Visualizing Christ's Miracles in Late Byzantium

Visualizing Christ's Miracles in Late Byzantium

Author: Maria Alessia Rossi

Publisher: Cambridge University Press

Published: 2024-05-31

Total Pages: 367

ISBN-13: 1009387626

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Investigates the political and spiritual agenda behind monumental paintings of Christ's miracles in late Byzantine churches.


The Routledge Handbook of Byzantine Visual Culture in the Danube Regions, 1300-1600

The Routledge Handbook of Byzantine Visual Culture in the Danube Regions, 1300-1600

Author: Maria Alessia Rossi

Publisher: Taylor & Francis

Published: 2024-02-22

Total Pages: 428

ISBN-13: 1003844898

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This volume aims to broaden and nuance knowledge about the history, art, culture, and heritage of Eastern Europe relative to Byzantium. From the thirteenth century to the decades after the fall of Constantinople in 1453, the regions of the Danube River stood at the intersection of different traditions, and the river itself has served as a marker of connection and division, as well as a site of cultural contact and negotiation. The Routledge Handbook of Byzantine Visual Culture in the Danube Regions, 1300–1600 brings to light the interconnectedness of this broad geographical area too often either studied in parts or neglected altogether, emphasizing its shared history and heritage of the regions of modern Greece, Croatia, Serbia, Bulgaria, Romania, Hungary, Slovakia, and Czechia. The aim is to challenge established perceptions of what constitutes ideological and historical facets of the past, as well as Byzantine and post-Byzantine cultural and artistic production in a region of the world that has yet to establish a firm footing on the map of art history. The 24 chapters offer a fresh and original approach to the history, literature, and art history of the Danube regions, thus being accessible to students thematically, chronologically, or by case study; each part can be read independently or explored as part of a whole.


Later Byzantine Painting

Later Byzantine Painting

Author: Robert S. Nelson

Publisher: Taylor & Francis

Published: 2024-10-28

Total Pages: 431

ISBN-13: 1040232310

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Written over nearly three decades, the fifteen essays involve the three a's of the title, art, agency, and appreciation. The first refers to the general subject matter of the book, Byzantine art, chiefly painting, of the twelfth through the fourteenth centuries, the second to its often human-like agency, and the last to its historical reception. Responding to different issues and perspectives that have animated art history and Byzantine studies in recent decades, the essays have wide theoretical range from art historical formalism, iconography, archaeology and its manuscript equivalent codicology, to statistics, patronage, narratology, and the histories of science and collecting. The series begins with art works themselves and with the imagery and iconography of church decoration and manuscript illumination, shifts to the ways that objects act in the world and affect their beholders, and concludes with more general appreciations of Byzantine art in case studies from the thirteenth century to the present.


Ravenna and the Traditions of Late Antique and Early Byzantine Craftsmanship

Ravenna and the Traditions of Late Antique and Early Byzantine Craftsmanship

Author: Salvatore Cosentino

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2020-08-10

Total Pages: 473

ISBN-13: 3110684438

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In the last twenty years scholarship on late antique and early medieval Ravenna has resulted in a certain number of publications mainly focused on the fields of architecture, mosaics and archaeology. On the contrary, much less attention has been paid on labour – both manual and intellectual – as well as the structure of production and objects derived from manufacturing activities, despite the fact that Ravenna is the place which preserves the highest number of historical evidence among all centres of the late Roman Mediterranean. Its cultural heritage is vast and composite, ranging from papyri to inscriptions, from ivories to marbles, as well as luxury objects, pottery, and coins. Starting from concrete typologies of hand-manufactured goods existing in the Ravennate milieu, the book aims at exploring the multifaceted traditions of late antique and early Byzantine handicraft from the fourth to the eighth century AD. Its perspective is to pay attention more on patronage, social taste, acculturation, workers and the economic industry of production which supported the demand, circulation and distribution of artefacts, than on the artistic evaluation of the objects themselves.


The Reception of the Virgin in Byzantium

The Reception of the Virgin in Byzantium

Author: Thomas Arentzen

Publisher: Cambridge University Press

Published: 2019-08-15

Total Pages: 381

ISBN-13: 1108476287

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Images and texts tell various stories about the Virgin Mary in Byzantium, reflecting an important cult with strong doctrinal foundations.


