Vorticism and Abstract Art in the First Machine Age
Author: Richard Cork
Publisher: Univ of California Press
Published: 1976
Total Pages: 34
ISBN-13: 9780520031548
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Vorticism
Author: Mark Antliff
Publisher:
Published: 2013-10
Total Pages: 320
ISBN-13: 0199937664
DOWNLOAD EBOOKVorticism addresses the seminal innovations in theatre, literature and poetry as well as Vorticist painting, sculpture, print making, and photography that encompassed the Vorticism art movement.
International Futurism in Arts and Literature
Author: Günter Berghaus
Publisher: Walter de Gruyter
Published: 2012-10-25
Total Pages: 660
ISBN-13: 3110804220
DOWNLOAD EBOOKThis publication offers for the first time an inter-disciplinary and comparative perspective on Futurism in a variety of countries and artistic media. 20 scholars discuss how the movement shaped the concept of a cultural avant-garde and how it influenced the development of modernist art and literature around the world.
The Modernity of English Art, 1914-30
Author: David Peters Corbett
Publisher: Manchester University Press
Published: 1997
Total Pages: 260
ISBN-13: 9780719037337
DOWNLOAD EBOOK"The modernity of English art reconceptualises the history of English painting from 1914 to the end of the 1920s. Whereas most accounts have tended to see the period as marked by a tension between the native tradition and Modernism, this ground-breaking book rethinks the 1920s by situating both Modernist and non-Modernist painters within a wider cultural history. Established figures such as Paul Nash, Edward Wadsworth and Wyndham Lewis, as well as lesser-known artists like Charles Sims, John Armstrong and Ethelbert White, are discussed and illustrated in a series of innovative readings within this context. The modernity of English art offers a new account of painting in England after 1914 and argues for a strongly revisionist view of the significance of the modern during this important but neglected period in English art." --
A Companion to Modernist Literature and Culture
Author: David Bradshaw
Publisher: John Wiley & Sons
Published: 2008-10-20
Total Pages: 626
ISBN-13: 1405188227
DOWNLOAD EBOOKThe Companion combines a broad grounding in the essential texts and contexts of the modernist movement with the unique insights of scholars whose careers have been devoted to the study of modernism. An essential resource for students and teachers of modernist literature and culture Broad in scope and comprehensive in coverage Includes more than 60 contributions from some of the most distinguished modernist scholars on both sides of the Atlantic Brings together entries on elements of modernist culture, contemporary intellectual and aesthetic movements, and all the genres of modernist writing and art Features 25 essays on the signal texts of modernist literature, from James Joyce’s Ulysses to Zora Neal Hurston’s Their Eyes Were Watching God Pays close attention to both British and American modernism
Propaganda and Hogarth's Line of Beauty in the First World War
Author: Georgina Williams
Publisher: Springer
Published: 2016-06-28
Total Pages: 187
ISBN-13: 1137571942
DOWNLOAD EBOOKPropaganda and Hogarth’s ‘Line of Beauty’ in the First World War assesses the literal and metaphoric connotations of movement in William Hogarth’s eighteenth-century theory of a ‘line of beauty’, and subsequently employs it as a mechanism by which the visual propaganda of this era can be innovatively explored. Hogarth’s belief that this line epitomises not only movement, but movement at its most beautiful, creates conditions of possibility whereby the construct can be elevated from traditional analyses and consequently utilised to examine movement in artworks from both literal and metaphorical perspectives. Propagandist promotion of an alternate reality as a challenge to a current ‘real’ lends itself to these dual viewpoints; the early years of the twentieth century saw growth in the advertising of conflict via the pictorial poster, instigating intentionally or otherwise an aesthetic response from soldier-artists embroiled on the battlefields. The ‘line of beauty’ therefore serves as a productive mechanism by which this era of propaganda art can be appraised.
British Modernism and Chinoiserie
Author: Anne Witchard
Publisher: Edinburgh University Press
Published: 2015-03-01
Total Pages: 219
ISBN-13: 0748690972
DOWNLOAD EBOOKThis volume examines the ways in which an intellectual vogue for a mythic China was a constituent element of British modernism.
Theorizing Modernisms
Author: Steve Giles
Publisher: Routledge
Published: 2002-09-11
Total Pages: 341
ISBN-13: 1134900236
DOWNLOAD EBOOKAt a time when postmodernism seems to have achieved a dominant position in cultural and critical theory, the contributors to this volume present a much needed corrective to the misleading images of modernism which have dominated recent debate. Theorizing Modernisms includes an account of European modernism, and analysis of the work of Apollinaire and Aberti, Wyndham Lewis and Mike Johnson, and Kert Schwitters. Steve Giles provides a much needed overview of the relationship between modernism and the avant-garde, postmodernism and modernity.
2018
Author: Günter Berghaus
Publisher: Walter de Gruyter GmbH & Co KG
Published: 2018-04-09
Total Pages: 552
ISBN-13: 3110575361
DOWNLOAD EBOOKThe eighth volume of the International Yearbook of Futurism Studies is again an open issue and presents in its first section new research into the international impact of Futurism on artists and artistic movements in France, Great Britain, Hungary and Sweden. This is followed by a study that investigates a variety of Futurist inspired developments in architecture, and an essay that demonstrates that the Futurist heritage was far from forgotten after the Second World War. These papers show how a wealth of connections linked Futurism with Archigram, Metabolism, Archizoom and Deconstructivism, as well as the Nuclear Art movement, Spatialism, Environmental Art, Neon Art, Kinetic Art and many other trends of the 1960s and 70s. The second section focuses on Futurism and Science and contains a number of papers that were first presented atthe fifth bi-annual conference of the European Network for Avant-Garde and Modernism Studies (EAM), held on 1–3 June 2016 in Rennes. They investigate the impact of science on Futurist aesthetics and the Futurist quest for a new perception and rational understanding of the world, as well as the movement’s connection with the esoteric domain, especially in the field of theosophy, the Hermetic tradition, Gnostic mysticism and a whole phalanx of Spiritualist beliefs. The Archive section offers a survey of collections and archives in Northern Italy that are concerned with Futurist ceramics, and a report on the Fondazione Primo Conti in Fiesole, established in April 1980 as a museum, library and archive devoted to the documentation of the international avant-garde, and to Italian Futurism in particular. A review section dedicated to exhibitions, conferences and publications is followed by an annual bibliography of international Futurism studies, exhibition catalogues, special issues of periodicals and new editions.
Radical Art and the Formation of the Avant-Garde
Author: David Cottington
Publisher: Yale University Press
Published: 2022-01-01
Total Pages: 418
ISBN-13: 0300166737
DOWNLOAD EBOOKAn authoritative re-definition of the social, cultural and visual history of the emergence of the "avant-garde" in Paris and London Over the past fifty years, the term "avant-garde" has come to shape discussions of European culture and modernity, ubiquitously taken for granted but rarely defined. This ground-breaking book develops an original and searching methodology that fundamentally reconfigures the social, cultural, and visual context of the emergence of the artistic avant-garde in Paris and London before 1915, bringing the material history of its formation into clearer and more detailed focus than ever before. Drawing on a wealth of disciplinary evidence, from socio-economics to histories of sexuality, bohemia, consumerism, politics, and popular culture, David Cottington explores the different models of cultural collectivity in, and presumed hierarchies between, these two focal cities, while identifying points of ideological influence and difference between them. He reveals the avant-garde to be at once complicit with, resistant to, and a product of the modernizing forces of professionalization, challenging the conventional wisdom on this moment of cultural formation and offering the means to reset the terms of avant-garde studies.
