Histories of Violence
Histories of Violence

Author: Brad Evans

Publisher: Bloomsbury Publishing

Published: 2017-01-15

Total Pages: 256

ISBN-13: 1783602406

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While there is a tacit appreciation that freedom from violence will lead to more prosperous relations among peoples, violence continues to be deployed for various political and social ends. Yet the problem of violence still defies neat description, subject to many competing interpretations. Histories of Violence offers an accessible yet compelling examination of the problem of violence as it appears in the corpus of canonical figures – from Hannah Arendt to Frantz Fanon, Michel Foucault to Slavoj Žižek – who continue to influence and inform contemporary political, philosophical, sociological, cultural, and anthropological study. Written by a team of internationally renowned experts, this is an essential interrogation of post-war critical thought as it relates to violence.

The Frenzied Dance of Art and Violence
The Frenzied Dance of Art and Violence

Author: David Gussak

Publisher: Oxford University Press

Published: 2022

Total Pages: 329

ISBN-13: 0190064498

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Angelic demons : the capricious creators -- Continuing the dance : how art therapy both reveals and mitigates violence and aggression.

A Site of Struggle
A Site of Struggle

Author: Sampada Aranke

Publisher: Princeton University Press

Published: 2022-04-26

Total Pages: 137

ISBN-13: 0691209278

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Examines the vast array of art produced by African Americans in response to the continuing impact of anti-Black violence and how it is used to protest, process, mourn and memorialize those events.

Rendering Violence
Rendering Violence

Author: Ross Barrett

Publisher: Univ of California Press

Published: 2014-08-29

Total Pages: 228

ISBN-13: 0520282892

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Rendering Violence explores the problems and possibilities that the subject of political violence presented to American painters working between 1830 and 1890, a turbulent period during which common citizens frequently abandoned orderly forms of democratic expression to riot, strike, and protest violently. Examining a range of critical texts, this book shows for the first time that nineteenth-century American aesthetic theory defined painting as a privileged vehicle for the representation of political order and the stabilization of liberal-democratic life. Analyzing seven paintings by Thomas Cole, John Quidor, Nathaniel Jocelyn, George Henry Hall, Thomas Nast, Martin Leisser, and Robert Koehler, Ross Barrett reconstructs the strategies that American artists developed to explore the symbolic power of violence in a medium aligned ideologically with lawful democracy. He argues that American paintings of upheaval ÒrenderÓ their subjects in divergent ways. By exploring the inner conflicts that structure these painterly projects, Barrett sheds new light on the politicized pressures that shaped visual representation in the nineteenth century and on the anxieties and ambivalences that have long defined American responses to political turmoil.

Unspeakable Acts
Unspeakable Acts

Author: Nancy Princenthal

Publisher: National Geographic Books

Published: 2019-10-08

Total Pages: 0

ISBN-13: 0500023050

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A groundbreaking exploration of how women artists of the 1970s combined art and protest to make sexual violence visible, creating a new kind of art in the process. The 1970s was a time of deep division and newfound freedoms. Galvanized by The Second Sex and The Feminine Mystique, the civil rights movement and the March on Washington, a new generation put their bodies on the line to protest injustice. Still, even in the heart of certain resistance movements, sexual violence against women had reached epidemic levels. Initially, it went largely unacknowledged. But some bold women artists and activists, including Yoko Ono, Ana Mendieta, Marina Abramovic´, Adrian Piper, Suzanne Lacy, Nancy Spero, and Jenny Holzer, fired up by women’s experiences and the climate of revolution, started a conversation about sexual violence that continues today. Some worked unannounced and unheralded, using the street as their theater. Others managed to draw support from the highest levels of municipal power. Along the way, they changed the course of art, pioneering a form that came to be called simply, performance. Award-winning author Nancy Princenthal takes on these enduring issues and weaves together a new history of performance, challenging us to reexamine the relationship between art and activism, and how we can apply the lessons of that turbulent era to today.

The Art of Cruelty
The Art of Cruelty

Author: Maggie Nelson

Publisher: National Geographic Books

Published: 2012-08-14

Total Pages: 0

ISBN-13: 0393343146

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"This is criticism at its best." —Carolyn Kellogg, Los Angeles Times Writing in the tradition of Susan Sontag and Elaine Scarry, Maggie Nelson has emerged as one of our foremost cultural critics with this landmark work about representations of cruelty and violence in art. From Sylvia Plath’s poetry to Francis Bacon’s paintings, from the Saw franchise to Yoko Ono’s performance art, Nelson’s nuanced exploration across the artistic landscape ultimately offers a model of how one might balance strong ethical convictions with an equally strong appreciation for work that tests the limits of taste, taboo, and permissibility.

