The thirty-eight volume Judy Bolton series was written during the thirty-five years from 1932-1967. It is one of the most successful and enduring girls' series ever published. The Judy Bolton books are noted not only for their fine plots and thrilling stories, but also for their realism and their social commentary. Unlike most other series characters, Judy and her friends age and mature in the series and often deal with important social issues. To many, Judy is a feminist in the best light-smart, capable, courageous, nurturing, and always unwavering in her true beliefs; a perfect role model.
As the world turns, things change. Our life cycle is full of memories. Those memories tell my adventures from childhood through adulthood. Some full of joy, some are full of despair, panic and pain. This book shares my story as my story needs to be told and read by many. MY ONLY BAG is a bag I brought from Belen, Boyaca, Colombia with only a few personal items but full of my childhood memories. It also contained all my dreams, which now can be opened by many to enjoy the growth of one man to a large family and all the goodness and goodies of my life...MY ONLY BAG.
Acting with masks is one of the most ancient stage techniques still in use today. Masking Unmasked is a basic guide to using this ancient art to develop character and movement in four sections that correspond to mask size: Full-Face Masks, Clowning, Bag Masks, and Half-Face Masks. Each section addresses fundamental acting principles and shows how the ancient technique can be applied to the contemporary stage. It is the perfect book to use as background to traditional, non-masked acting principles. For instance, mask acting provides a great way of strengthening core acting skills. Actors in masks experience the primary goal of acting because they are required to tap into profound physical, vocal, emotional, and psychological transformations in the course of creating a character. In addition, masking promotes honest, believable, and detailed work. Illustrated profusely throughout, the hands-on exercises developed by Simon teach actors to shift cleanly between beats, execute moment-to-moment specificity, unleash creative impulses, take risks and expand character range, power and vulnerability. Masking Unmasked is a book of ancient acting techniques that are indispensable for the actor of today.
This volume presents thirteen original papers dealing with various aspects of two related areas of research of major concern to linguists of all theoretical persuasions: voice and grammatical relations. The papers are written from typological, functional, and cognitive perspectives, and contain of a number of general studies as well as studies focusing on specific issues, and offer a wealth of data from a broad range of languages. The volume provides up-to-date discussions of an array of issues of theoretical concern, including the nature of grammatical relations, voice in agent/patient systems, the expression vs non-expression of participant roles, and personal vs impersonal passives. The papers in the volume demonstrate that investigations into the nature of voice and grammatical relations can still yield fresh theoretical and typological insights.
Voice & Vision is a comprehensive manual for the independent filmmakers and film students who want a solid grounding in the tools, techniques, and processes of narrative film in order to achieve their artistic vision. This book includes essential and detailed information on relevant film and digital video tools, a thorough overview of the filmmaking stages, and the aesthetic considerations for telling a visual story. The ultimate goal of this book is to help you develop your creative voice while acquiring the solid practical skills and confidence to use it. Unlike many books that privilege raw technical information or the line-producing aspects of production, Voice & Vision places creativity, visual expression, and cinematic ideas front and center. After all, every practical decision a filmmaker makes, like choosing a location, an actor, a film stock, a focal length, a lighting set-up, an edit point, or a sound effect is also an expressive one and should serve the filmmaker's vision. Every decision, from the largest conceptual choices to the smallest practical solutions, has a profound impact on what appears on the screen and how it moves an audience. "In Practice sidebars throughout Voice & Vision connect conceptual, aesthetic and technical issues to their application in the real world. Some provide a brief analysis of a scene or technique from easily rentable films which illustrate how a specific technology or process is used to support a conceptual, narrative, or aesthetic choice. Others recount common production challenges encountered on real student and professional shoots which will inspire you to be innovative and resourceful when you are solving your own filmmaking challenges.
Drawing on the fields of dramaturgy, music theory, and historical musicology, this book answers a question about twentieth-century music: Why does tonality persist in opera, even after it has been abandoned in other genres?
