Venezuelan Waltz

Venezuelan Waltz

Author: Antonio Lauro

Publisher: Alfred Music

Published: 1985-03

Total Pages: 0

ISBN-13: 9780769213354

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Also known as Valse Criollo, this is one of the most popular pieces written by the great South American guitarist/composer Antonio Lauro.


Latin American Guitar Guide

Latin American Guitar Guide

Author: RICO DWIGHT STOVER

Publisher: Mel Bay Publications

Published: 2011-02-09

Total Pages: 68

ISBN-13: 161065532X

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This is a well written, informative study of the solo and rhythmic guitar styles found in Latin America. Featured is music from Argentina, Brazil, Costa Rica, Paraguay, Peru, and Venezuela. Most of the compositions are in E major or E minor and all are scored in notation and tablature.


The Latin American Art Song

The Latin American Art Song

Author: Patricia Caicedo

Publisher: Rowman & Littlefield

Published: 2018-12-17

Total Pages: 189

ISBN-13: 1498581633

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Taking as a thread the concept of national identity, this book elucidates the sound transformations that have taken place in the world of the Latin American art song since its appearance in the late nineteenth century to the present day. The book focuses in the art songs of Brazil, Argentina, Cuba, Venezuela, Bolivia, Perú, and Colombia. The book addresses the subject of performance practice of the Latin American song and ends with a proposal for its interpretation. In songs, spaces of representation and cathartic tools thought, language and music have been at the service of some interests, fulfilling specific functions in the construction of the nation. In them, we observe that the construction of identity is a continuous, constant and changing process in which different stories are superimposed. Seen this way, songs are historical texts where social interactions are reflected, and the past, the present and the future are constantly negotiated. The book also addresses the subject of performance practice of the Latin American song and ends with a proposal for its interpretation.


Black Recording Artists, 1877-1926

Black Recording Artists, 1877-1926

Author:

Publisher: McFarland

Published: 2013-01-03

Total Pages: 499

ISBN-13: 0786472383

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This annotated discography covers the first 50 years of audio recordings by black artists in chronological order, music made in the "acoustic era" of recording technology. The book has cross-referenced bibliographical information on recording sessions, including audio sources for extant material, and appendices on field recordings; Caribbean, Mexican and South American recordings; piano rolls performed by black artists; and a filmography detailing the visual record of black performing artists from the period. Indexes contain all featured artists, titles recorded and labels.


Calypso and Other Music of Trinidad, 1912-1962

Calypso and Other Music of Trinidad, 1912-1962

Author:

Publisher: McFarland

Published: 2015-05-11

Total Pages: 393

ISBN-13: 147661931X

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Calypso, with its diverse cultural heritage, was the most significant Caribbean musical form from World War I to Trinidad and Tobago Independence in 1962. Though wildly popular in mid-1950s America, Calypso--along with other music from "the island of the hummingbird"--has been largely neglected or forgotten. This first-ever discography of the first 50 years of Trinidadian music includes all the major artists, as well as many obscure performers. Chronological entries for 78 rpm recordings give bibliographical references, periodicals, websites and the recording locations. Rare field recordings are cataloged for the first time, including East Indian and Muslim community performances and Shango and Voodoo rites. Appendices give 10-inch LP (78 rpm), 12-inch LP (33 1/3 rpm), extended play (ep) and 7-inch single (45) listings. Non-commercial field recordings, radio broadcasts and initially unissued sessions also are listed. The influence of Trinidadian music on film, and the "Calypso craze" are discussed. Audio sources are provided. Indexes list individual artists and groups, recording titles and labels.


The SAGE International Encyclopedia of Music and Culture

The SAGE International Encyclopedia of Music and Culture

Author: Janet Sturman

Publisher: SAGE Publications

Published: 2019-02-26

Total Pages: 5212

ISBN-13: 1506353371

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The SAGE Encyclopedia of Music and Culture presents key concepts in the study of music in its cultural context and provides an introduction to the discipline of ethnomusicology, its methods, concerns, and its contributions to knowledge and understanding of the world′s musical cultures, styles, and practices. The diverse voices of contributors to this encyclopedia confirm ethnomusicology′s fundamental ethos of inclusion and respect for diversity. Combined, the multiplicity of topics and approaches are presented in an easy-to-search A-Z format and offer a fresh perspective on the field and the subject of music in culture. Key features include: Approximately 730 signed articles, authored by prominent scholars, are arranged A-to-Z and published in a choice of print or electronic editions Pedagogical elements include Further Readings and Cross References to conclude each article and a Reader’s Guide in the front matter organizing entries by broad topical or thematic areas Back matter includes an annotated Resource Guide to further research (journals, books, and associations), an appendix listing notable archives, libraries, and museums, and a detailed Index The Index, Reader’s Guide themes, and Cross References combine for thorough search-and-browse capabilities in the electronic edition


