Classic Italian film poster art is renowned as being among the most accomplished, creative and dynamic of its kind. From the post-war period through to the 1980s, Italian artists consistently produced posters with sumptuously stunning designs and imagery - not least in the horror and exploitation genres, for which compositions almost invariably included curvaceous female figures in jeopardy, juxtaposed with the iconography of fantasy and terror. VOLUPTUOUS TERRORS 2 collects 120 film posters by a wide range of acclaimed Italian artists, created for both indigenous and foreign-language film productions. Classic exploitation, pulp horror, and giallo movies all figure in full-color, full-page reproductions showcasing some of the world's most innovative and seductive poster design.
Classic Italian film poster art is renowned as being among the most accomplished, creative and dynamic of its kind. From the post-war period through to the 1980s, Italian artists consistently produced posters with sumptuously stunning designs and imagery - not least in the horror and exploitation genres, for which compositions almost invariably included curvaceous female figures in jeopardy, juxtaposed with the iconography of fantasy and terror.Voluptuous Terrors 3 collects 120 film posters by a wide range of acclaimed Italian artists, created for both indigenous and foreign-language film productions. Classic exploitation, pulp horror, science fiction, Eurospy, mondo and giallo movies all figure in full-color, full-page reproductions showcasing some of the world's most innovative and seductive poster design.
This is the third volume in our bestselling Sex and Horror series, which celebrates the publishing craze known as 'fumetti sexy': Italian adult comics and cartoons with a unique take on such genres as horror, crime, fantasy, history and fairy tales.This book focuses on the work of Fernando Carcupino - famed not just for his comic work but his pinups as well. Sex and Horror volume three is another visual feast of outrageous pulp art.
I Watched Them Eat Me Alive is the first installment of The Men's Adventure Library Journal, a series focusing on specific facets of the vintage men's adventure magazines stories, artwork, and history. Dedicated to exploring the lost world of vintage men's adventure magazines (aka MAMs), The Men's Adventure Library chronicles the mags' three decades on American newsstands, from the early 1950s through the mid-1970s. Mixing elements from many sources--early pulp fiction, detective stories and true crime, mystery and noir films, exotic travel magazines, celebrity scandal rags and bachelor mags--MAMs ratcheted up the tension and amped up the testosterone to create explosive, entertaining, and often outrageous reading for millions of American men. Though long extinct and mostly unseen for generations, their pervasive influence continues to shape some of the most popular and enduring pop culture tropes and trends. Curated by MAM historian/collector Robert Deis and writer Wyatt Doyle, The Men's Adventure Library reprints and provides context for classic MAM stories and artwork drawn from the mags' rich history of gonzo pulp, with releases available in full-color trade paperback and deluxe, expanded hardcover editions. Each volume is a vivid reminder that MAMs were extremely cool, unexpectedly influential, and still pack a bare-knuckle punch. Read 'em all...if you've got the guts!
A stunning visual tour of Miss Peregrine's Home for Peculiar Children, filled with exclusive interviews, on-set photography, and special introductions by director Tim Burton and Peculiar Children series author Ransom Riggs. Tim Burton's adaptation of the Ransom Riggs novel Miss Peregrine's Home for Peculiar Children is one of the most anticipated films of the year—and this lavishly illustrated companion offers a thrilling behind-the-scenes look. Written and designed by two of Burton's longtime collaborators, this book chronicles every step in the making of the film—from script development and casting to concept art, set design, costumes, visual effects, and much more. Filled with exclusive interviews, on-set photography, and special introductions by Tim Burton and Ransom Riggs, this deluxe hardcover volume is a terrific gift for peculiars of all ages!
From Mary Karr comes this gorgeously written, often hilarious story of her tumultuous teens and sexual coming-of-age. Picking up where the bestselling The Liars' Club left off, Karr dashes down the trail of her teen years with customary sass, only to run up against the paralyzing self-doubt of a girl in bloom. Fleeing the thrills and terrors of adolescence, she clashes against authority in all its forms and hooks up with an unforgettable band of heads and bona-fide geniuses. Parts of Cherry will leave you gasping with laughter. Karr assembles a self from the smokiest beginnings, delivering a long-awaited sequel that is both "bawdy and wise" (San Francisco Chronicle).
