Varney the Vampire Or the Feast of Blood is a horror story by Thomas Peckett Prest. Structured in different episodes, these are classic tales of blood sucking horrors at midnights, for fans of the genre.
The first book in a delightfully witty fantasy series in which Dr. Greta Helsing, doctor to the undead, must defend London from both supernatural ailments and a bloodthirsty cult. Greta Helsing inherited her family's highly specialized and highly peculiar medical practice. In her consulting rooms, Dr. Helsing treats the undead for a host of ills: vocal strain in banshees, arthritis in barrow-wights, and entropy in mummies. Although she barely makes ends meet, this is just the quiet, supernatural-adjacent life Greta's been groomed for since childhood. Until a sect of murderous monks emerges, killing human and undead Londoners alike. As terror takes hold of the city, Greta must use her unusual skills to stop the cult if she hopes to save her practice and her life. Praise for the Dr. Greta Helsing Novels: "An exceptional and delightful debut, in the tradition of Good Omens and A Night in the Lonesome October."―Elizabeth Bear, Hugo-award winning author "Shaw balances an agile mystery with a pitch-perfect, droll narrative and cast of lovable misfit characters. These are not your mother's Dracula or demons."―Shelf Awareness Dr. Greta Helsing Novels Strange Practice Dreadful Company Grave Importance
Emily Dinwiddle recruits the help of Count Revay-Czobar--a beautiful creature she suspect to be a vampire--to help solve her father's murder. His knowledge of London's underworld will help Emily navigate the city--and his seductive aura is something Emily doesn't mind, either. Original.
This “vigorous, witty look at the undead as cultural icons in 19th- and 20th-century England and America” examines the many meanings of the vampire myth (Kirkus Reviews). From Byron’s Lord Ruthven to Anne Rice’s Lestat to the black bisexual heroine of Jewelle Gomez’s The Gilda Stories, vampires have taken many forms, capturing and recapturing our imaginations for centuries. In Our Vampires, Ourselves, Nina Auerbach explores the rich history of this literary and cultural phenomenon to illuminate how every age embraces the vampire it needs—and gets the vampire it deserves. Working with a wide range of texts, as well as movies and television, Auerbach follows the evolution of the vampire from 19th century England to 20th century America. Using the mercurial figure as a lens for viewing the last two hundred years of Anglo-American cultural history, “this seductive work offers profound insights into many of the urgent concerns of our time” (Wendy Doniger, The Nation).
What happens when a kept woman refuses to take her ridatemp and begins thinking for herself? In If Nothing Else, Eve, We've Enjoyed the Fruit; she begins talking to bunches of grapes and cantaloupe that convince her to commit murder. Through her visitations with fruit, the woman learns that a gender war can be reversed by traveling back in time and eradicating the Tree of Knowledge and its villainous apples. The fruit persuade her by telling her four other stories. Boys Will Be Boys: A spa is turned into a concentration camp: just don't ride the elevators! Ripped to Shreds: Pregnant Jody Burkhoff's body is changing rapidly, but not as quickly as the lupine metamorphosis of her husband. First the neighborhood animals are mutilated, then the neighbors are viciously murdered. Which proves to be more dangerous, a monstrous creature or a hormonal woman? O: Khaki Barlow enters a pageant in which only one woman survives. She must complete tasks that are both mentally and physically daunting, all while trying to learn the meaning of the words left by the eliminated: I am here. Does she face incredible fears? Does a one-legged duck swim in a circle? The Prison of Man: Told as an ethnographical project, Lara Thomas researches the deaths of shoppers at a mall embedded in a small town, and encounters the legendary Goat Man. If Nothing Else (Prologue): Readers learn the final decision in the gender war.
What is it about vampires that fascinates the human imagination? Blood Obsession closely scrutinizes theories of Sigmund Freud and Tzvetan Todorov and arrives at a model of the vampire as the perfect representative of genre for a variety of reasons - the vampire figure appeals to its audience because of an interdependency of looplike mental and narrative structures that lure both reader and writer incessantly back to the genre. At the same time, this book provides the reader with a thorough survey of literary and filmic vampires in both adult and juvenile fictions. Lastly, it blends the realms of legal and literary history by highlighting the changes the image of the serial killer, a close relative of the vampire, underwent at the end of the twentieth century. Blood Obsession is a highly enlightening study for the general reader as well as for students of film, literature, and popular culture.
Vampires are the hottest topic in popular culture today. From the now classic novels of Anne Rice, to the mega-selling series by Stephanie Meyer to the hit HBO series True Blood based on the bestselling novels of Charlaine Harris, the undead are certainly not dead in terms of books sales. Now, those curious about the history and lore of these creatures can get up to speed in the refreshed edition of The Complete Idiot's Guide® to Vampires. It provides a detailed explanation of the origins of vampires and insight into the fascination they hold in literature and belief. • Complete history and origins of this mythic creature • An explanation of the various rules that vampires exist by • A lively and exhaustive literary discussion of vampires and their importance in fiction
The Vampyre is a work of prose fiction written in 1819 by John William Polidori taken from the story Lord Byron told as part of a contest among Polidori, Mary Shelley, Lord Byron, and Percy Shelley. The same contest produced the novel Frankenstein; or, The Modern Prometheus. The Vampyre is often viewed as the progenitor of the romantic vampire genre of fantasy fiction. The work is described by Christopher Frayling as "the first story successfully to fuse the disparate elements of vampirism into a coherent literary genre."
Written in 1879 (18 years before Dracula) by 19-year-old Marie Nizet, Captain Vampire, in its method and tone alike, is way ahead of its time. Although its plot has supernatural elements, and its antagonist is manifestly demonic, the novel's true purpose is to bring out the horror of war. A significant work in the history of horror fiction, it is undoubtedly one of the finest literary works ever to have made use of the vampire motif.