The sleepy little town of Berkbeck was a place abounding with glee and harmony. That changed when he came to town. Lawyer Karen Davis joins hands with the town sheriff, Michael Gardner, after a sequence of homicides occurs. One gory detail after another exposes the horrifying truth—Berkbeck has a serial killer prowling its streets. Karen’s neighbor, Janet Ramsey, and hunting club leader, Greg Harris, offer their support as mysteries unravel. The team soon realizes they may have bitten off more than they can chew. The more they try to catch him, the higher the stakes are raised. Without leaving a trace of evidence behind, the killer that calls himself “The Numbering Man” leaves the entire town asking the same question—who will be next?
The bodies are found in towns and cities around Puget Sound. The young women who are the victims had nothing in common. But a depraved killer has carefully chose them to stalk, capture, and torture. A killer whose cunning is matched only by the depth of his bloodlust.
“A bloody thriller with a nonstop, page-turning pace” from the #1 New York Times bestselling author of Water’s Edge (The Oregonian). “Wickedly clever! Genuinely twisted.” —Lisa Gardner “Olsen will have you on the edge of your seat.” —Lee Child The bodies are found in towns and cities around Puget Sound. The young women who are the victims had nothing in common—except the agony of their final moments. But somebody carefully chose them to stalk, capture, and torture . . . a depraved killer whose cunning is matched only by the depth of his bloodlust. But the dying has only just begun. And next victim will be the most shocking of all . . . Praise for Gregg Olsen “Grabs you by the throat.” —Kay Hooper “An irresistible page-turner.” —Kevin O’Brien “Olsen writes rapid-fire page-turners.” —TheSeattle Times “Frightening . . . a nail-biter.” —Suspense Magazine “A work of dark, gripping suspense.” —Anne Frasier “Truly a great read.” —Mystery Scene Magazine
Victim Meets Offender (1993) is truly a seminal publication in the restorative justice movement. It represents the first multi-state empirical study of the impact of restorative justice dialogue through the first and most widely used restorative justice practice, namely victim offender mediation (also referred to as victim offender reconciliation, victim offender conferencing, or victim offender dialogue). Examining programs in California, Minnesota, New Mexico, and Texas, this book provides comparison group data on client satisfaction, victim perceptions of fairness, and completion of restitution. Recidivism data is also included. After more than three decades, Umbreit's seminal publication remains the most widely cited restorative justice study and has influenced policy development and practice in North and South America, Europe, Africa, Asia, and the Middle East.
Named one of the best books of 2017 by The New York Times Book Review, The Washington Post, San Francisco Chronicle, and Literary Hub. Winner of the Best Japanese Crime Fiction of the Year Award. One of Vulture's 10 Best Thriller Books of 2017. “Already a bestseller in Japan and the U.K., this cinematic crime novel suffused with fascinating cultural details follows a police department reinvestigating a chilling kidnapping that stumped them 14 years earlier.” —Entertainment Weekly, The Must List THE NIGHTMARE NO PARENT COULD ENDURE. THE CASE NO DETECTIVE COULD SOLVE. THE TWIST NO READER COULD PREDICT. For five days, the parents of a seven-year-old Japanese schoolgirl sat and listened to the demands of their daughter’s kidnapper. They would never learn his identity. And they would never see their daughter alive again. Fourteen years later, the mystery remains unsolved. The police department’s press officer—Yoshinobu Mikami, a former detective who was involved in the original case and who is now himself the father of a missing daughter—is forced to revisit the botched investigation. The stigma of the case known as “Six Four” has never faded; the police’s failure remains a profound source of shame and an unending collective responsibility. Mikami does not aspire to solve the crime. He has worked in the department for his entire career, and while he has his own ambitions and loyalties, he is hoping simply to reach out to the victim’s family and to help finally put the notorious case to rest. But when he spots an anomaly in the files, he uncovers secrets he never could have imagined. He would never have even looked if he’d known what he would find. An award-winning phenomenon in its native Japan—more than a million copies sold, and the winner of the Best Japanese Crime Fiction of the Year award—and already a critically celebrated top-ten bestseller in the U.K., Hideo Yokoyama’s Six Four is an unforgettable novel by a literary master at the top of his form. It is a dark and riveting plunge into a crime, an investigation, and a culture like no other.
Raised in the Delta of Mississippi, Jan Cowan is repeatedly molested by her mothers lesbian lover, Judy Christine Hays, a small-town cop. Immediately after finishing high school, Jan flees Mississippi to Memphis, Tennessee. Patterned after her molester, Jan embarks on a career with the Memphis Police Department where she becomes a noted homicide detective. At the age of thirty-three, an unexpected occurrence triggers Jans suppressed memories of having been molested. Unable to cope, Jans childhood alter personality, Chris Hays, again manifests itself. In doing so, Chris sets out on a path of lustful revenge by luring lesbians from a gay club and later murdering them. She then displays their nude bodies in a public park on Beale Street, a thriving downtown tourist attraction. As the story unfolds, a private investigator, hired by one of the victims father to find the killer, is falsely arrested after being caught near the crime scene where the fifth and final victim is found. One week following the arrest, Jan is greeted at the office by a pair of local fishermen who discovered her badge inside of a trash bag while fishing. Unbeknownst to the fishermen, the bag also contained solid evidence of the murders.
