Introducing the Vintage Notebook: Season's Greetings from Los Angeles, California, a delightful companion for all your writing endeavors. Featuring 150 lined pages, immerse yourself in the charm of a classic vintage travel postcard illustration adorning its cover. With its full-color decorative vintage art and versatile functionality, this notebook is an ideal companion for journaling, planning trips, tackling writing projects, organizing to-do lists, or simply capturing thoughts on any occasion. Found Image Press Vintage Journals take you on a nostalgic journey, featuring carefully curated vintage art that celebrates your favorite places, hobbies, and interests. The front cover showcases a captivating classic piece of art sourced from our vast collection of over 60,000 pictures, meticulously selected to transport you to a bygone era. Immerse yourself in the allure of the past and thoughtfully crafted to inspire and accompany your creative ventures. Details: A5 5.8 x 8.2 inches; 150 lined opaque pages; Soft matte finish; Soft matte finish
This original, eye catching volume celebrates the hottest new collectibles: office and personal stationery supplies. This beautifully designed book shows how the seemingly mundane objects that populate desks and cubicles everywhere are now being re-imagined as collector’s items. And as today’s trendsetting artists and designers are increasingly returning to non-digital techniques and methods, letterpress stationery, typewriters, and ink pens have developed the cache of vintage fashion and cars. Stationery Fever showcases the plethora of retro and fine office goods being produced and sold around the world. Organized like your favorite stationery store—pencils, pens, notebooks, erasers, greeting cards, school supplies, etc.— it features exquisitely photographed objects that transcend the decades since laptops took over most of our office needs. Each chapter highlights distinct objects and features a store that specializes in that category. Along the way, readers will learn the history of the lined notebook, the proper way to sharpen a pencil, and the story of how postcards came to be. Whether you’re stuffing a college backpack or decorating your home office, this book will appeal to lovers of lo-fi and bespoke objects alike.
Holistic nutritionist and highly-regarded blogger Sarah Britton presents a refreshing, straight-forward approach to balancing mind, body, and spirit through a diet made up of whole foods. Sarah Britton's approach to plant-based cuisine is about satisfaction--foods that satiate on a physical, emotional, and spiritual level. Based on her knowledge of nutrition and her love of cooking, Sarah Britton crafts recipes made from organic vegetables, fruits, whole grains, beans, lentils, nuts, and seeds. She explains how a diet based on whole foods allows the body to regulate itself, eliminating the need to count calories. My New Roots draws on the enormous appeal of Sarah Britton's blog, which strikes the perfect balance between healthy and delicious food. She is a "whole food lover," a cook who makes simple accessible plant-based meals that are a pleasure to eat and a joy to make. This book takes its cues from the rhythms of the earth, showcasing 100 seasonal recipes. Sarah simmers thinly sliced celery root until it mimics pasta for Butternut Squash Lasagna, and whips up easy raw chocolate to make homemade chocolate-nut butter candy cups. Her recipes are not about sacrifice, deprivation, or labels--they are about enjoying delicious food that's also good for you.
This vivid memoir captures how race, class, and privilege shaped a white boy’s coming of age in 1970s New York—now with a new epilogue. “I am not your typical middle-class white male,” begins Dalton Conley’s Honky, an intensely engaging memoir of growing up amid predominantly African American and Latino housing projects on New York’s Lower East Side. In narrating these sharply observed memories, from his little sister’s burning desire for cornrows to the shooting of a close childhood friend, Conley shows how race and class inextricably shaped his life—as well as the lives of his schoolmates and neighbors. In a new afterword, Conley, now a well-established senior sociologist, provides an update on what his informants’ respective trajectories tell us about race and class in the city. He further reflects on how urban areas have (and haven’t) changed over the past few decades, including the stubborn resilience of poverty in New York. At once a gripping coming-of-age story and a brilliant case study illuminating broader inequalities in American society, Honky guides us to a deeper understanding of the cultural capital of whiteness, the social construction of race, and the intricacies of upward mobility.
Bruce Redford re-creates the vibrant culture of connoisseurship in Enlightenment England by investigating the multifaceted activities and achievements of the Society of Dilettani. Elegantly and wittily he dissects the British connoisseurs whose expeditions, collections, and publications laid the groundwork for the Neoclassical revival and for the scholarly study of Graeco-Roman antiquity. After the foundation of the society in 1732, the Dilettani commissioned portraits of the members. Including a striking group of mock-classical and mock-religious representations, these portraits were painted by George Knapton, Sir Joshua Reynolds, and Sir Thomas Lawrence. During the second half of the century, the society’s expeditions to the Levant yielded a series of pioneering architectural folios, beginning with the first volume The Antiquities of Athens in 1762. These monumental volumes aspired to empirical exactitude in text and image alike. They prepared the way for Specimens of Antient Sculpture (1809), which combines the didactic (detailed investigations into technique, condition, restoration, and provenance) with the connoisseurial (plates that bring the illustration of ancient sculpture to new artistic heights). The Society of Dilettanti’s projects and publications exemplify the Enlightenment ideal of the gentleman amateur, which is linked in turn to a culture of wide-ranging curiosity.
