The Voice of Technology

The Voice of Technology

Author: Lilya Kaganovsky

Publisher: Indiana University Press

Published: 2018-02-13

Total Pages: 337

ISBN-13: 0253033004

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As cinema industries around the globe adjusted to the introduction of synch-sound technology, the Soviet Union was also shifting culturally, politically, and ideologically from the heterogeneous film industry of the 1920s to the centralized industry of the 1930s, and from the avant-garde to Socialist Realism. In The Voice of Technology: Soviet Cinema's Transition to Sound, 1928–1935, Lilya Kaganovsky explores the history, practice, technology, ideology, aesthetics, and politics of the transition to sound within the context of larger issues in Soviet media history. Industrialization and centralization of the cinema industry greatly altered the way movies in the Soviet Union were made, while the introduction of sound radically altered the way these movies were received. Kaganovsky argues that the coming of sound changed the Soviet cinema industry by making audible, for the first time, the voice of State power, directly addressing the Soviet viewer. By exploring numerous examples of films from this transitional period, Kaganovsky demonstrates the importance of the new technology of sound in producing and imposing the "Soviet Voice."


How to Do Things with Tense and Aspect

How to Do Things with Tense and Aspect

Author: Matejka Grgic

Publisher: Cambridge Scholars Publishing

Published: 2020-05-15

Total Pages: 155

ISBN-13: 1527551288

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Almost all verbs in Slovene (one of the least researched Slavic languages) have two aspectually different forms, the perfective (PF) and the imperfective (IF). But in institutional settings or settings strongly marked with social hierarchy, only the second, the imperfective form, is used by Slovene speakers in a performative sense. Why is that? And what, in fact, has a Slovene speaker said if (s)he has used the imperfective verb in “performative circumstances”? No doubt that (s)he may be in the process of accomplishing such an act. But at the same time, having the possibility of choosing between the PF and the IF form, (s)he may have also indicated that this act hasn’t been accomplished (yet): as long as we are only promising (IF), we have not really promised anything yet, and if we are only promising (IF), we cannot take anything as having been really promised. That was how Stanislav Škrabec, the 19th century Slovene linguist and the central figure of this book, saw the role of verbal aspect within language use. Being caught in such a dilemma, a question inevitably arises: how do we accomplish an act of promise (or any other performative act) in Slovene? That dilemma – whether to use the perfective or imperfective aspect when accomplishing performative acts – may seem more than artificial at first, but it was very much alive among Slovene linguists at the end of the 19th century. And it was that very dilemma that quite unexpectedly gave rise to the foundations of performativity in Slovene, half a century before Austin! In the present book, the authors try to shed light on this controversy that involved different Slovene scholars for about thirty years, and propose a delocutive hypothesis as a solution for the performative dilemma this controversy unveiled.


Encyclopedia of Ukraine

Encyclopedia of Ukraine

Author: Volodymyr Kubijovyc

Publisher: University of Toronto Press

Published: 1988-12-15

Total Pages: 1985

ISBN-13: 1442651180

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The appearance of Volume II of the Encyclopedia of Ukraine makes the second stage of a major publishing project. Based on twenty-five years' research by more than 100 scholars from around the world, the encyclopedia provides the most essential information about Ukraine and its people, history, geography, economy, and cultural heritage. Volume II contains entries beginning with the letters G to K, among them numerous biographies of historical figures and people currently living in and outside of Soviet Ukraine. Included are some 600 illustrations, maps, and statistical tables. The five volumes of the Encyclopedia of Ukraine will constitute a comprehensive guide to the life and culture of Ukrainians and reflect the manifold relations of Ukrainians with their neighbours and with their non-Ukrainian environments in the various countries to which they immigrated.


Constructivism in Film - A Cinematic Analysis

Constructivism in Film - A Cinematic Analysis

Author: Vlada Petric

Publisher: CUP Archive

Published: 1993-06-25

Total Pages: 356

ISBN-13: 9780521443876

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Vlada Petric explicates the cinematic text of one of the most famous works of avant-garde nonfiction film, Dziga Vertov's Man with a Movie Camera


Constructivism in Film - A Cinematic Analysis

Constructivism in Film - A Cinematic Analysis

Author: Vlada Petrić

Publisher: Cambridge University Press

Published: 2012

Total Pages: 357

ISBN-13: 0521137888

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This book examines the radical experiments of early Soviet filmmakers, with a detailed analysis of The Man with the Movie Camera (1929).


Revolution and (Post) War, 1917-1922

Revolution and (Post) War, 1917-1922

Author: Clara Isabel Serrano

Publisher: Taylor & Francis

Published: 2023-08-04

Total Pages: 193

ISBN-13: 1000920925

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This book focuses on the Russian Revolution of 1917, the legacy of the First World War, and Mussolini and Italian fascism – offering an important overview of the major themes of the early 20th century. Using a methodical approach and employing a wide range of sources, the nine chapters provide a re-analysis and synthesis of these three major subjects and looks at how the world was reshaped during the period of 1917–1922. This volume also discusses lesser-known subjects in Anglo-Saxon historiography: the effects of the Russian Revolution in Spain and in the Islamic world, as well as the consequences of the Portuguese participation in the First World War in Africa, and the German memory of that conflict. By linking these themes, this book sheds a light on how since the early 21st century we have witnessed a rise of populism and extremism. Dealing with one of the most paradigmatic periods of Contemporary History, this book is essential for scholars and students of History, International Relations, Postcolonial Studies, and African Studies programs, as well as librarians and diplomats, and for advanced training institutions, peacebuilding organizations, international NGOs, and the wider public.


Lines of Resistance

Lines of Resistance

Author: Yuri Tsivian

Publisher: Indiana University Press

Published: 2004

Total Pages: 452

ISBN-13: 9788886155151

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"This book is a collection of little-known writings by and about Dziga Vertov. It follows the development of his work and opinions from 1917 to 1930, and chronicles contemporary reactions to them - from critics whose names are now forgotten, as well as such prominent personalities as fellow directors Lev Kuleshov and Sergei Eisenstein, artists Aleksandr Rodchenko and Kazimir Malevich, and theorists Walter Benjamin and Siegfried Kracauer." --Book Jacket.


Digital Humanities and Film Studies

Digital Humanities and Film Studies

Author: Adelheid Heftberger

Publisher: Springer

Published: 2019-01-02

Total Pages: 316

ISBN-13: 303002864X

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This book highlights the quantitative methods of data mining and information visualization and explores their use in relation to the films and writings of the Russian director, Dziga Vertov. The theoretical basis of the work harkens back to the time when a group of Russian artists and scholars, known as the “formalists,” developed new concepts of how art could be studied and measured. This book brings those ideas to the digital age. One of the central questions the book intends to address is, “How can hypothetical notions in film studies be supported or falsified using empirical data and statistical tools?” The first stage involves manual and computer-assisted annotation of the films, leading to the production of empirical data which is then used for statistical analysis but more importantly for the development of visualizations. Studies of this type furthermore shed light on the field of visual presentation of time-based processes; an area which has its origin in the Russian formalist sphere of the 1920s and which has recently gained new relevance due to technological advances and new possibilities for computer-assisted analysis of large and complex data sets. In order to reach a profound understanding of Vertov and his films, the manual or computer-assisted data analysis must be combined with film-historical knowledge and a study of primary sources. In addition, the status of the surviving film materials and the precise analysis of these materials combined with knowledge of historical film technology provide insight into archival policy and political culture in the Soviet Union in the 1920s and 30s.