This book will help type designers understand Vietnamese’s unique typographic features so they can design their typefaces to support the Vietnamese language. It will also guide web and graphic designers in using correct Vietnamese typography in a project.
The present collection of articles grew out of a workshop on Vietnamese linguistics in 2009 at the University of Stuttgart, Germany. To our knowledge, no workshop with a comparable scope has been held outside of Vietnam for the past 20 years, or even longer. Given the important typological status of Vietnamese as a paradigm case of an isolating language, the volume covers the most relevant fields in linguistics: syntax, semantics, phonology, and the lexicon. A guiding principle in assembling the chapters for this volume has been to take an inclusive stance as far as the commitment to different frameworks and research methodologies is concerned. All the contributors are proponents of recent developments in their individual areas of specialization. The editors have taken special care to cater for a readership which should be as broad as possible. This means that each contribution is self-contained and does not presuppose any knowledge of Vietnamese. The volume is recommended to general linguistis, comparative linguists, typologists and to researchers specializing in languages of East and South East Asia.
Asian America.Net demonstrates how Asian Americans have both defined and been defined by electronic technology, illuminating the complex networks of identity, community, and history in the digital age.
The ultimate English-language source of information for information on processing text in Chinese, Japanese, Korean, and Vietnamese. In this update, Lunde reexamines the challenges of working with these languages, showing developers in a wide range of fields the latest tools for sharing information that can reach East Asia directly.
This book serves as an introduction to the key elements of good design. Broken into sections covering the fundamental elements of design, key works by acclaimed designers serve to illustrate technical points and encourage readers to try out new ideas. Themes covered include narrative, colour, illusion, ornament, simplicity, and wit and humour. The result is an instantly accessible and easy to understand guide to graphic design using professional techniques.
Just My Type is not just a font book, but a book of stories. About how Helvetica and Comic Sans took over the world. About why Barack Obama opted for Gotham, while Amy Winehouse found her soul in 30s Art Deco. About the great originators of type, from Baskerville to Zapf, or people like Neville Brody who threw out the rulebook, or Margaret Calvert, who invented the motorway signs that are used from Watford Gap to Abu Dhabi. About the pivotal moment when fonts left the world of Letraset and were loaded onto computers ... and typefaces became something we realised we all have an opinion about. As the Sunday Times review put it, the book is 'a kind of Eats, Shoots and Leaves for letters, revealing the extent to which fonts are not only shaped by but also define the world in which we live.' This edition is available with both black and silver covers.
The book provides highlights on the key concepts and trends of evolution in History of Printing in China, as one of the series of books of “China Classified Histories”.
What would a new approach to tackling urgent global issues like poverty, pollution, habitat loss and climate change look like? How can each of us make the most of the opportunities already present in our rapidly changing world?With a focus on the roles of knowledge-building and knowledge traditions — the ways we think —, we get closer to what is intrinsic in the functioning of our world and of ourselves.Topics covered include ecological business and marketing, ecological accounting; changing values in UK businesses; new business models for sustainability in Indian agriculture; sustainability in Latin America, Russia and Vietnam; mobilising the masses through dynamic citizenship in Sweden and Sarajevo; an investigation of the role of artistic collectives for sustainability in Brazil; developing Nairobi in accordance with a Triple Top Line Approach; an examination of two theoretical cultures in Europe and Africa; the emerging Chinese Eco-civilisation; and educating for sustainability in Singapore and Tasmania.