoons ran for ten years and produced such classics as Three Little Pigs, The Tortoise and the Hare, Music Land, and The Old Mill. Silly Symphonies won every Academy Award. From the authors of the prize-winning Walt in Wonderland: The Silent Films of Walt Disney, this richly illustrated volume is a complete history of the Silly Symphonies including detailed entries for all the Symphonies along with a lengthy critical analysis and production history of the series.
Based on Walt Disney’s The Ugly Duckling Silly Symphonies animated short from 1939, this classic Little Golden Book was originally published in 1952. Now the beloved book is back to delight a new generation of boys and girls ages 2 to 5—as well as collectors of all ages!
In TASCHEN's first volume of one of the most expansive illustrated publications on Disney animation, 1,500 images take us to the beating heart of the studio's "Golden Age of Animation." Derived from the XXL book, this new edition again includes behind-the-scenes photos, story sketches, and cel setups of famous film scenes. It spans each of the...
Launched by Walt Disney in 1929 as a "musical novelty" series to complement his recent success with Mickey Mouse, the Silly Symphonies soon became much more. This line of delightfully innovative, animated cartoons ran for ten years and produced such classics as Three Little Pigs, The Tortoise and the Hare, Music Land, and The Old Mill. Silly Symphonies won every Academy Award presented to animation shorts throughout the 1930s.From the authors of the prize-winning Walt in Wonderland: The Silent Films of Walt Disney, this richly illustrated volume is a complete history of the Silly Symphonies including detailed entries for all the Symphonies along with a lengthy critical analysis and production history of the series.
A collection of humorous poems and illustrations featuring a group of Navajo children called the Canyon Kiddies. Swinnerton was the creator of the Canyon Kiddies cartoon strip which ran in Good Housekeeping magazine for several decades. The Canyon Kiddies was also one of only two outside properties licensed for animated cartoons by Warner Bros.
During the Roaring Twenties--from 1921 through 1928--Walt Disney and his friends made more than ninety silent cartoons, turning them out as often as one or two per month. Years before Mickey Mouse, the young entrepreneur recruited and nurtured an extraordinary array of talented people. Drawing on interviews with Disney's coworkers, Disney's business papers, promotional materials, scripts, drawings, and correspondence, the richly illustrated Walt in Wonderland reconstructs Disney's silent film career and places his early films in critical perspective.
After more than 80 years-the complete Silly Symphony newspaper strips are collected in English for the first time ever! The artwork for these rare strips has come straight from the Disney vaults. Each page has been meticulously colored using, as a guide, the original bound file copies that belonged to Walt Disney himself! This first of four volumes includes all the strips featuring Bucky Bug, the first Disney character to be originated in newspaper comics. The book also includes the very first Donald Duck newspaper strip-an adaptation of The Wise Little Hen. Other classic adaptations are Birds of a Feather, Penguin Isle, The Boarding School Mystery, The Robber Kitten, and Cookieland. Plus, the "Mickey Mouse Movies" bonus toppers!
From the earliest origins of animated imagery, the colorful link between paper and screen was created by legions of female artists working on the slick surface of celluloid sheets. With calligraphic precision and Rembrandtesque mastery, these women painstakingly brought pencil drawings to vibrant, dimensional life. Yet perhaps as a reflection of the transparent canvas they created on, the contributions and history of these animation artists have remained virtually invisible and largely undocumented, until now. Walt Disney's pioneering efforts in animation transformed novelty cartoons into visual masterpieces, establishing many "firsts" for women within the entertainment industry along the way. Focusing on talent, Disney sought female story specialists and concept artists to expand the scope and sensibility of his storytelling. Upon establishing the first animation-training program for women, ink pens were traded for pencils as ladies made their way into the male-laden halls of animation. World War II further opened roles traditionally held by men, and women quickly progressed into virtually every discipline within animation production. Disney's later development of the Xerox process and eventual digital evolution once again placed women at the forefront of technological advancements applied to animated storytelling. In her latest landmark book, Ink & Paint: The Women of Walt Disney's Animation, author Mindy Johnson pulls back the celluloid curtain on the nearly vanished world of ink pens, paintbrushes, pigments, and tea. From the earliest black-and-white Alice Comedies to the advent of CAPS and digital animation, meet the pioneering women who brought handrendered animated stories to vibrant, multicolored life at Walt Disney Studios and beyond. Extensively researched with the full support of the entire Walt Disney Studios archival resources, plus a multitude of private collections, firsthand accounts, newly discovered materials, and production documentation, as well as never-before-seen photography and artwork, this essential volume redefines the collective history of animation.
The popularity of cartoon music, from Carl Stalling's work for Warner Bros. to Disney sound tracks and "The Simpsons"' song parodies, has never been greater. This lively and fascinating look at cartoon music's past and present collects contributions from well-known music critics and cartoonists, and interviews with the principal cartoon composers. Here Mark Mothersbaugh talks about his music for "Rugrats," Alf Clausen about composing for "The Simpsons," Carl Stalling about his work for Walt Disney and Warner Bros., Irwin Chusid about Raymond Scott's work, Will Friedwald about "Casper the Friendly Ghost," Richard Stone about his music for "Animaniacs," Joseph Lanza about "Ren and Stimpy," and much, much more.
