The victory at Poitiers by an English force outnumbered two-to-one, led by Edward the Black Prince on 19th September 1356 was one of the most significant of the Hundred Years War. The consequences of the battle resonated throughout the remainder of the century and influenced the war to its end in 1453. David Green has researched the battle and the raids that preceded it exhaustively and details the strategy, tactics, arms and armour used by both sides. He reconstructs the battle using an array of contemporary sources and discusses the protagonists, the siting, course and outcome of the encounter and considers the implications of the capture of King Jean II of France and many of the most important members of the French nobility.
On 13 September 1356 near Poitiers in western France, the small English army of Edward, the Black Prince crushed the forces of the French King Jean II in of the most famous battles of the Hundred Years' War. Over the centuries the story of this against-the-odds English victory has, along with Crécy and Agincourt, become part of the legend of medieval warfare. And yet in recent times this classic battle has received less attention than the other celebrated battles of the period. The time is ripe for a reassessment, and this is the aim of Christian Teutsch's thought-provoking new account.
The author has retraced on foot the routes taken by the Black Prince during the French campaigns of 1355-1356, enabling him to provide an entirely new dimension to the events. In 1355 the Black Prince took an army to Bordeaux and embarked on two chevauchées (mounted military expeditions, generally characterised by the devastation of the surrounding towns and countryside), which culminated in hisdecisive victory over King Jean II of France at Poitiers the following year. Using the recorded itineraries as his starting point, the author of this book walked more than 1,300 miles across France, retracing the routes of the armies in search of a greater understanding of the Black Prince's expedition. He followed the 1355 chevauchée from Bordeaux to the Mediterranean and back, and that for 1356 from Aquitaine to the Loire, to the battlefield at Poitiers, and back again to Bordeaux. Drawing on his findings on the ground, a wide range of documentary sources, and the work of local historians, many of whom the author met on his travels, the book provides a unique perspective on the Black Prince's chevauchées of 1355 and 1356 and the battle of Poitiers, one of the greatest English triumphs of the Hundred Years War, demonstrating in particular the impact of the landscape on the campaigns. Peter Hoskins is a former Royal Air Force pilot, now living in France. He combines his interest in exploration of his adopted country with his research into the Hundred Years War.
This “taut narrative” of the fourteenth-century conflict between England and France offers “a detailed, climactic account of a legendary battle” (Publishers Weekly). The epic fourteenth-century Battle of Poitiers marked a major turn in the Hundred Years’ War between England and France. Prince Edward, known to all as the Black Prince, not only won a surprising victory in his first campaign as commander, but managed the nearly impossible feat of taking the French monarch, King Jean II, prisoner. In the summer of 1356, Prince Edward drove toward the Loire Valley, deep in French territory. There, he met the full French army led by King Jean and a number of French nobles, including veterans of the defeat at Crécy ten years before. Outnumbered, the Prince fell back, but in September, he turned near the city of Poitiers to make a stand. Historians Witzel and Livingstone provide a day-by-day description of the campaign of July to September 1356, climaxing with a vivid description of the Battle of Poitiers itself. The detailed account and analysis of the battle and the campaigns that led up to it has a strong focus on the people involved in the campaign: ordinary men-at-arms and noncombatants, as well as princes and nobles.
A combination of dynastic disputes, feudal quibbles, trade disagreements and historical antagonism resulted in the opening of the Hundred Years War in 1337. The first major English land victory in this conflict was the Battle of Crécy (1346). This pitted the French army, then considered the best in Europe, against the English under King Edward III. The battle established the longbow as one of the most feared weapons of the medieval period, a reputation reinforced at the bloody Battle of Poitiers (1356) where much of the French nobility was slaughtered and their king captured by the English host.
As a child he was given his own suit of armor; at the age of sixteen, he helped defeat the French at Crécy. At Poitiers, in 1356, his victory over King John II of France forced the French into a humiliating surrender that marked the zenith of England’s dominance in the Hundred Years War. As lord of Aquitaine, he ruled a vast swathe of territory across the west and southwest of France, holding a magnificent court at Bordeaux that mesmerized the brave but unruly Gascon nobility and drew them like moths to the flame of his cause. He was Edward of Woodstock, eldest son of Edward III, and better known to posterity as “the Black Prince.” His military achievements captured the imagination of Europe: heralds and chroniclers called him “the flower of all chivalry” and “the embodiment of all valor.” But what was the true nature of the man behind the chivalric myth, and of the violent but pious world in which he lived?
Bernard Cornwell, the "master of martial fiction" (Booklist), brings Thomas of Hookton from the popular Grail Quest series into a new adventure in 1356, a thrilling stand-alone novel. On September 19, 1356, a heavily outnumbered English army faced off against the French in the historic Battle of Poitiers. In 1356, Cornwell resurrects this dramatic and bloody struggle—one that would turn out to be the most decisive and improbable victory of the Hundred Years’ War, a clash where the underdog English not only the captured the strategic site of Poitiers, but the French King John II as well. In the vein of Cornwell’s bestselling Agincourt, 1356 is an action-packed story of danger and conquest, rich with military strategy and remarkable characters—both villainous and heroic—transporting readers to the front lines of war while painting a vivid picture of courage, treachery, and combat.
Geoffrey le Baker's chronicle covers the reigns of Edward II and Edward III up to the English victory at Poitiers. David Preest's new translation includes extensive notes and an introduction by Richard Barber. Geoffrey le Baker's chronicle covers the reigns of Edward II and Edward III up to the English victory at Poitiers. It starts in a low key, copying an earlier chronicle, but by the end of Edward II's reign he offers a much more vivid account. His description of Edward II's last days is partly based on the eyewitness account of his patron, Sir Thomas de la More, who was present at one critical interview. Baker's story of Edward's death, like many other details from his chronicle, was picked up by Tudor historians, particularly by Holinshed, who was the source for Shakespeare's history plays. The reign of Edward III is dominated, not by Edward III himself, but by Baker's real hero, Edward prince of Wales. His bravery aged 16 at Crécy is presented as a prelude to his victory at Poitiers, a battle which Baker is able to describe in great detail, apparently from what he was told by the prince's commanders. It is a rarity among medieval battles, because - in sharp contrast to the total anarchy at Crécy - the prince and his staff were able to see the enemy's manoeuvres. Throughout the chronicle there are sharply defined vignetteswhich stay in the mind - the killing of the Scottish champion on Halidon Hill, the drowning of Sir Edward Bohun, the earls of Salisbury and Suffolk as prisoners carried in a cart, the death of Sir Walter Selby and his two sons, the bravery of Sir Thomas Dagworth against a cobbler's son, the duel between Otho and the duke of Lancaster, John Dancaster and the lewd washerwoman. Baker writes in a complex Latin which even scholars find problematic, and David Preest's new translation will be widely welcomed by anyone interested in the fourteenth century. There are extensive notes and an introduction by Richard Barber.
