Young Poland
Young Poland

Author: Julia Griffin

Publisher: Lund Humphries Publishers Limited

Published: 2020-11-16

Total Pages: 224

ISBN-13: 9781848224537

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Showcasing the extraordinary achievements of the proponents of Polish modernism from the 1890s to 1918, this ground-breaking book brings together pioneering research with beautiful imagery. Mloda Polska, or Young Poland, embraced the integration of fine and applied arts, motivated by a desire to establish a distinctive national style at a time of political uncertainty. Patriotic values were expressed through a diverse visual language that was fuelled by national identity, but also looked beyond Poland to Western Europe and the influences of Impressionism, Expressionism, Symbolism, Art Nouveau, while also displaying parallels with the British Arts and Crafts Movement. Young Poland's painting has been discussed within an international arena, but its decorative arts and architecture has yet to enjoy broad exposure. Here, for the first time, the considerable achievements of the movement's applied artists will be discussed, both from a national and international perspective. Highlighting Young Poland's integration of fine and decorative arts, the movement's ideological, stylistic and formal commonalities with British Arts and Crafts, and the vision of Ruskin and Morris, will be drawn out to provide fascinating insights for Western and Eastern audiences alike.

Polish Media Art in an Expanded Field
Polish Media Art in an Expanded Field

Author: Aleksandra Kaminska

Publisher: Intellect (UK)

Published: 2016

Total Pages: 0

ISBN-13: 9781783205400

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Polish Media Art in an Expanded Field uses the lens--and mirror--of media art to think through the politics of a postsocialist "New Europe," where artists are negotiating the tension between global cosmopolitanism and national self-enfranchisement. This book demonstrates how artists are using and reflecting upon technology as a way of entering into larger civic conversations around the politics of identity, place, citizenship, memory, and heritage. Building on close readings of artworks that serve as case studies, as well as interviews with leading artists, scholars, and curators, this is the first full-length study of Polish media art.

Out Looking in
Out Looking in

Author: Jan Cavanaugh

Publisher: Univ of California Press

Published: 2000

Total Pages: 368

ISBN-13: 9780520211902

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"Cavanaugh's scholarship is distinguished by several qualities: detailed knowledge, a rare comparative awareness of adjacent disciplines, and of course, a substantial, synthetic knowledge of modern artistic developments in Western Europe and the U.S. Out Looking In will be relevant to a large and varied public."--John E. Bowlt, author of Forbidden Art: Soviet Nonconformist Art, 1956-1988 "This is an essential book for scholars of modernism who are eager, in the wake of post-structuralist and post-modernist reevaluations of the construction of modernism's history, to broaden discussions beyond a narrow French orientation. It will serve as an important stimulus for rethinking European art in general in this period."--Linda Dalrymple Henderson, University of Texas, Austin "Clearly written and well organized, [Out Looking In] will be the indispensable reference work in English on early modern Polish art. Cavanuagh's treatment, based on solid research and critical insight, is illuminating."--Vojtech Jirat-Wasiutynski, Professor of Art, Queen's University "The visual richness and comprehensiveness of Out Looking In will make it a primary resource in the West for images of early modern Polish art as well as arguing for the centrality of Polish art to the discussion of European modernism. This is revisionism at its most insightful."--Wendy Salmond, author of Arts and Crafts in Late Imperial Russia "This book goes a long way in correcting our geographically narrow understanding of European modernism. While arguing for Poland's place in the annals of artistic modernism, Cavanaugh elegantly manoeuvers between the sensitive issues determining national artistic identity and the international context of this debate."--Myroslava M. Mudrak, Ohio State University "This is one of the most important critical analyses of turn-of-the-century Polish art. Out Looking In will inspire a broad response from a wide international cricle of historians of art, literature, and artistic culture."--Wieslaw Juszczak, Art Institute of the Polish Academy of Sciences and Letters and Art History Department, University of Warsaw

Modern Forms
Modern Forms

Author:

