The love between Vivianna and Raymond and the secrets surrounding Vivianna's identity send her running away from Lakeland and rejecting everything Lakeland represents. While on their own Raymond tries desperately to show her that life is more than over the top balls, and lavish things. But as much as Vivianna desires to escape the dysfunction of Lakeland and experience a reality where she can be free to live her truth it is her endless lust for expensive things and a grand lifestyle that brings her back with a toddler Grayson in tow. Vivianna sacrifices everything even her daughter, Grayson, to get back in her mother's good graces and reclaim her seat at the dysfunctional Harrow table.
The Harrow family is a family that has spent generations hiding behind the illusion of perfection and lineage. Grayson thought she had escaped the dysfunction of the Harrow Family until the shock of an unplanned pregnancy forced her to return to Lakeland. Grayson must confront her color struck mother, Vivianna, about her childhood at Lakeland and the real reason why her biological father was never apart of her life. Grayson learns how twisted her mother’s version of love is, and how the truth is more complex than she could have ever imagined. Her husband David is there to support her every step of the way, and when Grayson reconnects with her sister, Gigi, she learns the price Gigi paid for being their mother’s favorite.
Regardless of who you are or how you live your life, you disagree with millions of people on an enormous number of topics from politics, religion and morality to sport, culture and art. Unless you are delusional, you are aware that a great many of the people who disagree with you are just as smart and thoughtful as you are - in fact, you know that often they are smarter and more informed. But believing someone to be cleverer or more knowledgeable about a particular topic usually won’t change your mind. Should it? This book is devoted to exploring this quandary - what should we do when we encounter disagreement, particularly when we believe someone is more of an authority on a subject than we are? The question is of enormous importance, both in the public arena and in our personal lives. Disagreement over marriages, beliefs, friendships and more causes immense personal strife. People with political power disagree about how to spend enormous amounts of money, about what laws to pass, or about wars to fight. If only we were better able to resolve our disagreements, we would probably save millions of lives and prevent millions of others from living in poverty. The first full-length text-book on this philosophical topic, Disagreement provides students with the tools they need to understand the burgeoning academic literature and its (often conflicting) perspectives. Including case studies, sample questions and chapter summaries, this engaging and accessible book is the perfect starting point for students and anyone interested in thinking about the possibilities and problems of this fundamental philosophical debate.
This book examines the roles played by narrative and culture in the construction of legal cases and their resolution. It is articulated in two parts. Part I recalls epistemological turns in legal thinking as it moves from theory to practice in order to show how facts are constructed within the legal process. By combining interdisciplinary paradigms and methods, the work analyses the evolution of facts from their expression by the client to their translation within the lawyer-client relationship and the subsequent decision of the judge, focusing on the dynamic activity of narrative construction among the key actors: client, lawyer and judge. Part II expands the scientific framework toward a law-and-culture-oriented perspective, illustrating how legal stories come about in the fabric of the authentic dimensions of everyday life. The book stresses the capacity of laypeople, who in this activity are equated with clients, to shape the law, dealing not just with formal rules, but also with implicit or customary rules, in given contexts. By including the illustration of cases concerning vulnerable clients, it lays the foundations for developing a socio-clinical research programme, whose aims including enabling lay and expert actors to meet for the purposes of improving forms of collective narrations and generating more just legal systems.
This book brings together recent research developments in relating theory. It is divided into four parts, which introduce the reader to relating theory, how it has developed and how it can be applied to clinical and forensic psychology. Topics include how couples relate to one another, how young people relate to their parents, how assessments of relating can be used in therapy, how specific negative relating styles relate to offending behaviour, risk taking and alcohol use, psychopathic and sadistic tendencies, and how the interpersonal relating of offenders can change during treatment in prison. The book covers international research involving both quantitative and qualitative methods, and will be of interest to clinicians, academics and both undergraduate and postgraduate students in the fields of psychology, clinical psychology, forensic/criminal psychology, psychiatry, psychotherapy, counselling, art-therapy, and mental health.
When Viviana Salguero came to the United States in 1946, she spoke very little English, had never learned to read or write, and had no job skills besides housework or field labor. She worked eighteen-hour days and lived outdoors as often as not. And yet she raised twelve children, shielding them from her abusive husband when she dared, and shared in both the tragedies and accomplishments of her family. Through it all, Viviana never lost her love for Mexico or her gratitude to the United States for what would eventually become a better life. Though her story is unique, Viviana Salguero could be the mother, grandmother, or great-grandmother of immigrants anywhere, struggling with barriers of gender, education, language, and poverty. In I Don't Cry, But I Remember, Joyce Lackie shares with us an intimate portrait of Viviana's life. Based on hours of recorded conversations, Lackie skillfully translates the interviews into an engaging, revealing narrative that details the migrant experience from a woman's point of view and fills a gap in our history by examining the role of women of color in the American Southwest. The book presents Vivana's life not only as a chronicle of endurance, but as a tale of everyday resistance. What she lacks in social confidence, political strength, and economic stability, she makes up for in dignity, faith, and wisdom. Like all good oral history, Salguero's accounts and Lackie's analyses contribute to our understanding of the past by exposing the inconsistencies and contradictions in our remembrances. This book will appeal to ethnographers, oral historians, students and scholars of Chicana studies and women's studies, as well as general readers interested in the lives of immigrant women.
