This book sets out the political and cultural conditions regulating dramatic writing during an era of censorship and monopolistic royal theatres. Using a range of plays and manuscripts, it argues for the centrality of burletta, the theatrical locus of the attacks on the Cockney school of poetry and the vitality of the metropolitan dramatic scene.
Bonwick brings together related elements that have been treated separately on previous occasions--English radicals as personalities, their relations with one another, their connections with Americans; the imperial controversy between England and the colonies; the movement for parliamentary reform in England; and the campaign for civil rights for Dissenters. The study brings fresh meaning to English radicalism and ideas about liberty during the revolutionary era. Originally published 1977. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.