Publisher: National Geographic Books

Published: 2022-09-27

Total Pages: 0

ISBN-13: 379138810X

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This revised edition of Grospierre’s celebrated tour of modernist architecture has been expanded beyond Europe and North America to a truly global reach, featuring buildings in Southeast Asia, Australia, Africa and South America. Featuring new and revised texts from Barbican, MoMA and independent curators, this book offers intriguing insights into the history of modernist design, the origins of architectural photography and the reasons why architectural forms repeat in otherwise dissimilar countries. Is form still function? How “modern” is modernist architecture? And what has happened to the style’s foundational utopian ideals? Nicolas Grospierre’s masterful photographic survey catalogues both famous and little-known buildings, challenging the viewer to consider modernist architecture’s complicated legacy. Drawn from Grospierre’s ever-expanding archive documenting his travels, these large-format photographs of almost 250 buildings are arranged purely by their shapes, prioritizing form over function and location to give a unique perspective of global structures. Uniform in perspective, and presented without comment, Grospierre’s photographs allow viewers to discover details and colors that a more narrative-focused presentation would prohibit. The work of nearly a quarter of a century, this ever-expanding collection reflects a labor of love, a photographer’s deep obsession, and a celebration of buildings both iconic and mundane all over the world.

Western Amerykański
Western Amerykański

Author: Kevin Mulroy

Publisher: University of Washington Press

Published: 1999

Total Pages: 229

ISBN-13: 9780295978123

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"In postwar Poland, film poster artists employed the universally recognized symbols of the Western - horse, six-shooter, boots, tin-star badge, Stetson, saddle - to convey violence as a negative force. Unlike many other art forms, the film poster did not fall within the censor's domain because it was not expected to pose a threat to the social order. But messages were conveyed through subtle means of symbol and color. The Polish poster has been likened to the Trojan horse, with the artist smuggling messages onto the streets in the guise of ephemera."--BOOK JACKET. "The posters displayed so strikingly in this book, and discussed in three essays, are from the golden age of Polish poster-making, the mid-1940s to the 1970s."--BOOK JACKET.

The Cambridge History of Poland
The Cambridge History of Poland

Author: W. F. Reddaway

Publisher: Cambridge University Press

Published: 2016-09-15

Total Pages: 659

ISBN-13: 1316620034

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Originally published in 1941, this book presents a comprehensive history of Poland from 1697 to 1935. The text was begun on the initiative of the renowned Cambridge historian Harold Temperley (1879-1939), who arranged numerous meetings with Polish and British historians in relation to the project, and was completed following his death. This book will be of value to anyone with an interest in Poland and European history.

Shakespeare and the Visual Arts
Shakespeare and the Visual Arts

Author: Michele Marrapodi

Publisher: Routledge

Published: 2017-02-17

Total Pages: 672

ISBN-13: 1351815121

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Critical investigation into the rubric of 'Shakespeare and the visual arts' has generally focused on the influence exerted by the works of Shakespeare on a number of artists, painters, and sculptors in the course of the centuries. Drawing on the poetics of intertextuality and profiting from the more recent concepts of cultural mobility and permeability between cultures in the early modern period, this volume’s tripartite structure considers instead the relationship between Renaissance material arts, theatre, and emblems as an integrated and intermedial genre, explores the use and function of Italian visual culture in Shakespeare’s oeuvre, and questions the appropriation of the arts in the production of the drama of Shakespeare and his contemporaries. By studying the intermediality between theatre and the visual arts, the volume extols drama as a hybrid genre, combining the figurative power of imagery with the plasticity of the acting process, and explains the tri-dimensional quality of the dramatic discourse in the verbal-visual interaction, the stagecraft of the performance, and the natural legacy of the iconographical topoi of painting’s cognitive structures. This methodolical approach opens up a new perspective in the intermedial construction of Shakespearean and early modern drama, extending the concept of theatrical intertextuality to the field of pictorial arts and their social-cultural resonance. An afterword written by an expert in the field, a rich bibliography of primary and secondary literature, and a detailed Index round off the volume.