Visual Culture in Twentieth-century Germany

Visual Culture in Twentieth-century Germany

Author: Gail Finney

Publisher: Indiana University Press

Published: 2006

Total Pages: 326

ISBN-13: 9780253347183

DOWNLOAD EBOOK

'Visual Culture in Twentieth-Century Germany' explores a wide spectrum of visual media in 20th century Germany in their critical and social contexts. Contributors examine film, photography, cabaret performances, advertising, architecture, painting, dance, television, and cartography.


Visual Culture in Twentieth-century Germany

Visual Culture in Twentieth-century Germany

Author: Gail Finney

Publisher: Indiana University Press

Published: 2006

Total Pages: 321

ISBN-13: 0253347181

DOWNLOAD EBOOK

'Visual Culture in Twentieth-Century Germany' explores a wide spectrum of visual media in 20th century Germany in their critical and social contexts. Contributors examine film, photography, cabaret performances, advertising, architecture, painting, dance, television, and cartography.


The Ethics of Seeing

The Ethics of Seeing

Author: Jennifer Evans

Publisher: Berghahn Books

Published: 2018-01-09

Total Pages: 306

ISBN-13: 1785337297

DOWNLOAD EBOOK

Throughout Germany’s tumultuous twentieth century, photography was an indispensable form of documentation. Whether acting as artists, witnesses, or reformers, both professional and amateur photographers chronicled social worlds through successive periods of radical upheaval. The Ethics of Seeing brings together an international group of scholars to explore the complex relationship between the visual and the historic in German history. Emphasizing the transformation of the visual arena and the ways in which ordinary people made sense of world events, these revealing case studies illustrate photography’s multilayered role as a new form of representation, a means to subjective experience, and a fresh mode of narrating the past.


The Twentieth Century German Art Exhibition

The Twentieth Century German Art Exhibition

Author: Lucy Wasensteiner

Publisher: Routledge

Published: 2018-10-09

Total Pages: 286

ISBN-13: 1351004123

DOWNLOAD EBOOK

This book represents the first study dedicated to Twentieth Century German Art, the 1938 London exhibition that was the largest international response to the cultural policies of National Socialist Germany and the infamous Munich exhibition Degenerate Art. Provenance research into the catalogued exhibits has enabled a full reconstruction of the show for the first time: its contents and form, its contributors and their motivations, and its impact both in Britain and internationally. Presenting the research via six case-study exhibits, the book sheds new light on the exhibition and reveals it as one of the largest émigré projects of the period, which drew contributions from scores of German émigré collectors, dealers, art critics, and from the ‘degenerate’ artists themselves. The book explores the show’s potency as an anti-Nazi statement, which prompted a direct reaction from Hitler himself.


A General Theory of Visual Culture

A General Theory of Visual Culture

Author: Whitney Davis

Publisher: Princeton University Press

Published: 2011

Total Pages: 400

ISBN-13: 0691178070

DOWNLOAD EBOOK

What is cultural about vision--or visual about culture? In this ambitious book, Whitney Davis provides new answers to these difficult and important questions by presenting an original framework for understanding visual culture. Grounded in the theoretical traditions of art history, A General Theory of Visual Culture argues that, in a fully consolidated visual culture, artifacts and pictures have been made to be seen in a certain way; what Davis calls "visuality" is the visual perspective from which certain culturally constituted aspects of artifacts and pictures are visible to informed viewers. In this book, Davis provides a systematic analysis of visuality and describes how it comes into being as a historical form of vision. Expansive in scope, A General Theory of Visual Culture draws on art history, aesthetics, the psychology of perception, the philosophy of reference, and vision science, as well as visual-cultural studies in history, sociology, and anthropology. It provides penetrating new definitions of form, style, and iconography, and draws important and sometimes surprising conclusions (for example, that vision does not always attain to visual culture, and that visual culture is not always wholly visible). The book uses examples from a variety of cultural traditions, from prehistory to the twentieth century, to support a theory designed to apply to all human traditions of making artifacts and pictures--that is, to visual culture as a worldwide phenomenon.


Objects as History in Twentieth-century German Art

Objects as History in Twentieth-century German Art

Author: Peter Chametzky

Publisher: Univ of California Press

Published: 2010

Total Pages: 299

ISBN-13: 0520260422

DOWNLOAD EBOOK

This book provides an overview of twentieth-century German art, focusing on some of the period's key works. In Peter Chametzky's innovative approach, these works become representatives rather than representations of twentieth-century history. Chametzky draws on both scholarly and popular sources to demonstrate how the works (and in some cases, the artists themselves) interacted with, and even enacted, historical events, processes, and ideas.--[book jacket].


Blind Spots

Blind Spots

Author: Frederic J. Schwartz

Publisher: Yale University Press

Published: 2005-01-01

Total Pages: 328

ISBN-13: 9780300108293

DOWNLOAD EBOOK

In four extended case studies, the book traces the way in which central concepts of the aesthetics later termed "Frankfurt School" were deeply rooted in contemporary developments in painting, photography, architecture and films as well as psychology, advertising and the discipline of art history as it was practised by figures such as Heinrich Wolfflin, Erwin Panofsky, Wilhelm Pinder and Hans Sedlmayr. By studying the emergence and importance of the concepts of 'fashion', 'distraction', 'non-simultaneity' and 'mimesis' in the work of the critical theorists, the book traces the shifting intersection between the history of art and the Frankfurt School and seeks to uncover its specific logic.


Soviet Hieroglyphics

Soviet Hieroglyphics

Author: Nancy Condee

Publisher: Indiana University Press

Published: 1995

Total Pages: 216

ISBN-13: 9780253314024

DOWNLOAD EBOOK

[The Russian and American contributors] share a very high level of expertise and an impressive command of their material, which ranges from film to billboards to currency. Everything in this book, including the introduction, is worth reading... consistently fascinating... -- Choice... a lightning rush of images and ideas that constitute inviting material for future speculation. -- Times Literary SupplementThis collection of essays is a fine, even an exhilarating piece of work. Her brilliant analysis surveys a kaleidoscope of breaks and continuities: betweeen literature and non-print media, high culture and popular culture, homo sovieticus and homo russicus. -- Slavic and East European JournalOf interest for scholars in several disciplines, Soviet Hieroglyphics provides many insights into recent Russian visual culture. -- Canadian Slavonic PaperThese incisive essays describe contemporary Russian culture under conditions of social collapse. Focusing on visual culture, the book highlights the recurrent tension between two opposing tendencies in Russia today: the impulse to eradicate the cultural hieroglyphics of the Soviet past and the compulsion to reinscribe those sacred images onto contemporary texts.


Graphic Design in Germany

Graphic Design in Germany

Author: Jeremy Aynsley

Publisher: Univ of California Press

Published: 2000

Total Pages: 254

ISBN-13: 0520227964

DOWNLOAD EBOOK

A sweeping and comprehensive catalogue of the graphic arts in Germany from 1890 through World War II, this handsome oversized volume also deals with the methodology of art as a medium of persuasion.