Violent Women in Contemporary Cinema

Violent Women in Contemporary Cinema

Author: Janice Loreck

Publisher: Springer

Published: 2016-04-08

Total Pages: 187

ISBN-13: 1137525088

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Violent women in cinema pose an exciting challenge to spectators, overturning ideas of 'typical' feminine subjectivity. This book explores the representation of homicidal women in contemporary art and independent cinema. Examining narrative, style and spectatorship, Loreck investigates the power of art cinema to depict transgressive femininity.


The Violent Woman

The Violent Woman

Author: Hilary Neroni

Publisher: State University of New York Press

Published: 2012-02-16

Total Pages: 220

ISBN-13: 0791483649

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Looks at how violent women characters disrupt cinematic narrative and challenge cultural ideals.


Reel Knockouts

Reel Knockouts

Author: Martha McCaughey

Publisher: University of Texas Press

Published: 2001-07-15

Total Pages: 298

ISBN-13: 9780292752511

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When Thelma and Louise outfought the men who had tormented them, women across America discovered what male fans of action movies have long known—the empowering rush of movie violence. Yet the duo's escapades also provoked censure across a wide range of viewers, from conservatives who felt threatened by the up-ending of women's traditional roles to feminists who saw the pair's use of male-style violence as yet another instance of women's co-option by the patriarchy. In the first book-length study of violent women in movies, Reel Knockouts makes feminist sense of violent women in films from Hollywood to Hong Kong, from top-grossing to direct-to-video, and from cop-action movies to X-rated skin flicks. Contributors from a variety of disciplines analyze violent women's respective places in the history of cinema, in the lives of viewers, and in the feminist response to male violence against women. The essays in part one, "Genre Films," turn to film cycles in which violent women have routinely appeared. The essays in part two, "New Bonds and New Communities," analyze movies singly or in pairs to determine how women's movie brutality fosters solidarity amongst the characters or their audiences. All of the contributions look at films not simply in terms of whether they properly represent women or feminist principles, but also as texts with social contexts and possible uses in the re-construction of masculinity and femininity.


Early Modern Tragedy and the Cinema of Violence

Early Modern Tragedy and the Cinema of Violence

Author: S. Simkin

Publisher: Springer

Published: 2005-12-15

Total Pages: 267

ISBN-13: 0230597114

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This study considers parallel issues in revenge tragedies of the early seventeenth-century and violent cinema of the last thirty years. It offers a series of provocative explorations of death, revenge and justice, and gender and violence. What happens when we connect The White Devil with Basic Instinct ? The Changeling or Titus Andronicus with Straw Dogs ? Doctor Faustus with Se7en ? Taxi Driver with The Spanish Tragedy ? Appealing to those with an interest in either drama or film, written in an engaging style, the book also reconsiders the high /popular culture divide, and reflects on the enduring significance of the revenge motif in Western culture over the past four hundred years, particularly in the post 9/11 context.


Recreational Terror

Recreational Terror

Author: Isabel Cristina Pinedo

Publisher: State University of New York Press

Published: 2016-02-24

Total Pages: 198

ISBN-13: 1438416164

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In Recreational Terror, Isabel Cristina Pinedo analyzes how the contemporary horror film produces recreational terror as a pleasurable encounter with violence and danger for female spectators. She challenges the conventional wisdom that violent horror films can only degrade women and incite violence, and contends instead that the contemporary horror film speaks to the cultural need to express rage and terror in the midst of social upheaval.


Gender and Contemporary Horror in Film

Gender and Contemporary Horror in Film

Author: Samantha Holland

Publisher: Emerald Group Publishing

Published: 2019-03-13

Total Pages: 272

ISBN-13: 1787698971

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This edited collection focuses on gender and contemporary horror in film, examining how and if representations of gender in horror have changed.


New Blood in Contemporary Cinema

New Blood in Contemporary Cinema

Author: Pisters Patricia Pisters

Publisher: Edinburgh University Press

Published: 2020-08-18

Total Pages: 349

ISBN-13: 1474466982

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Since the turn of the millennium, a growing number of female filmmakers have appropriated the aesthetics of horror for their films. In this book, Patricia Pisters investigates contemporary women directors such as Ngozi Onwurah, Claire Denis, Lucile Hadzihalilovic and Ana Lily Amirpour, who put 'a poetics of horror' to new use in their work, expanding the range of gendered and racialised perspectives in the horror genre. Exploring themes such as rage, trauma, sexuality, family ties and politics, New Blood in Contemporary Cinema takes on avenging women, bloody vampires, lustful witches, scary mothers, terrifying offspring and female Frankensteins. By following a red trail of blood, the book illuminates a new generation of women directors who have enlarged the general scope and stretched the emotional spectrum of the genre.


Human Rights, Social Movements and Activism in Contemporary Latin American Cinema

Human Rights, Social Movements and Activism in Contemporary Latin American Cinema

Author: Mariana Cunha

Publisher: Springer

Published: 2018-09-11

Total Pages: 265

ISBN-13: 3319962086

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This edited collection explores how contemporary Latin American cinema has dealt with and represented issues of human rights, moving beyond many of the recurring topics for Latin American films. Through diverse interdisciplinary theoretical and methodological approaches, and analyses of different audiovisual media from fictional and documentary films to digitally-distributed activist films, the contributions discuss the theme of human rights in cinema in connection to various topics and concepts. Chapters in the volume explore the prison system, state violence, the Mexican dirty war, the Chilean dictatorship, debt, transnational finance, indigenous rights, social movement, urban occupation, the right to housing, intersectionality, LGBTT and women’s rights in the context of a number of Latin American countries. By so doing, it assesses the long overdue relation between cinema and human rights in the region, thus opening new avenues to aid the understanding of cinema’s role in social transformation.


The New Avengers

The New Avengers

Author: Jacinda Read

Publisher: Manchester University Press

Published: 2000-12-15

Total Pages: 304

ISBN-13: 9780719059056

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Jacinda Read studies the rape-revenge film, and suggests that the rape-revenge cycle can be read as one of the ways in which Hollywood has attempted to make sense of feminism and the shape of heterosexual femininity in the post-1970 period.


Aesthetic Violence and Women in Film

Aesthetic Violence and Women in Film

Author: Joseph H. Kupfer

Publisher: Routledge

Published: 2018-03-05

Total Pages: 136

ISBN-13: 1351855247

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Aesthetic Violence and Women in Film is a highly readable and timely analysis of the intersection of two recent cinematic trends in martial arts films: aesthetic violence and warrior women. Joseph Kupfer establishes specific categories of aesthetic film violence, including hyper-violence, a visual style that emphasizes the sensuous surface of physical destruction and surreal violence, when spectacular imagery and gravity-defying dance replace blood and gore. He then goes on to outline the ascendancy during the past decades of female characters to the status of hero in action films. Interweaving these two subjects, the book reveals how women warriors instigate and animate the models of aesthetic violence introduced. The hyper-violence of Kill Bill celebrates the triumphs of the Bride, whose maiming and dismemberment of enemies produce brilliant red plumes and silvered geysers of blood. The surrealistic violence in Crouching Tiger, Hidden Dragon and The House of Flying Daggers creatively elevates violence from earthbound mayhem to an enchanting aerial display of female-dominated acrobatics. Both film-stories are driven by the plight and aspirations of female combatants, suggesting an affinity between women and the transfiguration of fighting wrought by surrealistic violence. By elevating the significance of violence in action films and linking it together with the growing popularity of central female characters in this genre, Aesthetic Violence and Women in Film will be of interest to students and scholars in film studies, popular culture, gender studies, aesthetics, and social philosophy.