This anthology is composed of revised translations selected from five volumes of work by major poets of modern Greece offered by Keeley and Sherrard during the 1960s and '70s. Poems chosen are those that translate most successfully into English and that are also representative of the best work of the original poets--C.P. Cavafy, Angelos Sikelianos, George Seferis, Odysseus Elytis, and Nikos Gatsos.
Collecting documents culled from the writings of ancient Greek and Roman authors, this book provides a glimpse of what life was like in ancient times and illustrates the relevance of these long-ago civilizations to modern life. Voices of Ancient Greece and Rome: Contemporary Accounts of Daily Life sheds light on various aspects of Greek and Roman daily life by examining excerpts from the works of ancient authors who wrote about these topics. Written to help readers truly understand what life within an ancient civilization was like, each entry is preceded by background information and followed by thought-provoking questions. This book covers fascinating topics such as domestic life, employment, housing, food and clothing, sports and games, public safety, education, health care, politics, and religion. Each chapter contains several relevant documents excerpted from the writings of ancient authors accompanied by background information, reading and thought questions, bibliographical data, and suggestions for further reading. An introductory essay to the volume, a guide for evaluating original sources, and bio-notes on the ancient authors are also included. As with other volumes in the Greenwood Voices of an Era series, this book contains much more than just a series of documents: it provides the information and tools that will promote critical thinking and support the research process.
The songs of working women are reflected in Greek poetry and poetics. In ancient Greece, women's daily lives were occupied by various forms of labor. These experiences of work have largely been forgotten. Andromache Karanika has examined Greek poetry for depictions of women working and has discovered evidence of their lamentations and work songs. Voices at Work explores the complex relationships between ancient Greek poetry, the female poetic voice, and the practices and rituals surrounding women’s labor in the ancient world. The poetic voice is closely tied to women’s domestic and agricultural labor. Weaving, for example, was both a common form of female labor and a practice referred to for understanding the craft of poetry. Textile and agricultural production involved storytelling, singing, and poetry. Everyday labor employed—beyond its socioeconomic function—the power of poetic creation. Karanika starts with the assumption that there are certain forms of poetic expression and performance in the ancient world which are distinctively female. She considers these to be markers of a female “voice” in ancient Greek poetry and presents a number of case studies: Calypso and Circe sing while they weave; in Odyssey 6 a washing scene captures female performances. Both of these instances are examples of the female voice filtered into the fabric of the epic. Karanika brings to the surface the words of women who informed the oral tradition from which Greek epic poetry emerged. In other words, she gives a voice to silence.
Voices from Ancient Greece: Sources for Greek History, Society, and Culture provides students with an engaging exploration of one of the most influential ancient civilizations of the world. Through translated ancient text discussing historical events and social and cultural practices, readers learn about aspects of ancient Greece that are often overlooked, including traveling practices, the interaction between different social groups, and the perception of foreigners, and also gain insight into the ancient Greeks' hopes, dreams, fears, and prejudices. The sources within this book are organized thematically, allowing readers to easily explore Greek authors' responses to important cultural and social issues, many of which remain top of mind today, including gender equality, sexual discrimination, the value of education, and the role religion plays in our daily lives. Introductory paragraphs to each ancient source add rich context to the readings and also offer a number of clues that students may use to assess the ancient source's historical reliability. Presenting the ancient Greeks in a highly relatable and humanistic light, Voices from Ancient Greece is ideal for courses on the history, culture, and writings of ancient Greece. Nikolaos Lazaridis is an associate professor in the Department of History at California State University, Sacramento, where he teaches courses in ancient Mediterranean history. He earned his doctorate in Egyptology and Classics from Oxford University, with expertise in ancient Egyptian and Greek languages and literatures. Currently, Dr. Lazaridis is working on ancient storytelling styles and ancient ethics, and is the head epigrapher of the North Kharga Oasis Survey team, examining ancient Egyptian, Greek, and Roman graffiti left behind by travelers who crossed Egypt's Western Desert.
This book provides an in-depth analysis of the inflectional middle category in Modern Greek. Against the theoretical backdrop of cognitive linguistics, it is argued that a wide range of seemingly disparate middle structures in Modern Greek comprise a complex semantic network, and that this network is organized around two prototypical middle event types, which are noninitiative emotional response and spontaneous change of state. In those cases where middle structures have active counterparts, middle and active variants of the same verb stem are compared in order to demonstrate more clearly the semantic distinctions and pragmatic functions encoded by inflectional middle voice in Modern Greek. Major semantic groupings of middle structures treated include emotional response in particular and psycho-emotive experience in general, spontaneous change of state and/or the resulting state, agent-induced events in which an agent subject is (emotionally) involved with or affected by some aspect of the designated situation, passive-like events in which a patient subject is affected by a nonfocal agent, implicit or specified, and reflexive-like events in which a patient subject and an unspecified agent may overlap to varying degrees.
In Dangerous Voices Holst-Warhaft investigates the power and meaning of the ancient lament, especially women's mourning of the dead, and sets out to discover why legislation was introduced to curb these laments in antiquity. An investigation of laments ranging from New Guinea to Greece suggests that this essentially female art form gave women considerable power over the rituals of death. The threat they posed to the Greek state caused them to be appropriated by male writers including the tragedians. Holst-Warhaft argues that the loss of the traditional lament in Greece and other countries not only deprives women of their traditional control over the rituals of death but leaves all mourners impoverished.
This book provides an in-depth analysis of the inflectional middle category in Modern Greek. Against the theoretical backdrop of cognitive linguistics, it is argued that a wide range of seemingly disparate middle structures in Modern Greek comprise a complex semantic network, and that this network is organized around two prototypical middle event types, which are noninitiative emotional response and spontaneous change of state. In those cases where middle structures have active counterparts, middle and active variants of the same verb stem are compared in order to demonstrate more clearly the semantic distinctions and pragmatic functions encoded by inflectional middle voice in Modern Greek. Major semantic groupings of middle structures treated include emotional response in particular and psycho-emotive experience in general, spontaneous change of state and/or the resulting state, agent-induced events in which an agent subject is (emotionally) involved with or affected by some aspect of the designated situation, passive-like events in which a patient subject is affected by a nonfocal agent, implicit or specified, and reflexive-like events in which a patient subject and an unspecified agent may overlap to varying degrees.
This collection attempts to recover the voices of women in antiquity from a variety of perspectives: how they spoke, where they could be heard, and how their speech was adopted in literature and public discourse. Rather than confirming the old model of binary oppositions in which women's speech was viewed as insignificant and subordinate to male discourse, these essays reveal a dynamic and potentially explosive interrelation between women's speech and the realm of literary production, religion, and oratory. The contributors use a variety of methodologies to mine a diverse array of sources, from Homeric epic to fictional letters of the second sophistic period and from actual letters written by women in Hellenistic Egypt to the poetry of Sappho. Throughout, the term "voice" is used in its broadest definition. It includes not only the few remaining genuine women's voices but also the ways in which male authors render women's speech and the social assumptions such representations reflect and reinforce. These essays therefore explore how fictional female voices can serve to negotiate complex social, epistemological, and aesthetic issues. The contributors include Josine Blok, Raffaella Cribiore, Michael Gagarin, Mark Griffith, André Lardinois, Richard Martin, Lisa Maurizio, Laura McClure, D. M. O'Higgins, Patricia Rosenmeyer, Marilyn Skinner, Eva Stehle, and Nancy Worman.
The book focusses on orality and literacy in ancient Greece, and by bringing together consideration of oral and literate elements and traditions in various genres and practices presents another picture of ancient Greek society and literature.