In our time nobody is content to stop with faith but wants to go further. It would perhaps be rash to ask where these people are going, but it is surely a sign of breeding and culture for me to assume that everybody has faith, for otherwise it would be queer for them to be . . . going further. In those old days it was different, then faith was a task for a whole lifetime, because it was assumed that dexterity in faith is not acquired in a few days or weeks. When the tried oldster drew near to his last hour, having fought the good fight and kept the faith, his heart was still young enough not to have forgotten that fear and trembling which chastened the youth, which the man indeed held in check, but which no man quite outgrows. . . except as he might succeed at the earliest opportunity in going further. Where these revered figures arrived, that is the point where everybody in our day begins to go further.
From its opening pages, Ant Colony immerses the reader in a world that is darkly existential, with false prophets, unjust wars, and corrupt police officers, as it follows the denizens of a black ant colony under attack from the nearby red ants. On the surface, it's the story of this war, the destruction of a civilization, and the ants' all too familiar desire to rebuild. Underneath, though, Ant Colony plumbs the deepest human concerns--loneliness, faith, love, apathy, and more. All of this is done with humor and sensitivity, exposing a world where spiders can wreak unimaginable amounts of havoc with a single gnash of their jaws.
Hong Kong films tore up kung fu stereotypes in the 80s/90s. Here's the definitive tome on stunt hazards, pistol ballets, snarky gangsters and toothsome molls, hopping vampires, and Hong Kong noir. Start with John, Jacky and Michelle -- evolve to Johnnie To, Ringo Lam, the fantastic world of Tsui Hark, and the auteurdrome of Wong Kar-wai. How and why did films from Hong Kong--a British Crown Colony and map-speck--become so popular? It started in the 50s, when Chinese tycoons named Shaw decided to produce their own films as they felt quality was lacking. The Shaw Brothers owned cinemas in Southeast Asia, but creative freedom was lacking in those territories. The Shaws built their studios in Hong Kong and were soon cranking out high-quality features for distribution across much of Asia -- and Chinatowns worldwide. When the Shaws dropped almost all their film production to feed nouveau riche Hong Kongers via their TVB television channel, Hong Kong experienced a sudden wave of new filmmakers. Golden Harvest became the de facto number one studio with a cadre of filmmakers led by Sammo Hung. The most famous was Jackie Chan, who rocketed to stardom and created his own stunt team. In film after film, Jackie and Sammo co-starred in and/or competed for audience thrills with films that showcased their martial prowess and respective senses of humor. More Sex, Better Zen, Faster Bullets explicates, amplifies, and just plain rips across genres and filmmakers in one of the world's most storied film industries. Become an afflictionado. More Sex, Better Zen, Faster Bullets contains the best bits of Sex and Zen & A Bullet in the Head (1996) and Hollywood East (2000)--the two best known tomes on Hong Kong films of the twentieth century. Neither has ever been released in digital format, so author Stefan Hammond crashed together the two books and added more insight...and more film reviews. The result is the most comprehensive encyclopedia of Hong Kong film available anywhere.
"Yes, women are the greatest evil Zeus has made, and men are bound to them hand and foot with impossible knots by God."—Semonides, seventh century B.C. Men put women on a pedestal to worship them from afar—and to take better aim at them for the purpose of derision. Why is this paradoxical response to women so widespread, so far-reaching, so all-pervasive? Misogyny, David D. Gilmore suggests, is best described as a male malady, as it has always been a characteristic shared by human societies throughout the world. Misogyny: The Male Malady is a comprehensive historical and anthropological survey of woman-hating that casts new light on this age-old bias. The turmoil of masculinity and the ugliness of misogyny have been well documented in different cultures, but Gilmore's synoptic approach identifies misogyny in a variety of human experiences outside of sex and marriage and makes a fresh and enlightening contribution toward understanding this phenomenon. Gilmore maintains that misogyny is so widespread and so pervasive among men that it must be at least partly psychogenic in origin, a result of identical experiences in the male developmental cycle, rather than caused by the environment alone. Presenting a wealth of compelling examples—from the jungles of New Guinea to the boardrooms of corporate America—Gilmore shows that misogynistic practices occur in hauntingly identical forms. He asserts that these deep and abiding male anxieties stem from unresolved conflicts between men's intense need for and dependence upon women and their equally intense fear of that dependence. However, misogyny, according to Gilmore, is also often supported and intensified by certain cultural realities, such as patrilineal social organization; kinship ideologies that favor fraternal solidarity over conjugal unity; chronic warfare, feuding, or other forms of intergroup violence; and religious orthodoxy or asceticism. Gilmore is in the end able to offer steps toward the discovery of antidotes to this irrational but global prejudice, providing an opportunity for a lasting cure to misogyny and its manifestations.