Art Therapy and Political Violence
Art Therapy and Political Violence

Author: Debra Kalmanowitz

Publisher: Psychology Press

Published: 2005

Total Pages: 274

ISBN-13: 9781583919552

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With accounts from Northern Ireland, Kosovo, Israel and South Africa, this book vividly illustrates the therapeutic power of art making and art therapy in helping individuals, families and communities cope with experiences of political violence.

The Art of Violence
The Art of Violence

Author: S. J. Rozan

Publisher: Simon and Schuster

Published: 2020-12-01

Total Pages: 352

ISBN-13: 1643135325

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In the latest mystery from S. J. Rozan, Bill Smith and Lydia Chin must track down a serial killer stalking women in New York's contemporary art scene. Former client Sam Tabor, just out of Greenhaven after a five-year homicide stint, comes to Bill Smith with a strange request. A colossally talented painter whose parole was orchestrated by art world movers and shakers, Sam's convinced that since he's been out he's killed two women. He doesn't remember the killings but he wants Smith, one of the few people he trusts, to investigate and prove him either innocent or guilty. NYPD detective Angela Grimaldi thinks Sam's "a weirdo." Smith has no argument with that: diagnosed with a number of mental disorders over the years, Sam self-medicates with alcohol, loses focus (except when he's painting), and has few friends. But Smith doesn't think that adds up to serial killer. He enlists Lydia Chin to help prove it. Smith and Chin delve into the world surrounding Sam Tabor, including his brother, two NYPD detectives, and various other artists, dealers, collectors, curators, and art connoisseurs. No answers appear. Evidence is found and lost again. And more bodies turn up. Sam Tabor might be just a crazy artist. But someone is killing people in his orbit. If not Sam, who? Why? And who will be next?

The Aesthetics of Violence
The Aesthetics of Violence

Author: Robert Appelbaum

Publisher: Rowman & Littlefield

Published: 2017-11-30

Total Pages: 196

ISBN-13: 178660504X

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Violence at an aesthetic remove from the spectator or reader has been a key element of narrative and visual arts since Greek antiquity. Here Robert Appelbaum explores the nature of mimesis, aggression, the effects of antagonism and victimization and the political uses of art throughout history. He examines how violence in art is formed, contextualised and used by its audiences and readers. Bringing traditional German aesthetic and social theory to bear on the modern problem of violence in art, Appelbaum engages theorists including Kant, Schiller, Hegel, Adorno and Gadamer. The book takes the reader from Homer and Shakespeare to slasher films and performance art, showing how violence becomes at once a language, a motive, and an idea in the experience of art. It addresses the controversies head on, taking a nuanced view of the subject, understanding that art can damage as well as redeem. But it concludes by showing that violence (in the real world) is a necessary condition of art (in the world of mimetic play).

World Art and the Legacies of Colonial Violence
World Art and the Legacies of Colonial Violence

Author: DanielJ. Rycroft

Publisher: Routledge

Published: 2017-07-05

Total Pages: 436

ISBN-13: 1351536311

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How have imperialism and its after-effects impacted patterns of cultural exchange, artistic creativity and historical/curatorial interpretation? World Art and the Legacies of Colonial Violence - comprised of ten essays by an international roster of art historians, curators, and anthropologists - forges innovative approaches to post-colonial studies, Indigenous studies, critical heritage studies, and the new museology. This volume probes the degree to which global histories of conflict, coercion and occupation have shaped art historical approaches to intercultural knowledge and representation. These debates are relevant to contemporary artists and scholars of visual, material and museological culture in their attempts to negotiate imperial and colonial legacies. Confronting the aesthetics of Abolition, Fascism and Filipino independence, and re-thinking relationships between colonised and coloniser in Cameroon, North America and East Timor, the collection brings together new readings of Primitivism and Aboriginal art as well. It features discussions of touring exhibitions, popular media, modernist paintings and sculptures, historic photographs, human remains and art installations. In addition to the critical application of phenomenology in a fresh and contemporary manner, the volume?s ?world art? perspective nurtures the possibility that intercultural ethics are relevant to the study of art, power and modernity.