Published in conjunction with a traveling exhibition of the same name organized by the Minneapolis Institute of Arts and held at the National Museum of African Art, Smithsonian Institution, Washington, D.C., April 9-August 17, 2014; the Minneapolis Institute of Arts, September 20, 2014-January 18, 2015; Indiana University Art Museum, Bloomington, March-May 2015; and High Museum of Art, Atlanta, July-October 2015.
The story of Santo Daime--a new religion that blends elements of Christianity with older Amazonian indigenous spiritual practices--and the ecologically sound and spiritually centered utopian community it has inspired - A true story of a classical spiritual encounter, as well as an intimate account of the genesis of an important religious tradition that continues to grow worldwide - Edited and Introduced by Stephen Larsen, author of "The Shaman's Doorway" Alex Polari de Alverga spent years as a political prisoner during the rule of the military junta in Brazil, enduring torture, brutality, and deprivation. On his release from captivity and in search of something to restore his spiritual connection to life, he had a transformative encounter with one of the two revered founders of Santo Daime, Padrinho Sebastiao Mota de Mela. Santo Daime--an Amazonian religion, born out of jungle entheogens, mediumship, and healing, that is a potent and unique synthesis of Christianity and indigenous practices--provided Alverga with an alternative to his disillusionment with modern society. His quest for spiritual initiation eventually led him deep into the heart of the rainforest to Mapia, one of the spiritual centers of Santo Daime, where he became a teacher and leader of the Daime community. "Forest of Visions" is a story of a classic spiritual encounter comparable to the Tibetan Saint Milarepa's search for his teacher Marpa. It is also an intimate account of the genesis of an important religious tradition that from modest beginnings in Brazil has now spread throughout the world and continues to grow. It provides an inside look at the spiritually centered village of Mapia, a model for communities in the 21st century.
The sole survivor of a climate apocalypse searches for his adoptive grandmother in the acclaimed French author’s “unforgettable epic” (Le Figaro). Winner of the 2020 Grand Prix RTL-Lire From earliest childhood, Corentin’s life is sad and solitary. Abandoned by his mother, he finally finds a home with Augustine, an old woman who lives deep in the Valley of the Forests. Years later, he moves to the city to pursue his studies—and discovers the dazzling pleasures and distractions of urban life. Around him, though, the world is on fire. Temperatures continue to rise, causing a permanent draught. The rivers of Corentin’s childhood have long dried up; the trees shed their leaves in June. A terrible catastrophe is brewing. The night when the worst happens, Corentin miraculously survives. When he reemerges from the city’s catacombs, he finds a devastated landscape, completely devoid of life. Human, tree, or beast: nothing is left. But Corentin doesn’t give up. Armed with nothing more than hope, he sets off on a journey to find old Augustine.
Robert Frazier and Bruce Boston began exploring the Mutant Rain Forest in the late 1980s. Since then their collective and solo work set in the Mutant Rain Forest have appeared in Omni, Asimov's SF Magazine, Amazing Stories, Weird Tales, Daily Science Fiction, Year's Best Fantasy and Horror, Year's Best Horror, and many other publications.
This is the story of a year-long journey of discovery by one of Australia's most respected natural historians. The book is a personal account of life in one of the richest, most complicated habitats on earth.
This open access book addresses the way in which urban and urbanizing regions profoundly impact and are impacted by climate change. The editors and authors show why cities must wage simultaneous battles to curb global climate change trends while adapting and transforming to address local climate impacts. This book addresses how cities develop anticipatory and long-range planning capacities for more resilient futures, earnest collaboration across disciplines, and radical reconfigurations of the power regimes that have institutionalized the disenfranchisement of minority groups. Although planning processes consider visions for the future, the editors highlight a more ambitious long-term positive visioning approach that accounts for unpredictability, system dynamics and equity in decision-making. This volume brings the science of urban transformation together with practices of professionals who govern and manage our social, ecological and technological systems to design processes by which cities may achieve resilient urban futures in the face of climate change.
Can forests think? Do dogs dream? In this astonishing book, Eduardo Kohn challenges the very foundations of anthropology, calling into question our central assumptions about what it means to be humanÑand thus distinct from all other life forms. Based on four years of fieldwork among the Runa of EcuadorÕs Upper Amazon, Eduardo Kohn draws on his rich ethnography to explore how Amazonians interact with the many creatures that inhabit one of the worldÕs most complex ecosystems. Whether or not we recognize it, our anthropological tools hinge on those capacities that make us distinctly human. However, when we turn our ethnographic attention to how we relate to other kinds of beings, these tools (which have the effect of divorcing us from the rest of the world) break down. How Forests Think seizes on this breakdown as an opportunity. Avoiding reductionistic solutions, and without losing sight of how our lives and those of others are caught up in the moral webs we humans spin, this book skillfully fashions new kinds of conceptual tools from the strange and unexpected properties of the living world itself. In this groundbreaking work, Kohn takes anthropology in a new and exciting directionÐone that offers a more capacious way to think about the world we share with other kinds of beings.
The award-winning masterpiece by one of today's most honored writers, Ursula K. Le Guin! The Word for World is Forest When the inhabitants of a peaceful world are conquered by the bloodthirsty yumens, their existence is irrevocably altered. Forced into servitude, the Athsheans find themselves at the mercy of their brutal masters. Desperation causes the Athsheans, led by Selver, to retaliate against their captors, abandoning their strictures against violence. But in defending their lives, they have endangered the very foundations of their society. For every blow against the invaders is a blow to the humanity of the Athsheans. And once the killing starts, there is no turning back. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
In the Old Country, they called them the Gentry: ancient spirits of the land, magical, amoral, and dangerous. When the Irish emigrated to North America, some of the Gentry followed...only to find that the New World already had spirits of its own, called manitou and other such names by the Native tribes. Now generations have passed, and the Irish have made homes in the new land, but the Gentry still wander homeless on the city streets. Gathering in the city shadows, they bide their time and dream of power. As their dreams grow harder, darker, fiercer, so do the Gentry themselves--appearing, to those with the sight to see them, as hard and dangerous men, invariably dressed in black. Bettina can see the Gentry, and knows them for what they are. Part Indian, part Mexican, she was raised by her grandmother to understand the spirit world. Now she lives in Kellygnow, a massive old house run as an arts colony on the outskirts of Newford, a world away from the Southwestern desert of her youth. Outsider her nighttime window, she often spies the dark men, squatting in the snow, smoking, brooding, waiting. She calls them los lobos, the wolves, and stays clear of them--until the night one follows her to the woods, and takes her hand.... Ellie, an independent young sculptor, is another with magic in her blood, but she refuses to believe it, even though she, too, sees the dark men. A strange old woman has summoned Ellie to Kellygnow to create a mask for her based on an ancient Celtic artifact. It is the mask of the mythic Summer King--another thing Ellie does not believe in. Yet lack of belief won't dim the power of the mast, or its dreadful intent. Donal, Ellie's former lover, comes from an Irish family and knows the truth at the heart of the old myths. He thinks he can use the mask and the "hard men" for his own purposes. And Donal's sister, Miki, a punk accordion player, stands on the other side of the Gentry's battle with the Native spirits of the land. She knows that more than her brother's soul is at stake. All of Newford is threatened, human and mythic beings alike. Once again Charles de Lint weaves the mythic traditions of many cultures into a seamless cloth, bringing folklore, music, and unforgettable characters to life on modern city streets. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
