Published in 2001, this collection brings together the province's leading writers and thinkers in a lively and challenging debate about Quebec nationalism. This collection of articles from leading Quebec intellectuals debates such topics as the federal government's clarity bill, the prospects for another referendum, and Quebec's place in Canada. Included are leading writers, politicians and thinkers spanning a wide range of viewpoints including Charles Taylor, Gregory Baum, Jean Charest and Lucien Bouchard. Vive Quebec! is a vital introduction to the issues of concern in contemporary Quebec society.
Globalization is calling for new conceptualizations of belonging within culturally diverse communities. Quebec, driven by the pressures of maintaining Francophone identity and accommodating migrant groups, provides a fascinating case study of how to foster a sense of belonging.
Covering the rich film production of Belgium, Switzerland, Quebec, the Caribbean, North Africa, and Sub-Saharan Africa, this book brings together films that might otherwise be divided by questions of race, gender, genre, period, or nation, in a valuable comparative study of a diverse corpus. Individual countries, film-makers, and films are treated separately in order to emphasize their specific identities or those which are represented in their films, and key films are examined within a well-developed historical context. Clearly written and accessible to the specialist and general reader alike, this informative book is a valuable reference source.
In the last seventy years, Quebec has changed from a society dominated by the social edicts of the Catholic Church and the economic interests of anglophone business leaders to a more secular culture that frequently elects separatist political parties and has developed the most comprehensive welfare state in North America. In Contemporary Quebec, leading scholars raise provocative questions about the ways in which Quebec has been transformed since the Second World War and offer competing interpretations of the reasons for the province's quiet and radical revolutions.
In 1967, Montreal hosted Man and His World/Terre des hommes. By far the most successful cultural event ever produced in Canada, it was embraced by the public at the same time as intellectuals from Marshall McLuhan to Umberto Eco hailed it as a new type of exhibition for a new global age. Because it was held where and when it was – on a man-made archipelago in the St Lawrence River seven years into Quebec’s Quiet Revolution – Expo 67 also provided a prism through which the idea of the nation could be refracted and recast in original ways. Misunderstood by some scholars as an expensive exercise in official patriotism, while maligned by Quebec intellectuals as a crypto-federalist distraction from the real business of national independence, the fair nevertheless showcased Montreal as the de facto capital of a suddenly modern Quebec engaging with a late-modern world. Expo 67 and Its World proposes a reappraisal of the 1967 Montreal International and Universal Exhibition across a range of political, social, and cultural spaces: from the dispossession of Indigenous Peoples and what was then known as the Third World, through the aspirations of Montreal, Quebec, and Canada, to the increasingly global ambit of youth culture, medicine, film, and finance. A new approach to understanding Expo 67, the collection challenges assumptions about the significance of the event to Canadian, Québécois, and First Nations history.
A pivotal event in Canada’s history For six months in 1967, from late April until the end of October, Canada and its world's fair, Expo 67, became the focus of national and international attention in a way the country and its people had rarely experienced. Expo 67 crystallized the buoyant mood and newfound sense of confidence many felt during Canada's centennial. It becomes clearer, though, as its forty-fifth anniversary approaches in spring 2012, that Expo was something more than just a great world's fair. For many Canadians, it became a touchstone, a popular event that penetrated the collective psyche. The Best Place to Be takes a look at Expo and at the social and political contexts in which it occurred. It is above all a story of people: the young men and women who worked at Expo, the visitors, and the cameo appearances from the titled and celebrated, such as Elizabeth II, President Lyndon Johnson, President Charles de Gaulle (whose visit to Expo and Montreal became infamous), U.S. Senator Robert F. Kennedy, Jacqueline Kennedy, Princess Grace of Monaco, Princess Margaret, Marshall McLuhan, Sidney Poitier, Laurence Olivier, Cary Grant, Twiggy, and Pierre Trudeau.
In Quebec Identity Jocelyn Maclure provides a critical reflection on the ways in which Quebec's identity has been articulated since the 1960s' Quiet Revolution. He shows how neither the melancholic nationalism of the Montreal school, Hubert Aquin, Pierre Vallières, Fernand Dumont and their followers, nor the individualist antinationalism of Pierre Trudeau and his followers provide identity stories and political projects adequate for contemporary Quebec. In articulating an alternative narrative Maclure reframes the debate, detaching the question of Quebec's identity from the question of sovereignty versus federalism and linking it closely to Quebec's cultural diversity and to the consolidation of its democratic sphere. In so doing, he rethinks the conditions of authenticity, leaves space for First Nations' self-determination and takes account of globalization. This edition has been expanded for English-Canadians with additional references as well as a glossary of names, institutions, and concepts.
One of the most enduring images of Quebec’s Quiet Revolution is of Charles de Gaulle proclaiming “Vive le Qu?bec libre!” from the balcony of Montreal City Hall. The incident laid bare Canada’s unity crisis and has since dominated interpretations of the Canada-Quebec-France triangle. David Meren demystifies this cri du balcon by looking beyond de Gaulle to Quebec’s evolving relationship with France after the war and the clash of nationalisms that resulted. By seeking to understand Quebec, Gaullist, and Canadian nationalism, Meren not only casts doubt on established interpretations of events, he also reveals how the challenge of responding to American superpower and influence shaped the triangle.
There is no better record of events than The New York Times, and The Times of the Sixties captures the history, culture, and personalities of the 1960s through 400 articles and original commentary with contemporary photos throughout. The Times of the Sixties represents one of the most fascinating, extensive, and well-rounded portraits of one of a tumultuous decades. More than 400 articles culled from the archives of The New York Times and curated by staff writer John Rockwell are gathered here, complete with compelling photographs from staff photographers and more. Read original, contemporary coverage of: The Cuban missile crisis Martin Luther King's I Have A Dream speech and key moments in civil rights The assassinations of President John F. Kennedy and Senator Robert Kennedy The Moon landing The Women's movement Popular music highlights like the Beatles' British Invasion and groundbreaking artists like The Supremes Movie and celebrity coverage like reviews of Psycho, 2001: A Space Odyssey, and The Graduate, and Plus articles on pivotal figures like Mao, Che Guevara, Muhammad Ali, Marilyn Monroe, and Betty Friedan And so much more.
John Bouchard was born in1934, in Falcon Bridge, Ontario. From an early age, John displayed artistic ability. As a young child, he drew detailed pictures, displaying talent far beyond his age. As an older child he began to paint pictures which caught the attention of many. In 1957, he attended The Southern Alberta College of Fine Arts, in Calgary, Alberta, where he studied graphic art and design. Upon completion, he worked as a sign designer, creating signs for various businesses. John had always had a penchant for the outdoors. He left his sign design job, pursuing his love for the wilderness. He bought a trap line near Petrie, Ontario. He enjoyed trapping, being his own boss, and working in the wilderness. That summer, he worked for the Department of Lands and Forests as a “tower man” at the Loch Erne fire tower near Shebandowan Lake. In 1967, his work with Lands and Forests led him to a summer job as Ranger at the Cache Bay Quetico Park Ranger Station. During the winter of 1968, John accepted a position with a toy manufacturer in Chanhassen, Minnesota, where he designed stuffed toys. Once again, John was not content with an indoor job. In the spring of 1968, John acquired a seasonal job as Deputy Conservation Officer at Saganaga Lake. During the winters, he trapped in the same area. In 1985, John was promoted to Conservation Officer and was posted in Nakina, Ontario. A few years later, he was transferred to Upsala, Ontario. John retired in 1994 and currently lives in Thunder Bay Ontario.
