Voice and Eye in Faulkner's Fiction
Voice and Eye in Faulkner's Fiction

Author: Hugh M. Ruppersburg

Publisher: University of Georgia Press

Published: 2008-11-01

Total Pages: 206

ISBN-13: 0820333646

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Hugh M. Ruppersburg examines the use of narrative viewpoint and structure in four representative novels by William Faulkner: Light in August, Pylon, Requiem for a Nun, and Absalom, Absalom! In his discussion of these four works he refers frequently, and often at length, to Faulkner's other novels and stories, so that the book offers a comprehensive examination of the narrative principle that underlie Faulkner's literary achievement. Ruppersburg shows how the Nobel Prize-winning novelist employed a number of elements to guarantee the impersonality of his fiction--how he built his novels primarily around the speech and thoughts of his characters. The absence of a judgmental authorial or narrational voice, says Ruppersburg, compels the reader to reach his own judgment concerning the behavior of these characters as well as the meaning and value of the fiction. By fusing a number of individual perspectives into a composite perspective, Faulkner gives the community itself a voice. He also uses narrative viewpoint to dramatize the individual's search for identity and the nature of truth, time, history, and human consciousness. Most significantly, the author says, Faulkner's manipulation of character perspective forces the reader to participate in the narrative process on the same level as that of the fictional characters. Voice and Eye in Faulkner's Fiction is primarily intended for the literature teacher and specialist, but it is directed as well to all readers curious about Faulkner's methods and the ways in which his novels work.

The Signifying Eye
The Signifying Eye

Author: Candace Waid

Publisher: University of Georgia Press

Published: 2013-07-01

Total Pages: 409

ISBN-13: 0820343161

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A bold book, built of close readings, striking in its range and depth, The Signifying Eye shows Faulkner's art take shape in sweeping arcs of social, labor, and aesthetic history. Beginning with long-unpublished works (his childhood sketches and his hand-drawn and handillustrated play The Marionettes) and early novels (Mosquitoes and Sartoris), working through many major works (The Sound and the Fury, As I Lay Dying, Sanctuary, Light in August, and Absalom, Absalom!), and including more popular fictions (The Wild Palms and The Unvanquished) and late novels (notably Intruder in the Dust and The Town), The Signifying Eye reveals Faulkner's visual obsessions with artistic creation as his work is read next to Wharton, Cather, Toomer, and—in a tour de force intervention—Willem de Kooning. After coloring in southern literature as a "reverse slave narrative," Waid's Eye locates Faulkner's fiction as the "feminist hinge" in a crucial parable of art that seeks abstraction through the burial of the race-defined mother. Race is seen through gender and sexuality while social fall is exposed (in Waid's phrase) as a "coloring of class." Locating "visual language" that constitutes a "pictorial vocabulary," The Signifying Eye delights in literacy as the oral meets the written and the abstract opens as a site to see narrative. Steeped in history, this book locates a heightened reality that goes beyond representation to bring Faulkner's novels, stories, and drawings into visible form through Whistler, Beardsley, Gorky, and de Kooning. Visionary and revisionist, Waid has painted the proverbial big picture, changing the fundamental way that both the making of modernism and the avant-garde will be seen. A Friends Fund publication

Fiction's Inexhaustible Voice
Fiction's Inexhaustible Voice

Author: Stephen M. Ross

Publisher: University of Georgia Press

Published: 1989

Total Pages: 308

ISBN-13: 9780820313757

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William Faulkner recognized voice as one of the most distinctive and powerful elements in fiction when he delivered his Nobel Prize acceptance speech, describing the last sound at the end of the world as man's "puny inexhaustible voice, still talking." As a testimonial of an artist's faith in his art, the speech raised the value of voice to its highest reach for man, as "one of the props, the pillars to help him endure and prevail." In Fiction's Inexhaustible Voice, Stephen Ross explores the nature of voice in William Faulkner's fiction by examining the various modes of speech and writing that his texts employ. Beginning with the proposition that voice is deeply involved in the experience of reading Faulkner, Ross uses theoretically grounded notions of voice to propose new ways of explaining how Faulkner's novels and stories express meaning, showing how Faulkner used the affective power of voice to induce the reader to forget the silent and originless nature of written fiction. Ross departs from previous Faulkner criticism by proceeding not text-by-text or chronologically but by construction a workable taxonomy which defines the types of voice in Faulkner's fiction: phenomenal voice, a depicted event or object within the represented fictional world; mimetic voice, the illusion that a person is speaking; psychic voice, one heard only in the mind and overheard only through fiction's omniscience; and oratorical voice, an overtly intertextual voice which derives from a discursive practice--Southern oratory--recognizable outside the boundaries of any Faulkner text and identifiable as part of Faulkner's biographical and regional heritage. In Faulkner's own experience, listening was important. As he once confided to Malcolm Cowley, "I listen to the voices, and when I put down what the voices say, it's right." In Fiction's Inexhaustible Voice, Ross conducts a careful analysis of this fundamental source of power in Faulkner's fiction, concluding that the preponderance of voice imagery, represented talking, verbalized thought, and oratorical rhetoric and posturing makes the novels and stories fundamentally vocal. They derive their energy from the play of voices on the imaginative field of written language.