Music and Identity in Venezuela

Music and Identity in Venezuela

Author: Adriana Ponce

Publisher: CRC Press

Published: 2024-04-22

Total Pages: 427

ISBN-13: 1040002218

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Venezuelan music has remained largely unnoticed in the academic English literature. Boasting a tremendous wealth of traditions, it displays influences from the Spanish, indigenous, and enslaved African communities that populated the territory from the “conquest” on and offers a tremendous diversity of genres and styles that vary by region, occasion, time, and sometimes ethnic influences. This book presents critical discussions of some of these traditions in connection with the issue of identity. The discussions capture country and city life, illustrate foundational myths, bring secular traditions closer to Christianity, explore surviving cultural strategies, et cetera. They also analyze the interface between Venezuelan identity and European classical music. The book displays diversity of perspectives in terms of (a) subject matter, as it includes traditional and concert musics; (b) disciplines on which the inquiries are grounded, as it includes essays by scholars and artists from musicology, performance, composition, history, cultural history, and education; and (c) epistemological approaches, as it includes critical, historical, and ethnographic research.


Summa Kitharologica, Vol. 2

Summa Kitharologica, Vol. 2

Author: Ricardo Iznaola

Publisher: Mel Bay Publications

Published: 2024-10-17

Total Pages: 137

ISBN-13: 1513480359

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This second volume of Ricardo Iznaola’s monumental Summa Kitharologica trilogy is, according to its author, “a playbook for self-guided discovery” in matters related to the expressive interpretation of music. Its 26 short pieces in all keys, in versions for solo guitar and guitar duo, present the reader with an ample array of musical styles and technical procedures that serve as so many opportunities for exploration of the fascinating and complex growth process that brings the player from basic acquaintance with a score to masterful assimilation of its contents. As the distinguished British guitarist and pedagogue Jonathan Leathwood remarks in his Foreword to the book, at this point, the player “is so at one with the score that they can stretch it – and occasionally contradict it – without ever betraying its essential meaning,” attaining that “desirable imprecision” proposed as a marker of ultimate mastery by cellist and pedagogue Pedro de Alcántara, as Leathwood reminds us. The musical contents are complemented by brief epigraphs preceding each solo miniature, ranging from the factual to the poetic, whose purpose is to anchor the music in an evocative, affect-charged context that may hopefully stir the player’s imagination, as will the excellent recordings by Laura Husbands and the Arabesque Duo. Additional commentaries in the Working Notes section, in the appendix, and in the afterword deal with topics as diverse as mental practice, synesthesia, musical peak experiences, prosody and rhythm theory, the hazards of a performing career, and the performer’s need for (and the challenges of) introspective self-assessment. Throughout, the book advocates, as its core thesis, the importance of a questioning stance: “what if…” as the path to discovery through changes in points of view, a consistently variable perspectivist approach, in which comparison and evaluation of multiple alternatives, rather than prescriptive pre-ordained solutions, is taken as the foundation for true understanding. Volume 3 of Summa Kitharologica, Handbook of Comparative Fingering Analysis, completes the set with a comprehensive analytical overview of guitar fingering strategies since the early 19th century.


Learn to Play Brazilian Jazz Guitar

Learn to Play Brazilian Jazz Guitar

Author: David Marshall

Publisher: Mel Bay Publications

Published: 2015-05-27

Total Pages: 93

ISBN-13: 1619115077

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Brazilian jazz is the combination of the energizing rhythms of Brazilian and North American jazz music. Playing this style requires special skills not normally taught to the guitar student. This comprehensive book is designed to provide the guitaristwith all that is necessary to understand and play Brazilian jazz such as chord structures, chord progressions, rhythms, decomposition, memorization, arranging,improvisation, notation, chord symbols and accompaniment as well as anoverview and history of this colorful music. Solos are provided that implement various concepts and skills learned. They include: Amor Docy (Sweet Love); Passaciaille (Theme and First Variation); Bossa Barocco (Bossa Baroque); Bossa Improviso (Impromptu Bossa); Minuet (from The Notebook of A.M. Bach); ChoroClassic (Classical Choro); Choro Menor (Minor Choro); De Vez em Quando (Once in a While); Marcha Populaire (Folk March); Melodo de Lua (Moody Melody); Samba Sonolento (Sleepy Samba); Samba Feliz (Happy Samba); Sonhador (Day Dreamer); Amor Descuidado (Careless Love); Play the Bossa Nova; and Samba de Amor (Samba of Love). This book comes with online audio