Christina Schwenkel's absorbing study explores how the "American War" is remembered and commemorated in Vietnam today -- in official and unofficial histories and in everyday life. Schwenkel analyzes visual representations found in monuments and martyrs' cemeteries, museums, photography and art exhibits, battlefield tours, and related sites of "trauma tourism." In these transnational spaces, American and Vietnamese memories of the war intersect in ways profoundly shaped by global economic liberalization and the return of American citizens as tourists, pilgrims, and philanthropists.
On May 25, 2012, President Obama announced that the United States would spend the next thirteen years commemorating the 50th anniversary of the Vietnam War and the "more than 58,000 patriots" who died there. The fact that 3 million Vietnamese--soldiers, parents, grandparents, children--also died will be largely unknown and entirely un-commemorated. U.S. history barely stops to record the millions of Vietnamese who lived on after being displaced, tortured, maimed, raped, or born with birth defects, the result of devastating chemicals wreaked on the land by the U.S. military. The reason for this disconnect lies in an unremitting public relations campaign waged by top American politicians, military leaders, business people, and scholars who have spent the last sixty years justifying the U.S. presence in Vietnam. The American War in Vietnam challenges all of us to stop the ongoing U.S. war on actual history. Marciano reveals the grandiose flag-waving that stems from the "Noble cause principle," the notion that America is "chosen by God" to bring democracy to the world. The result is critical writing and teaching at its best. This book will provide students everywhere with insights that can prepare them to change the world. --Cover.
"Using new and largely inaccessible Vietnamese sources as well as French, British, Canadian and American archives, Pierre Asselin sheds valuable light on Hanoi's path to war. Step by step the narrative makes Hanoi's revolutionary strategy from the end of the French Indochina War to the start of the Anti-American Resistance Struggle for Reunification and National Salvation (the Vietnam War) transparent. The book reveals how North Vietnamese leaders moved from a cautious policy emphasizing nonviolent political and diplomatic struggle to a far riskier pursuit of military victory"--
Michael Lind casts new light on one of the most contentious episodes in American history in this controversial bestseller. In this groundgreaking reinterpretation of America's most disatrous and controversial war, Michael Lind demolishes enduring myths and put the Vietnam War in its proper context—as part of the global conflict between the Soviet Union and the United States. Lind reveals the deep cultural divisions within the United States that made the Cold War consensus so fragile and explains how and why American public support for the war in Indochina declined. Even more stunning is his provacative argument that the United States failed in Vietnam because the military establishment did not adapt to the demands of what before 1968 had been largely a guerrilla war. In an era when the United States so often finds itself embroiled in prolonged and difficult conflicts, Lind offers a sobering cautionary tale to Ameicans of all political viewpoints.
Based on classified documents and interviews, argues that American acts of violence against millions of Vietnamese civilians during the Vietnam War were a pervasive and systematic part of the war.
We have long saved--and curated--objects from wars to commemorate the war experience. These objects appear at national museums and memorials and are often mentioned in war novels and memoirs. Through them we institutionalize narratives and memories of national identity, as well as international power and purpose. While people interpret war in different ways, and there is no ultimate authority on the experiences of any war, curators of war objects make different choices about what to display or write about, none of which are entirely problematic, good, or accurate. This book asks whose vantage points on war are made available, and where, for public consumption; it also questions whose war experiences are not represented, are minimized, or ignored in ways that advantage contemporary militarism. Christine Sylvester looks at four sites of war memory-the National Museum of American History, the Vietnam Veterans Memorial, Arlington National Cemetery, and selected novels and memoirs of the American wars in Vietnam and Iraq-to consider the way war knowledge is embedded in differing sites of memory and display. While the museum shows war aircraft and a laptop computer used by a journalist covering the American war in Iraq, visitors to the Vietnam Memorial or Arlington Cemetery find more prosaic and civilian items on view, such as baby pictures, slices of birthday cake, or even car keys. In addition, memoirs and novels of these wars tend to curate ghastly horrors of wars as experienced by soldiers or civilians. For Sylvester, these sites of war memory and curation provide ways to understand dispersed war authority and interpretation and to consider which sites invite viewers to revere a war and which reflect personal experiences that show the undersides of these wars. Sylvester shows that scholars, policymakers, and other citizens need to consider different types of situated memory and knowledge in order to fully grasp war, rather than idealize it.
"Over the years, the 1986 assassination of Swedish Prime Minister Olof Palme has attracted considerable international attention. Yet, far more interesting than Palme's death is his opposition to the Vietnam War. Neutral Sweden had the independence to challenge the Nixon Administration that members of NATO did not have"--