Poetry by Eil an N Chuilleanain, Eavan Boland, Eva Bourke, Medbh McGuckian, Kerry Hardie, Nuala N Dhomhnaill, Mary O'Malley, Rita Ann Higgins, Paula Meehan, Moya Cannon, Katie Donovan, Vona Groarke, Enda Wyley, Sin ad Morrissey, Caitr ona O'Reilly, and Leontia Flynn. Revised, expanded edition, with poetry from 16 contemporary poets: Edited and with a new introduction by Peggy O'Brien
Wake Forest Township got its start in 1834 when Calvin Jones sold his farmland to the North Carolina Baptist State Convention. The college began as a place for local boys to trade manual labor for a religious education. But the campus soon grew and so did the community, asurpassing any other neighborhood in refinement, good society, and wealth, a according to one 19th-century account. By 1909, the town was incorporated. Not long after, with transformers trucked in from Raleigh, residents could read newspaper headlines touting Wake Forestas fame in sports, academics, and medicine by the glow of the townas new electric lights. For a time, the town and college seemed inseparable. But by 1956, the school had moved to Winston-Salem, dealing a devastating blow to local residents. For many years afterward, they waited for the world to rediscover Wake Forest. It seems that day has come.
Tales from the Wake Forest Hardwood chronicles how Wake Forest basketball could survive the university's relocation from the quaint town of Wake Forest to the city of Winston-Salem without ever leaving behind fans and followers.
INSTANT NEW YORK TIMES BESTSELLER In this “magical trip worth taking” (Associated Press), the New York Times bestselling author of In Five Years returns with a powerful novel about the transformational love between mothers and daughters set on the breathtaking Amalfi Coast. When Katy’s mother dies, she is left reeling. Carol wasn’t just Katy’s mom, but her best friend and first phone call. She had all the answers and now, when Katy needs her the most, she is gone. To make matters worse, their planned mother-daughter trip of a lifetime looms: to Positano, the magical town where Carol spent the summer right before she met Katy’s father. Katy has been waiting years for Carol to take her, and now she is faced with embarking on the adventure alone. But as soon as she steps foot on the Amalfi Coast, Katy begins to feel her mother’s spirit. Buoyed by the stunning waters, beautiful cliffsides, delightful residents, and, of course, delectable food, Katy feels herself coming back to life. And then Carol appears—in the flesh, healthy, sun-tanned, and thirty years old. Katy doesn’t understand what is happening, or how—all she can focus on is that she has somehow, impossibly, gotten her mother back. Over the course of one Italian summer, Katy gets to know Carol, not as her mother, but as the young woman before her. She is not exactly who Katy imagined she might be, however, and soon Katy must reconcile the mother who knew everything with the young woman who does not yet have a clue. “Rebecca Serle is known for her powerful stories that tug at the heartstrings—and her latest is just as unforgettable” (Woman’s World) as it effortlessly shows us how to move on after loss, and how the people we love never truly leave us.
Explores the mania for college basketball in North Carolina, tracing the history of the state's top four teams over the past fifty years and profiling the professional giants to come from them.
These images tell the story of my journey to the store, to my swim class or dropping my daughter off to school. Moments captured seeing the light and moving on. It seems like I'm always moving on.
A brave teen recounts her debilitating struggle with obsessive-compulsive disorder—and brings readers through every painful step as she finds her way to the other side—in this powerful and inspiring memoir. Until sophomore year of high school, fifteen-year-old Allison Britz lived a comfortable life in an idyllic town. She was a dedicated student with tons of extracurricular activities, friends, and loving parents at home. But after awakening from a vivid nightmare in which she was diagnosed with brain cancer, she was convinced the dream had been a warning. Allison believed that she must do something to stop the cancer in her dream from becoming a reality. It started with avoiding sidewalk cracks and quickly grew to counting steps as loudly as possible. Over the following weeks, her brain listed more dangers and fixes. She had to avoid hair dryers, calculators, cell phones, computers, anything green, bananas, oatmeal, and most of her own clothing. Unable to act “normal,” the once-popular Allison became an outcast. Her parents questioned her behavior, leading to explosive fights. When notebook paper, pencils, and most schoolbooks were declared dangerous to her health, her GPA imploded, along with her plans for the future. Finally, she allowed herself to ask for help and was diagnosed with obsessive-compulsive disorder. This brave memoir tracks Allison’s descent and ultimately hopeful climb out of the depths.