"I am going blind. I am going blind," my mother would proclaim whenever I would call her in the psychiatric hospital, from almost three thousand miles away in Los Angeles. "By tomorrow," my mother would shout into the phone, "I will be blind." For years she had coped on her own until her doctor reduced her Haldol in hopes of decreasing harmful neurological side effects. The results were cataclysmic. This would be one of many relapses after receiving a diagnosis for paranoid schizophrenia in her mid-forties, after a ten-year prolonged psychosis during which my mother worked as criminal public defense counsel on behalf of some of New York and New Jersey's most disadvantaged residents. A Room with a Darker View is an unflinching, feminist work that chronicles the author's troubled relationship with her mother, an Oxford-trained lawyer, whose severe illness -- marked by manic bouts of senseless laughter, persistent delusions, and florid hallucinations -- went unrecognized for decades by both her husband, a world-class British astrophysicist, and her father, a Jewish-Zimbabwean doctor knighted by Pope Paul VI. Told in fragments, flashbacks, and chronicling the most extreme but unfortunately common aspects of schizophrenia, this elegantly written memoir is a reflection on illness, shame, and the generation gaps that have defined mother-daughter relationships amid the evolution of feminism in the 20th century. Like Porochista Khakpour's lauded memoir, Sick (2018), A Room with a Darker View is not a linear tale of redemption or restitution. Rather, it challenges conceptions about mental illness, difficulties caring for an aging parent with a chronic disease, and how we frame contributions by outliers to society, while offering a scathing look at a broken medical system, the unwillingness of an elite educated family to reckon with its secrets, and finally, the universally-understood difficulty of caring for an aging parent with a chronic illness. Unsurprisingly, feminists have been at the forefront of writing illness narratives, from Virginia Woolf to Audre Lord and Susan Sontag. My family's inability to accommodate my mother's illness, the perniciousness of her particular subtype of schizophrenia, paranoia, and the story of women's fight for gender equality in both the workplace and at home are part of this chronicle. In 500-word vignettes A Room with a Darker View retrospectively examines the trauma of undiagnosed mental illness besieging a mother-daughter relationship from toddlerhood through college and into the author's adult life as a writer and lecturer. Of particular note, the author documents her mother's determination in trying to find a place for herself in the male dominated field of law in the 1970s, and her equal determination to recover some semblance of a life after a difficult diagnosis, as she becomes heavily medicated and impoverished by divorce. Only with her mother's final relapse at 73 did the author begin to tell this story, first in Black Clock, an essay for which she received a Pushcart nomination and notable mention in The Best American Essays 2015.
Paul Klee was endowed with a rich and many-sided personality that was continually spilling over into forms of expression other than his painting and that made him one of the most extraordinary phenomena of modern European art. These abilities have left their record in the four intimate Diaries in which he faithfully recorded the events of his inner and outer life from his nineteenth to his fortieth year. Here, together with recollections of his childhood in Bern, his relations with his family and such friends as Kandinsky, Marc, Macke, and many others, his observations on nature and people, his trips to Italy and Tunisia, and his military service, the reader will find Klee's crucial experience with literature and music, as well as many of his essential ideas about his own artistic technique and the creative process.
Part biography, part tribute, offers a blueprint for a creative life from the perspective of award-winning science-fiction writer and "MacArthur Genius" Octavia E. Butler. It is a collection of ideas about how to look, listen, breathe--how to be in the world. George not only engages the world that shaped Octavia E. Butler, she also explores the very specific processes through which Butler shaped herself--her unique process of self-making. It's about creating a life with what little you have--hand-me-down books, repurposed diaries, journals, stealing time to write in the middle of the night, making a small check stretch--bit by bit by bit. Includes photographs of Butler's ephemera (personal notes, library call slips, etc.) taken by George from hundreds of boxes of Butler's personal items.
A collection of essays by the art historian Aby Warburg, these essays look beyond iconography to more psychological aspects of artistic creation: the conditions under which art was practised; its social and cultural contexts; and its conceivable historical meaning.
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