With the war over, the forties, fifties and sixties have the aura of a golden age. But nostalgia is deceptive. From teenage Teddy Boy razor gangs and casual stabbings at dance halls to the psychopathic Krays, 'Mad' Frankie Fraser and Ronnie Biggs, Villains' Paradise reveals the chilling true story of the crimes of postwar Britain. With the narrative pace of the best detective fiction, Donald Thomas creates a thrilling journey into the heart of postwar Britain's secret history.
This introductory book offers a coherent history of twentieth century crime and the law in Britain, with chapters on topics ranging from homicide to racial hate crime, from incest to anarchism, from gangs to the death penalty. Pulling together a wide range of literature, David Nash and Anne-Marie Kilday reveal the evolution of attitudes towards criminality and the law over the course of the twentieth century. Highlighting important periods of change and development that have shaped the overall history of crime in Britain, the authors provide in-depth analysis and explanation of each theme. This is an ideal companion for undergraduate students taking courses on Crime in Britain, as well as a fascinating resource for scholars.
A revealing social history of post-war Britain, seen through the powerful lens of crime With the war over, the forties and the fifties in Britain have the aura of a golden age. But nostalgia is deceptive: to contemporaries, the battlefront seemed only to have moved closer to home, as anxiety about armed robberies and psychopaths spread. Teenage Teddy Boy razor gangs proliferated and youths casually stabbed each other at dance halls. Newspapers revelled in headlines about the slashing of Jack Spot; Ronnie Biggs and his accomplices prototyped the gang of the future with the famous Great Train Robbery of 1963. Britain had lost the Ashes, exports had nose-dived and all of its secrets had probably been given to the Russians, but when it came to safe-blowing, it led the world. With the narrative sweep and eye for telling detail that was a hallmark of his previous 'underworld' accounts, Donald Thomas chronicles a history we might rather forget, through compelling stories we can't live without.
"Thomas has excelled himself. An important and riveting study in social history, it also has a very pertinent relevance in the crime-riddled society that is Britain today."-The Sunday Times (London) ? "A magnificent book. Beautifully written, utterly compelling: almost without fault in every respect."-The Literary Review? Venturing into the urban underbelly of postwar Britain, and especially of London, this riveting true-crime chronicle explores the shadowy ganglands where for twenty-five years armed robbery, prostitution, vice, and drugs flourished under racketeer kings.
What is evil? How do we understand it in our culture? The thirteen essays in this critical volume explore the different ways in which evil is portrayed in popular culture, particularly film and novels. Iconic figures of evil are considered, as is the repeated use of classic themes within our intellectual tradition. Topics covered include serial killers in film, the Twilight series, the Harry Potter series, Star Wars, and more. Collectively, these essays suggest how vital the notion of evil is to our culture, which in turn suggest a need to reflect on what it means to value what is good.
What constitutes a villain? How does villainy differ from evil? Do villains created for children's fiction differ from those created for adults? The villains considered in this volume come from an eclectic range of sources - from comic books to film and from novels to television serials - and a broad selection of times and places. Villains continue to raise troubling questions about the role of narrative in both fiction and real life.
The Gothic Wanderer Rises Eternal in Popular Literature From the horrors of sixteenth century Italian castles to twenty-first century plagues, from the French Revolution to the liberation of Libya, Tyler R. Tichelaar takes readers on far more than a journey through literary history. The Gothic Wanderer is an exploration of man's deepest fears, his eff orts to rise above them for the last two centuries, and how he may be on the brink finally of succeeding. Tichelaar examines the figure of the Gothic wanderer in such well-known Gothic novels asÿThe Mysteries of Udolpho,ÿFrankenstein, andÿDracula, as well as lesser known works like Fanny Burney'sÿThe Wanderer, Mary Shelley'sÿThe Last Man, and Edward Bulwer-Lytton'sÿZanoni. He also finds surprising Gothic elements in classics like Dickens'ÿA Tale of Two Citiesÿand Edgar Rice Burroughs'ÿTarzan of the Apes. From Matthew Lewis'ÿThe Monkÿto Stephenie Meyer'sÿTwilight, Tichelaar explores a literary tradition whose characters refl ect our greatest fears and deepest hopes. Readers will find here the revelation that not only are we all Gothic wanderers--but we are so only by our own choosing. Acclaim forÿThe Gothic Wanderer "The Gothic Wandererÿshows us the importance of its title figure in helping us to see our own imperfections and our own sometimes contradictory yearnings to be both unique and yet a part of a society. The reader is in for an insightful treat." --Diana DeLuca, Ph.D. and author of Extraordinary Things "Make no mistake about it, The Gothic Wanderer is an important, well researched and comprehensive treatise on some of the world's finest literature." --Michael Willey, author of Ojisan Zanoniÿ
Contemporary myths, particularly science fiction and fantasy texts, can provide commentary on who we are as a culture, what we have created, and where we are going. These nine essays from a variety of disciplines expand upon the writings of Joseph Campbell and the hero's journey. Modern examples of myths from various sources such as Planet of the Apes, Wicked, Pan's Labyrinth, and Spirited Away; the Harry Potter series; and Second Life are analyzed as creative mythology and a representation of contemporary culture and emerging technology.
We explore why the idea of the criminal class came into being. Starting with garrotters lurking in dark Victorian alleyways, the fiend Jack the Ripper stalking Londons streets to the menace of violent gangs, the Scuttlers, Peaky Blinders, and Liverpools High Rip, all the way through to 1970s joyriders, 1990s ravers, and the modern drug trade that brings guns and knives to our streets. It describes the actions taken to control the hard-core group increasingly harsh punishments, executions, floggings, long prison sentences and the ways that society learns about crime, dangerous areas, and the people who habitually offend against society. How do we know what dangers apparently lurk in the inner cities? What part did the newspapers, authors and social investigators play in sensationalising some crimes, and were they right to do so? The book compares real-life criminals (and their lives) with fictional accounts, such as the Artful Dodger, Pinkie in Brighton Rock, and the scenes that social investigators such as Henry Mayhew dragged back from the criminal rookeries to entertain and frighten respectable people. Perhaps most importantly, the book shows which groups have been targeted as the criminal classes, particularly the young, as well as ethnic and racial minorities, and concludes by asking, Who are the new criminal classes likely to be?
