Ni que decir está claro Y lo digo con orgullo Mi libro es mejor que el tuyo Con más valor ilustrado. Tengo al inicuo sentado Frente al juez en el banquillo El pueblo está de testigo Repudiando al descarado. Hasta el niño he despertado Con la verdad de mi estilo Sincero, comprometido En el señor más confiado. Mis legiones, mis soldados Son el prójimo ya erguido Las señoras por sus hijos Los señores ya colmados.
A balance of practical and applied material which also underpins the crucial theoretical concepts that are being applied in today's human resources. For undergraduate/graduate courses in Human Resource Management.
This first volume covers talks given in Italy, Norway and India. Krishnamurti begins with the statement "Friends, I should like you to make a living discovery, not a discovery induced by the description of others ... I am not going to try to describe what to me is truth, for that would be an impossible attempt. One cannot describe or give to another the fullness of an experience. Each one must live it for himself."
Winner of the Cervantes Prize Carlos Fuentes, one of the world’s most acclaimed authors, is at the height of his powers in this stunning new novel—a magnificent epic of passion, magic, and desire in modern Mexico, a rich and remarkable tapestry set in a world where free will fights with the wishes of the gods. Josué Nadal has lost more than his innocence: He has been robbed of his life—and his posthumous narration sets the tone for a brilliantly written novel that blends mysticism and realism. Josué tells of his fateful meeting as a skinny, awkward teen with Jericó, the vigorous boy who will become his twin, his best friend, and his shadow. Both orphans, the two young men intend to spend their lives in intellectual pursuit—until they enter an adult landscape of sex, crime, and ambition that will test their pledge and alter their lives forever. Idealistic Josué goes to work for a high-tech visionary whose stunning assistant will introduce him to a life of desire; cynical Jericó is enlisted by the Mexican president in a scheme to sell happiness to the impoverished masses. On his journey into a web of illegality in which he will be estranged from Jericó, Josué is aided and impeded by a cast of unforgettable characters: a mad, imprisoned murderer with a warning of revenge, an elegant aviatrix and addict seeking to be saved, a prostitute shared by both men who may have murdered her way into a brilliant marriage, and the prophet Ezekiel himself. Mixing ancient mythologies with the sensuousness and avarice and need of the twenty-first century, Destiny and Desire is a monumental achievement from one of the masters of contemporary literature.
'La oraci—n es una relaci—n de amor con Dios' He aqu' un amplio y profundo an‡lisis de la pr‡ctica de la oraci—n. Richard Foster explora sus muchas facetas, desde los aspectos m‡s comunes hasta los m‡s extraordinarios, y describe la oraci—n como una jornada de transformaciones interiores, como senda que nos conduce a Dios y al ministerio. Al hacerlo, echa mano a las riquezas de los grandes clasicos de la oraci—n a travŽs de la historia y de su propia experiencia fuertemente arraigada en la Biblia. Nadie leer‡ LA ORACIîN sin experimentar un cambio en su vida. Todos encontraremos aliento en sus p‡ginas. El minsterio de la oraci—n se convertir‡ en una fuente de poder. La posibilidad de una profunda experiencia con la oraci—n quedar‡ a nuestro alcance.
The development of basic textual strategies in Spanish fiction from 1902 to 1926 is the focus of this study. Challenging traditional views of the relationships between the literature produced by the Generation of 1898 and the Spanish vanguard movement, Spires traces through analyses of select works a process of evolution beginning at the turn of the century and continuing into the 1920s. Spires demonstrates how the somewhat tentative strategies of the first decade became more daring in the second. As opposed to the extant historical, autobiographical, and thematic surveys of this period, Transparent Simulacra features structuralist and post-structuralist readings of fiction by Baroja, Azorín, Unamuno, Pérez de Ayala, Gómez de Serna, Jarnés, and Salinas. These approaches offer not only revisionist views of a literary period but also revisionist readings of some of Spain's best-known fiction.