The High Caul Cap is both the name of a traditional Irish air and a symbol for the link remaining after birth between mother and child. The caul was superstitiously regarded as a good omen and so kept at the hearth as a preservative against drowning. This symbolic gesture helps us to fathom the watery imagery in this volume, which traces the decline and death of the poet's mother. Medbh McGuckian's writing is always profoundly sensual, but now, with the maternal body at stake in its meditations, the physical takes on supernatural powers. Poetry relies on the senses for proof, much as the doubter relies on touch to be convinced of the miraculous. Mother-daughter relationships move down the generations ("I discover a photograph / of my beautiful sculpted daughter" from "Corner of Field with Farm") trying to establish the exact nature of their love. As in many of McGuckian's books, blue is a sacred color (of the Madonna, the sea, the sky) and saints and angels appear throughout the volume as though to remind us of how the masters used such icons to transform their myths into art. McGuckian uses these icons to grieve for, interrogate, and transform into poetry her late mother's "tangible gaze."
A wry and witty commentary on college sports and identity in the complicated social landscape of the South. Ed Southern, lifelong fan of the Wake Forest University Demon Deacons, the smallest school in the NCAA's Power 5, set out to tell the story of how he got tangled, in vines of history and happenstance, with the two giants of his favorite sport: the Crimson Tide and the Clemson Tigers. He set out to tell how a North Carolina native crossed the shifty, unmarked border between Tobacco Road and the Deep South. He set out to tell how the legendary Paul "Bear" Bryant, from beyond the grave, introduced him to his wife, a Birmingham native and die-hard Alabama fan. While he was writing that story, though, 2020 came along. Suddenly his questions had a new and urgent focus: Why do sports mean so much that so many will play and watch them in the face of a global pandemic? How have the South's histories shaped its fervor for college sports? How have college sports shaped how southerners construct their identities, priorities, and allegiances? Why is North Carolina passionate about college basketball when its neighbors to the South live and die by college football? Does this have anything to do with North Carolina's reputation as the most "progressive" southern state, a state many in the Deep South don't think is "really" southern? If college sports really do mean so much in the South, then why didn't everyone down south wear masks or recognize that Black Lives Matter, even after the coaches told us to? Fight Songs explores the connections and contradictions between the teams we root for and the places we plant our roots; between the virtues that sports are supposed to teach and the cutthroat business they've become; between the hopes of fans and the demands of the past, present, and future.
No one came to eleven-year-old Michael Pumpernickel's birthday party, not even his invisible friend. The clown was a no-show, and his brother's dog tried to escape and got caught in the act. Maybe it's because he's awkward and carries a fanny pack. Or maybe it's because he really likes school. But nothing was going right in Michael's life, until one day, everything did. After receiving a mysterious letter, he finds himself in the middle of an unlikely adventure, the center of an age old prophecy about an enchanted magical forest and a power-hungry fox obsessed with revenge. Awesome, right? Now people will have to notice him! But being a hero isn't everything he thought it would be. Sure, he'd do almost anything to win the affection of his piano teacher, but if it means missing dessert more than two days in a row he's not sure he can make it. He might not have that long. The launch of the evil fox's line of trendy necklaces is only days away and he has to figure out the mysteries of an ancient book and identify a double agent before he's caught. Apparently, adventures aren't as easy as they look. At least he gets to wear his favorite shirt. That should help...Burlwood Forest is the first book of the Burlwood Forest Trilogy, and the debut release from Pumpernickel Art.
