The Victoria Memorial Hall, Calcutta
Author: National Centre for the Performing Arts (India)
Publisher:
Published: 1997
Total Pages: 178
ISBN-13:
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Author: National Centre for the Performing Arts (India)
Publisher:
Published: 1997
Total Pages: 178
ISBN-13:
DOWNLOAD EBOOKAuthor: Harlan Ingersoll Smith
Publisher: Geological Survey
Published: 1923
Total Pages: 216
ISBN-13:
DOWNLOAD EBOOKAuthor: Royal Society of Canada
Publisher:
Published: 1915
Total Pages: 1332
ISBN-13:
DOWNLOAD EBOOKAuthor: Annie E. Coombes
Publisher: John Wiley & Sons
Published: 2020-11-17
Total Pages: 674
ISBN-13: 1119796598
DOWNLOAD EBOOKMUSEUM TRANSFORMATIONS DECOLONIZATION AND DEMOCRATIZATION Edited By ANNIE E. COOMBES AND RUTH B. PHILLIPS Museum Transformations: Decolonization and Democratization addresses contemporary approaches to decolonization, greater democratization, and revisionist narratives in museum exhibition and program development around the world. The text explores how museums of art, history, and ethnography responded to deconstructive critiques from activists and poststructuralist and postcolonial theorists, and provided models for change to other types of museums and heritage sites. The volume's first set of essays discuss the role of the museum in the narration of difficult histories, and how altering the social attitudes and political structures that enable oppression requires the recognition of past histories of political and racial oppression and colonization in museums. Subsequent essays consider the museum's new roles in social action and discuss experimental projects that work to change power dynamics within institutions and leverage digital technology and new media.
Author: Regna Darnell
Publisher: Walter de Gruyter
Published: 2010-12-14
Total Pages: 964
ISBN-13: 3110883104
DOWNLOAD EBOOKThe works of Edward Sapir (1884 - 1939) continue to provide inspiration to all interested in the study of human language. Since most of his published works are relatively inaccessible, and valuable unpublished material has been found, the preparation of a complete edition of all his published and unpublished works was long overdue. The wide range of Sapir's scholarship as well as the amount of work necessary to put the unpublished manuscripts into publishable form pose unique challenges for the editors. Many scholars from a variety of fields as well as American Indian language specialists are providing significant assistance in the making of this multi-volume series.
Author: Royal Society of Canada
Publisher:
Published: 1916
Total Pages: 1182
ISBN-13:
DOWNLOAD EBOOKAuthor: Anne Whitelaw
Publisher: McGill-Queen's Press - MQUP
Published: 2017-04-01
Total Pages: 349
ISBN-13: 0773550682
DOWNLOAD EBOOKWhen the Edmonton Museum of Arts opened in 1924 it was only the second art gallery in Canada west of Toronto. Spaces and Places for Art tells the story of the financial and ideological struggles that community groups and artist societies in booming frontier cities and towns faced in establishing spaces for the cultivation of artistic taste. Mapping the development of art institutions in western Canada from the founding of the Winnipeg Art Gallery in 1912 to the 1990s heyday of art museums in Manitoba, Saskatchewan, Alberta, and British Columbia, Anne Whitelaw provides a glimpse into the production, circulation, and consumption of art in Canada throughout the twentieth century. Initially dependent on paintings loaned from the National Gallery of Canada, art galleries across the western part of the country gradually built their own collections and exhibitions and formed organizations that made them less reliant on institutions and government agencies in Ottawa. Tracing the impact of major national arts initiatives such as the Massey Commission, the funding programs of the Canada Council, and the policies of the National Museums Corporation, Whitelaw sheds light on the complex relationships between western Canada and Ottawa surrounding art. Building on extensive archival research and in-depth analysis of government involvement, Spaces and Places for Art is an invaluable explanation of the roles of cultural institutions and cultural policy in the emergence of artistic practice in Canada.