Voodoos and Obeahs examines the history of these beliefs and traditions in the Caribbean, specifically in Jamaica and Haiti. It also traces them back to their roots in Africa and discusses the influence that imperialism, slavery, and racism had on their development.
Voodoos and Obeahs offers a careful documentation of the history and ethnography of Voodoo and reveals the connection of both Haitian Voodoo and Jamaican Obeah to snake worship (ophioletreia). In Jamaica, Obeah is the general term to denote those Africans who in the island practice witchcraft or sorcery. Williams includes numerous quotations from rare documents and books on the topic. This work goes into great depth concerning the New World-African connection and is highly recommended if you want a deep understanding of the dramatic historical background of Haitian and Jamaican magic and witchcraft, and the profound influence of imperialism, slavery and racism on its development. Williams is best known for his anthropological writings about African and Caribbean people, which include Whispering of the Caribbean, Whence the "Black Irish" of Jamaica?, Psychic Phenomena in Jamaica and Africa's God. Preview on www.vamzzz.com
This book could be considered a revealing primer for Voodoo, taught by example. Voodoo: reality or myth? Tyrone is faced with this question repeatedly. Multiple seductions and betrayal lead him into becoming a willing participant in a deadly game. His educated mind takes an analytical approach to all that is happening to him, but in this case, two plus two never add up to four; they always add up to the Nth (unknown) number. This text is not written about Tyrone, but looking through Tyrone's eyes and thinking with his mind, no matter what alterations his thinking may undergo. Circumstances that seem to be one thing often turn out to be another. Due to the extraordinary state of affairs surrounding him, everything in his life must be analyzed, sorted, and filtered through his mind to try to find out the real truth, which for him is not always apparent.
This collection looks at Caribbean religious history from the late 18th century to the present including obeah, vodou, santeria, candomble, and brujeria. The contributors examine how these religions have been affected by many forces including colonialism, law, race, gender, class, state power, media represenation, and the academy.
Southern Cunning is a journey through the folklore of the American South and a look at the power these stories hold for modern witches. Through the lens of folklore, animism, and bioregionalism the book shows how to bring rituals in folklore into the modern day and presents a uniquely American approach to witchcraft born out of the land and practical application.
This book examines the history of voodoo and obeah in the Caribbean, specifically in Jamaica and Haiti, traces them back to their roots in Africa and discusses the influence imperialism, slavery and racism had on their development.
June Roberts explores the complicated post-colonial infrastructure of Caribbean society and life as an African American through the work of Erna Brodber. Brodber's novels Jane and Louisa Will Soon Come Home, MYAL, and Louisiana all explore various facets of the Caribbean and African American experiences, and Roberts greatly adds to their value through her commentary and interpretation. While she uses Erna Brodber's books' organizing themes as a home base, Roberts doesn't limit her work to strict criticism and analysis of the novels. Instead, she traces countless issues as varied as the nuances of the Caribbean psyche, the importance of matriarchs, traditional slave dances, obeahs, Santeria and other African-based religious expressions, as well as politics and history, and the perspectives of past and present scholars of the Caribbean and African-American experience. Most importantly, Roberts investigates how the colonial system's exploitation and dehumanization of the black people affected their spirits. This text is broad enough to appeal to all enthusiasts of Caribbean and African-American topics, and it can especially benefit academic courses related to these topics.
This compelling reference work introduces the religions of Voodoo, a onetime faith of the Mississippi River Valley, and Vodou, a Haitian faith with millions of adherents today. Unlike its fictional depiction in zombie films and popular culture, Voodoo is a full-fledged religion with a pantheon of deities, a priesthood, and communities of believers. Drawing from the expertise of contemporary practitioners, this encyclopedia presents the history, culture, and religion of Haitian Vodou and Mississippi Valley Voodoo. Though based primarily in these two regions, the reference looks at Voodoo across several cultures and delves into related religions, including African Vodu, African Diasporic Religions, and magical practices like hoodoo. Through roughly 150 alphabetical entries, the work describes various aspects of Voodoo in Louisiana and Haiti, covering topics such as important places, traditions, rituals, and items used in ceremonies. Contributions from scholars in the field provide a comprehensive overview of the subject from various perspectives and address the deities and ceremonial acts. The book features an extensive collection of primary sources and a selected, general bibliography of print and electronic resources.
This book explores representations of Obeah – a name used in the English/Creole-speaking Caribbean to describe various African-derived, syncretic Caribbean religious practices – across a range of prose fictions published in the twentieth century by West Indian authors. In the Caribbean and its diasporas, Obeah often manifests in the casting of spells, the administration of baths and potions of various oils, herbs, roots and powders, and sometimes spirit possession, for the purposes of protection, revenge, health and well-being. In most Caribbean territories, the practice – and practices that may resemble it – remains illegal. Narratives of Obeah in West Indian Literature analyses fiction that employs Obeah as a marker of the Black ‘folk’ aesthetics that are now constitutive of West Indian literary and cultural production, either in resistance to colonial ideology or in service of the same. These texts foreground Obeah as a social and cultural logic both integral to and troublesome within the creation of such a thing as ‘West Indian’ literature and culture, at once a product of and a foil to Caribbean plantation societies. This book explores the presentation of Obeah as an ‘unruly’ narrative subject, one that not only subverts but signifies a lasting ‘Afro-folk’ sensibility within colonial and ‘postcolonial’ writing of the West Indies. Narratives of Obeah in West Indian Literature will be of interest to scholars and students of Caribbean Literature, Diaspora Studies, and African and Caribbean religious studies; it will also contribute to dialogues of spirituality in the wider Black Atlantic.