Miss Vivianna Greentree is proper, but passionately dedicated to her haven for poor orphans. But when funds run low, and the orphanage is in peril, she has no choice but to appeal the estate’s roguish owner, Sir Oliver Montegomery. Scandalous he may be, but also practical, and he sees no reason to aid the prim Miss Greentree, or her precious orphans. But perhaps there’s another way to persuade him? Vivianna vows to learn fine arts of seduction and melt Oliver’s stony heart with a kiss, a touch and whispered promises. Under the guidance of Madam Aphrodite, London’s most famed courtesan, Vivianna discovers how to make a man weak with desire. But when she practices her newfound skills on Oliver, she finds a burning desire within herself as well. And very soon, it’s hard to say just who is seducing whom...
Cash Fraser is planning revenge and to get it he needs the perfect woman. So he hires her. Abigail Butler has lost nearly everything in her life and she’s about to lose the home she loves. Cash meets Abby, who is posing as a paid escort, and the minute he does he knows he’s willing to pay for more than Abby being his pretend girlfriend. A lot more. Abby needs the money or the last thing that links her to her dead family and husband will be gone. The deal is struck but both Cash and Abby get more than they bargained for. Cash realises very quickly that Abby isn’t what she seems and while he changes strategies, Abby discovers that Cash’s legacy, Penmort Castle, is like all the tales say – very, very haunted. Making matters worse, the ghost in residence wants her dead. Abby’s found herself in the battle of her life so she enlists Mrs. Truman, her nosy neighbour; Jenny, her no-nonsense friend; Cassandra McNabb, white witch and clairvoyant with a penchant for wearing scarves (and lots of them); and Angus McPherson, dyed-in-the-wool Scot (which means he hunts ghosts in a kilt) to fight the vicious ghost who has vowed that she will rest at nothing to kill the true, abiding love of the master of Penmort.
The final book in the enchanting epic fantasy series for fans of Robert Jordan, from the founder of Dragonmount. The world is Changed. Fifty-four years have passed since Crow Tallin, the catastrophic celestial event that merged Fayün and the human world. One devastating result of that cataclysm is that most human babies are born fused with fay spirits. The Mystics of Kelt Apar, once beloved, are blamed for this worldwide phenomenon. On the island of Moth, the Barons have declared the Myst illegal and imprisoned all Mystics under house arrest. Under the watchful eyes of deadly Hunters, a much-older Pomella AnDone now lives as a prisoner at Kelt Apar with her granddaughter and apprentice Mia, as well as the rapidly declining High Mystic of Moth, Yarina Sineese. When the time comes to conduct the ceremony intended to pass the title of High Mystic from Yarina to her successor Vivianna, something goes horribly wrong, leaving the lineage of Mystics in doubt. With new rivals seeking to claim Moth for their own, Pomella must undergo a dangerous dreamwalk into the mind-bending and heart-wrenching Mystic Skies in order to learn the mystical name of the island itself. In this epic conclusion to Jason Denzel's The Mystic Trilogy, which spans decades and timeless realms and dreams, Pomella must confront her greatest and most personal challenge yet. For the Deep mysteries of the world will reveal themselves only to the most powerful and dedicated of Mystics. The Mystic Series Mystic Mystic Dragon Mystic Skies At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Conjuring entrancing tales of Mexican American mystics and misfits, Marytza K. Rubio shatters the boundaries of reality with this fiercely imaginative debut. “The first witch of the waters was born in Destruction. The moon named her Maria.” Set against the tropics and megacities of the Americas, Maria, Maria takes inspiration from wild creatures, tarot, and the porous borders between life and death. Motivated by love and its inverse, grief, the characters who inhabit these stories negotiate boldly with nature to cast their desired ends. As the enigmatic community college professor in “Brujería for Beginners” reminds us: “There’s always a price for conjuring in darkness. You won’t always know what it is until payment is due.” This commitment drives the disturbingly faithful widow in “Tijuca,” who promises to bury her husband’s head in the rich dirt of the jungle, and the sisters in “Moksha,” who are tempted by a sleek obsidian dagger once held by a vampiric idol. But magic isn’t limited to the women who wield it. As Rubio so brilliantly elucidates, animals are powerful magicians too. Subversive pigeons and hungry jaguars are called upon in “Tunnels,” and a lonely little girl runs free with a resurrected saber-toothed tiger in “Burial.” A colorful catalog of gallery exhibits from animals in therapy is featured in “Art Show,” including the Almost Philandering Fox, who longs after the red pelt of another, and the recently rehabilitated Paranoid Peacocks. Brimming with sharp wit and ferocious female intuition, these stories bubble over into the titular novella, “Maria, Maria”—a tropigoth family drama set in a reimagined California rainforest that explores the legacies of three Marias, and possibly all Marias. Writing in prose so lush it threatens to creep off the page, Rubio emerges as an ineffable new voice in contemporary short fiction.
