Following a lifetime of trekking across the globe, Vivian Swift, a freelance designer who racked up 23 temporary addresses in 20 years, finally dropped her well-worn futon mattress and rucksack in a small town on the edge of the Long Island Sound. She spent the next decade quietly taking stock of her life, her immediate surroundings, and, finally, what it means to call a place a home. The result is When Wanderers Cease to Roam. Filled with watercolors of beautiful local landscapes, seasonal activities, and small, overlooked pleasures of easy living, each chapter chronicles the perks of remaining at home, including recipes, hobbies, and prized possessions of the small town lifestyle. At once gorgeously rendered and wholly original, this delightful and masterfully observed year of staying put conjures everything from youthful yearnings and romantic travels to lumpy, homemade sweaters and the gradations of March mud.
Traces an idyllic French honeymoon trip while sharing lighthearted tips and advice on how to thrive as a traveler, in a book with hundreds of watercolor and line illustrations.
A contentious, deeply moving ode to friendship, love, and urban life in the spirit of Fierce Attachments A memoir of self-discovery and the dilemma of connection in our time, The Odd Woman and the City explores the rhythms, chance encounters, and ever-changing friendships of urban life that forge the sensibility of a fiercely independent woman who has lived out her conflicts, not her fantasies, in a city (New York) that has done the same. Running steadily through the book is Vivian Gornick's exchange of more than twenty years with Leonard, a gay man who is sophisticated about his own unhappiness, whose friendship has "shed more light on the mysterious nature of ordinary human relations than has any other intimacy" she has known. The exchange between Gornick and Leonard acts as a Greek chorus to the main action of the narrator's continual engagement on the street with grocers, derelicts, and doormen; people on the bus, cross-dressers on the corner, and acquaintances by the handful. In Leonard she sees herself reflected plain; out on the street she makes sense of what she sees. Written as a narrative collage that includes meditative pieces on the making of a modern feminist, the role of the flaneur in urban literature, and the evolution of friendship over the past two centuries, The Odd Woman and the City beautifully bookends Gornick's acclaimed Fierce Attachments, in which we first encountered her rich relationship with the ultimate metropolis.
“THE FUNNIEST FICTIONAL HEROINE SINCE BRIDGET JONES.” —Teen People Last summer, Vivian Livingston set the world ablaze in her first book The Autobiography of Vivian, a tell-all tale of a girl trying her best to be the woman she knows she is inside. With demons to kick, confidence to gather, and goals to reach, Vivian decides to leave her safe ‘n’ sound hometown and take a bite out of the Big Apple. If she can make it there . . . well, you know the song. Fast forward five eventful years—anyone would have thought that Vivian finally had it all: the “nice” guy, the great job, the “work in progress” bachelorette pad, a backstage pass to New York City, and an emotional first aid kit just in case. Not so fast! Just when Vivian thought that she had arrived (and on time no less), think again! Enter: an ever-buoyant subconscious, mind games without a set of directions, and pressures that make final exams and deciding on first date attire look like cake. In her second book, Vivian takes on her biggest challenge yet: herself. Her real fears, her true hopes, and her big dreams. Befriend her as she realizes that disillusionment comes with the territory, that “breaking the glass ceiling” is the least of it, and that your past—the good and the bad—is a part of you forever. Take the journey alongside Vivian; be her travel companion through this game called life. Bring along a notebook, be sure to stop and smell the roses, and pack your favorite cocktail dress just in case!
Every day, Antonio Vivaldi composes a new orchestral piece, and every day, the orphan Candida transcribes Vivaldi's masterpiece into sheet music for the Invisible Orchestra. Nobody notices Candida or appreciates her hard work. But one day Candida accidentally slips a poem she wrote into the sheet music and the girl so often behind the shadows gets recognized for her own talents. Vivaldi really did have an Invisible Orchestra made up of orphan girls he taught to play. This beautiful book pays tribute to their inspiration.
The “astonishing” (People) and definitive biography that unlocks the “riveting” (Vogue) story of Vivian Maier, the nanny who lived secretly as a world-class photographer, featuring nearly 400 of her images, many never seen before, placed for the first time in the context of her life. Vivian Maier, the photographer nanny whose work was famously discovered in a Chicago storage locker, captured the imagination of the world with her masterful images and mysterious life. Before posthumously skyrocketing to global fame, she had so deeply buried her past that even the families she lived with knew little about her. No one could relay where she was born or raised, if she had parents or siblings, if she enjoyed personal relationships, why she took photographs and why she didn’t share them with others. Now, in this “thorough, fascinating overview of an artist working for art’s sake” (The New York Times), Ann Marks uses her complete access to Vivian’s personal records and archive of 140,000 photographs to reveal the full story of her extraordinary life. Based on meticulous investigative research, the “compelling and richly detailed” (Kirkus Reviews, starred review) Vivian Maier Developed reveals the story of a woman who fled from a family with a hidden history of illegitimacy, bigamy, parental rejection, substance abuse, violence, and mental illness to live life on her own terms. Left with a limited ability to disclose feelings and form relationships, she expressed herself through photography, creating a secret portfolio of pictures teeming with emotion, authenticity, and humanity. With limitless resilience she knocked down every obstacle in her way, determined to improve her lot in life and that of others by tirelessly advocating for the rights of workers, women, African Americans, and Native Americans. No one knew that behind the detached veneer was a profoundly intelligent, empathetic, and inspired woman—a woman so creatively gifted that her body of work would become one of the greatest photographic discoveries of the century.
