What do devil dogs, witches, haunted houses, Daniel Boone, Railroad Bill, "Justice John" Crutchfield, and lost silver mines have in common? All are among the subjects included in the vast collection of legends gathered between 1937 and 1942 by the field workers of the Virginia Writers Project of the WPA. For decades following the end of the project, these stories lay untouched in the libraries of the University of Virginia. Now, folklorist Thomas E. Barden brings to light these delightful tales, most of which have never been in print. Virginia Folk Legends presents the first valid published collection of Virginia folk legends and is endorsed by the American Folklore Society.
What do devil dogs, witches, haunted houses, Daniel Boone, Railroad Bill, "Justice John" Crutchfield, and lost silver mines have in common? All are among the subjects included in the vast collection of legends gathered between 1937 and 1942 by the field workers of the Virginia Writers Project of the WPA. For decades following the end of the project, these stories lay untouched in the libraries of the University of Virginia. Now, folklorist Thomas E. Barden brings to light these delightful tales, most of which have never been in print. Virginia Folk Legends presents the first valid published collection of Virginia folk legends and is endorsed by the American Folklore Society.
Discover the spookier side of West Virginia with over 85 ghost stories, legends, and haunts from Harpers Ferry, where Screaming Jenny still never outruns the trains, to Hatfield-McCoy Country where Devil Anse Hatfield rises from the grave along with his sons. Explore Moundsville Prison and see the shadow man, then investigate the death and ghostly hereafter of Mamie Thurman, the housewife with a secret life who haunts 22 Mine Road. Follow the Rail Trail to get a glimpse of the ghost of the Silver Run Tunnel and take a thrill-ride through one of the most haunted tunnels-Dingess Tunnel. There's the Headless Ghost Rider of Powell Mountain and a woman who still walks the Ohio River shoreline of Blennerhassett Island long after her death.
Hauntings lurk and spirits linger in the Old Dominion State Reader, beware! Turn these pages and enter the world of the paranormal, where ghosts and ghouls alike creep just out of sight. Author L. B. Taylor shines a light in the dark corners of Virginia and scares those spirits out of hiding in this thrilling collection. From poltergeists that make trouble at Blue Ridge Pottery, to a phantom light on Holston Mountain, to specters haunting the battlefield of Cedar Creek, there’s no shortage of bone-chilling tales to keep you up at night. Around the campfire or tucked away on a dark and stormy night, this big book of ghost stories is a hauntingly good read.
Winner • NAACP Image Award for Outstanding Literary Work (Fiction) Winner • Anne Izard Storytellers’ Choice Award Holiday Gift Guide Selection • Indiewire, San Francisco Chronicle, and Minneapolis Star-Tribune These nearly 150 African American folktales animate our past and reclaim a lost cultural legacy to redefine American literature. Drawing from the great folklorists of the past while expanding African American lore with dozens of tales rarely seen before, The Annotated African American Folktales revolutionizes the canon like no other volume. Following in the tradition of such classics as Arthur Huff Fauset’s “Negro Folk Tales from the South” (1927), Zora Neale Hurston’s Mules and Men (1935), and Virginia Hamilton’s The People Could Fly (1985), acclaimed scholars Henry Louis Gates Jr. and Maria Tatar assemble a groundbreaking collection of folktales, myths, and legends that revitalizes a vibrant African American past to produce the most comprehensive and ambitious collection of African American folktales ever published in American literary history. Arguing for the value of these deceptively simple stories as part of a sophisticated, complex, and heterogeneous cultural heritage, Gates and Tatar show how these remarkable stories deserve a place alongside the classic works of African American literature, and American literature more broadly. Opening with two introductory essays and twenty seminal African tales as historical background, Gates and Tatar present nearly 150 African American stories, among them familiar Brer Rabbit classics, but also stories like “The Talking Skull” and “Witches Who Ride,” as well as out-of-print tales from the 1890s’ Southern Workman. Beginning with the figure of Anansi, the African trickster, master of improvisation—a spider who plots and weaves in scandalous ways—The Annotated African American Folktales then goes on to draw Caribbean and Creole tales into the orbit of the folkloric canon. It retrieves stories not seen since the Harlem Renaissance and brings back archival tales of “Negro folklore” that Booker T. Washington proclaimed had emanated from a “grapevine” that existed even before the American Revolution, stories brought over by slaves who had survived the Middle Passage. Furthermore, Gates and Tatar’s volume not only defines a new canon but reveals how these folktales were hijacked and misappropriated in previous incarnations, egregiously by Joel Chandler Harris, a Southern newspaperman, as well as by Walt Disney, who cannibalized and capitalized on Harris’s volumes by creating cartoon characters drawn from this African American lore. Presenting these tales with illuminating annotations and hundreds of revelatory illustrations, The Annotated African American Folktales reminds us that stories not only move, entertain, and instruct but, more fundamentally, inspire and keep hope alive. The Annotated African American Folktales includes: Introductory essays, nearly 150 African American stories, and 20 seminal African tales as historical background The familiar Brer Rabbit classics, as well as news-making vernacular tales from the 1890s’ Southern Workman An entire section of Caribbean and Latin American folktales that finally become incorporated into the canon Approximately 200 full-color, museum-quality images
Meet Ben Southard, the blacksmith who could shoe anything that wears a tail; Fighting Bob Misner, the Great Bully of the Hills of Judea; and the Brocks Gap Angel of Mercy, who was, in fact, a witch doctor.