Vision's Immanence
Vision's Immanence

Author: Peter Lurie

Publisher: JHU Press

Published: 2020-03-03

Total Pages: 254

ISBN-13: 1421427559

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William Faulkner occupied a unique position as a modern writer. Although famous for his modernist novels and their notorious difficulty, he also wrote extensively for the "culture industry," and the works he produced for it—including short stories, adaptations, and screenplays—bore many of the hallmarks of consumer art. His experiences as a Hollywood screenwriter influenced him in a number of ways, many of them negative, while the films turned out by the "dream factories" in which he labored sporadically inspired both his interest and his contempt. Faulkner also disparaged the popular magazines—though he frequently sold short stories to them. To what extent was Faulkner's deeply ambivalent relationship to—and involvement with—American popular culture reflected in his modernist or "art" fiction? Peter Lurie finds convincing evidence that Faulkner was keenly aware of commercial culture and adapted its formulae, strategies, and in particular, its visual techniques into the language of his novels of the 1930s. Lurie contends that Faulkner's modernism can be best understood in light of his reaction to the popular culture of his day. Using Theodor Adorno's theory about modern cultural production as a framework, Lurie's close readings of Sanctuary, Light in August, Absalom! Absalom!, and If I Forget Thee, Jerusalem uncover the cultural history that surrounded and influenced the development of Faulkner's art. Lurie is particularly interested in the influence of cinema on Faulkner's fiction and especially the visual strategies he both deployed and critiqued. These include the suggestion of cinematic viewing on the part of readers and of characters in each of the novels; the collective and individual acts of voyeurism in Sanctuary and Light in August; the exposing in Absalom! Absalom! and Light in Augustof stereotypical and cinematic patterns of thought about history and race; and the evocation of popular forms like melodrama and the movie screen in If I Forget Thee, Jerusalem. Offering innovative readings of these canonical works, this study sheds new light on Faulkner's uniquely American modernism.

Georgia Voices: Poetry
Georgia Voices: Poetry

Author: Hugh Ruppersburg

Publisher: University of Georgia Press

Published: 1992

Total Pages: 292

ISBN-13: 9780820321776

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Georgia Voices Volume 3, Poetry, is the final anthology in a distinctive multivolume set of works by Georgia's most gifted writers. Offering selections from thirty-nine poets, Georgia Voices Volume 3 presents a variety of literary and cultural traditions. While the poems reflect the places and times of their origins, they also reveal the impact of today's global society in their diverse and contrasting themes. With myriad styles and voices, this work is characteristic of the South's blend of tradition and innovation, elegance and angst. As eclectic as it is representative of Georgia's character and heritage, the volume contains works mainly from the twentieth century. In this collection we encounter some of America's finest poets--Sidney Lanier, Conrad Aiken, James Dickey, Alice Walker, Judson Mitcham, Judith Ortiz Cofer, Rosemary Daniell, Wyatt Prunty, Charlie Smith, Bettie Sellers, Coleman Barks, Stephen Corey, Kathryn Stripling Byer, and many others. Their works of humor, nature, history, discovery, drama, and strength make Georgia Voices Volume 3, Poetry, a worthwhile addition to any bookshelf or library.