Performing the Gospels in Byzantium

Performing the Gospels in Byzantium

Author: Roland Betancourt

Publisher: Cambridge University Press

Published: 2021-05-13

Total Pages: 356

ISBN-13: 1108870872

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Tracing the Gospel text from script to illustration to recitation, this study looks at how illuminated manuscripts operated within ritual and architecture. Focusing on a group of richly illuminated lectionaries from the late eleventh century, the book articulates how the process of textual recitation produced marginalia and miniatures that reflected and subverted the manner in which the Gospel was read and simultaneously imagined by readers and listeners alike. This unique approach to manuscript illumination points to images that slowly unfolded in the mind of its listeners as they imagined the text being recited, as meaning carefully changed and built as the text proceeded. By examining this process within specific acoustic architectural spaces and the sonic conditions of medieval chant, the volume brings together the concerns of sound studies, liturgical studies, and art history to demonstrate how images, texts, and recitations played with the environment of the Middle Byzantine church.


The Grove Encyclopedia of Medieval Art and Architecture

The Grove Encyclopedia of Medieval Art and Architecture

Author: Colum Hourihane

Publisher:

Published: 2012

Total Pages: 4064

ISBN-13: 0195395360

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This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.


Personhood in the Byzantine Christian Tradition

Personhood in the Byzantine Christian Tradition

Author: Alexis Torrance

Publisher: Routledge

Published: 2018-04-27

Total Pages: 214

ISBN-13: 1317081781

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Bringing together international scholars from across a range of linked disciplines to examine the concept of the person in the Greek Christian East, Personhood in the Byzantine Christian Tradition stretches in its scope from the New Testament to contemporary debates surrounding personhood in Eastern Orthodoxy. Attention is paid to a number of pertinent areas that have not hitherto received the scholarly attention they deserve, such as Byzantine hymnography and iconology, the work of early miaphysite thinkers, as well as the relevance of late Byzantine figures to the discussion. Similarly, certain long-standing debates surrounding the question are revisited or reframed, whether regarding the concept of the person in Maximus the Confessor, or with contributions that bring patristic and modern Orthodox theology into dialogue with a variety of contemporary currents in philosophy, moral psychology, and political science. In opening up new avenues of inquiry, or revisiting old avenues in new ways, this volume brings forward an important and on-going discussion regarding concepts of personhood in the Byzantine Christian tradition and beyond, and provides a key stimulus for further work in this field.


Italy, Cyprus, and Artistic Exchange in the Medieval Mediterranean

Italy, Cyprus, and Artistic Exchange in the Medieval Mediterranean

Author: Anthi Andronikou

Publisher: Cambridge University Press

Published: 2022-09-08

Total Pages: 614

ISBN-13: 1009041258

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In this volume Anthi Andronikou explores the social, cultural, religious and trade encounters between Italy and Cyprus during the late Middle Ages, from ca. 1200 -1400, and situates them within several Mediterranean contexts. Revealing the complex artistic exchange between the two regions for the first time, she probes the rich but neglected cultural interaction through comparison of the intriguing thirteenth-century wall paintings in rock-cut churches of Apulia and Basilicata, the puzzling panels of the Madonna della Madia and the Madonna di Andria, and painted chapels in Cyprus, Lebanon, and Syria. Andronikou also investigates fourteenth-century cross-currents that have not been adequately studied, notably the cult of Saint Aquinas in Cyprus, Crusader propaganda in Santa Maria Novella in Florence, and a unique series of icons crafted by Venetian painters working in Cyprus. Offering new insights into Italian and Byzantine visual cultures, her book contributes to a broader understanding of cultural production and worldviews of the medieval Mediterranean.


Mosaics, Empresses and Other Things in Byzantium

Mosaics, Empresses and Other Things in Byzantium

Author: Liz James

Publisher: Taylor & Francis

Published: 2024-08-01

Total Pages: 252

ISBN-13: 1040098002

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This volume consists of 15 articles published between 1991 and 2018. It falls into three sections, reflecting different areas of Liz James’s interests. The first section deals with light and colour and mosaics: four articles considering light and colour in mosaics and the making of mosaics, as well as the question of what it means to define mosaics as ‘Byzantine’ are reprinted. The second brings together four pieces on empresses: their relationships with female personifications and the Mother of God; their roles in founding and refounding buildings; and their employment as ciphers by some authors. Finally, seven papers cover a range of topics: what monumental images of saints in churches might have been for; what the differences between relics and icons might have been; how captions to images can be misleading; why touch was an important sense; how words can sometimes ‘just’ be decorative rather than for reading; why the materiality of objects makes a difference. There is also a brief section of additional notes and comments which add to, update and reflect on each piece now in 2024. Mosaics, Empresses and Other Things in Byzantium will be of interest to scholars and students alike interested in material culture, the depiction of regal women, and the use of relics and icons in the Byzantine Empire.