Literature and the Writer
Literature and the Writer

Author:

Publisher: BRILL

Published: 2016-08-09

Total Pages: 256

ISBN-13: 940120134X

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Literature and the Writer was first conceived with the hope the essays would shed light on several dimensions of the authorial craft. It was the hope of the editor that the selected essays would examine not only writers’ choice of vocabulary, but also their deliberate selection of grammatical constructions and word order and their seamless weaving together of plots and imagery. Moreover, the analyses would also draw attention to how the writing process impacts the development of characters and the formulation of thematic strands in fiction. Thus, a wide variety of authors are deliberately selected to give the text depth: writers of popular fiction as well as modern classics are included, and contrasts are established between traditional writers and those who prefer to follow experimental trends. Modernists are set against postmodernists, absurdists vs. realists, minority ethnicities vs. majority cultures, and dominant genders appear in contrast to subordinated ones. Clearly, the major tenet of the collection is that the writing profession provides an unending dilemma that deserves to be explored in more detail as readers try to determine how authorial voices confuse while simultaneously elucidating their audience, how texts are constructed by authors and yet deconstructed by the very words they choose to include, how silence functions as inaudible yet audible discourse; and how authorial self-concept shapes not only itself but is also echoed in the fictional characters / writers who appear in the texts.

REAL. Vol. 5
REAL. Vol. 5

Author: Herbert Grabes

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2020-05-18

Total Pages: 340

ISBN-13: 3112321286

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No detailed description available for "REAL YEARBOOK VOL. 5 REAL E-BOOK".

Southern Writers at Century's End
Southern Writers at Century's End

Author: Jeffrey J. Folks

Publisher: University Press of Kentucky

Published: 2014-10-17

Total Pages: 306

ISBN-13: 0813157269

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Since the end of World War II, the South has experienced a greater awareness of growth and of its accompanying tensions than other regions of the United States. The rapid change that climaxed with the war in Vietnam, the Cold War, civil rights demonstrations, and Watergate has forced the traditional South to come to terms with social upheaval. As the essays collected in Southern Writers at Century's End point out, southern writing: since 1975 reflects the confusion and violence that have characterized late-twentieth-century public culture. These essays consider the work of twenty-one of the foremost southern writers whose most important fiction has appeared in the last quarter of this century. As the region's contemporary writers have begun to gain a wide audience, critics have begun to distinguish what Hugh Holman has called "the fresh, the vital, and the new" in southern literary culture. Southern Writers at Century's End is the first volume to take an extensive look at the current generation of southern writers. Authors considered include: James Lee Burke, Fred Chappell, Robert Drake, Andre Dubus, Clyde Edgerton, Richard Ford, Kaye Gibbons, John Grisham, Barry Hannah, Mary Hood, Josephine Humphreys, Randall Kenan, Richard Marius, Bobbie Ann Mason, Cormac McCarthy, Tim McLaurin, T.R. Pearson, Lee Smith, Anne Tyle,r Alice Walker, and James Wilcox.

Narrative Reliability, Racial Conflicts and Ideology in the Modern Novel
Narrative Reliability, Racial Conflicts and Ideology in the Modern Novel

Author: Marta Puxan-Oliva

Publisher: Routledge

Published: 2019-03-07

Total Pages: 447

ISBN-13: 0429638728

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How does racial ideology contribute to the exploration of narrative voice? How does narrative (un)reliability help in the production and critique of racial ideologies? Through a refreshing comparative analysis of well-established novels by Joseph Conrad, William Faulkner, James Weldon Johnson, Albert Camus and Alejo Carpentier, this book explores the racial politics of literary form. Narrative Reliability, Racial Conflicts and Ideology in the Modern Novel contributes to the emergent attention in literary studies to the interrelation of form and politics, which has been underexplored in narrative theory and comparative racial studies. Bridging cultural, postcolonial, racial studies and narratology, this book brings context specificity and awareness to the production of ideological, ambivalent narrative texts that, through technical innovation in narrative reliability, deeply engage with extremely violent episodes of colonial origin in the United Kingdom, the United States, Algeria, and the French and Spanish Caribbean. In this manner, the book reformulates and expands the problem of narrative reliability and highlights the key uses and production of racial discourses so as to reveal the participation of experimental novels in early and mid-20th century racial conflicts, which function as test case to display a broad, new area of study in cultural and political narrative theory.

Absalom, Absalom!
Absalom, Absalom!

Author: William Faulkner

Publisher: DigiCat

Published: 2022-08-01

Total Pages: 305

ISBN-13:

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DigiCat Publishing presents to you this special edition of "Absalom, Absalom!" by William Faulkner. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.