The idea of variety may seem too diffuse, obvious, or nebulous to be worth scrutinizing, but modern usage masks the rich history of the term. This book examines the meaning, value, and practice of variety from the vantage point of Latin literature and its reception and reveals the enduring importance of the concept up to the present day. William Fitzgerald looks at the definition and use of the Latin term varietas and how it has played out in different works and with different authors. He shows that, starting with the Romans, variety has played a key role in our thinking about nature, rhetoric, creativity, pleasure, aesthetics, and empire. From the lyric to elegy and satire, the concept of variety has helped to characterize and distinguish different genres. Arguing that the ancient Roman ideas and controversies about the value of variety have had a significant afterlife up to our own time, Fitzgerald reveals how modern understandings of diversity and choice derive from what is ultimately an ancient concept.
The distinguished classicist William Fitzgerald examines the concept, value and practice of variety in Latin literature and its reception. He argues that variety was an important value in ancient aesthetic discourse and played a significant role in thinking about, among other things, nature, rhetoric, pleasure and empire. Fitzgerald explains how a discourse of variety passed from Latin writers into the post-classical world up to the modern age, in which words like choice and diversity have taken over its work, though with associative meanings that are much different."
An illuminating view of the world as seen through the tinted lens of Hollywood’s most important chronicler of entertainment news and show business. Variety is not only a fascinating look at the history of entertainment as reported by the world’s most highly regarded commentator of show business news, it is also a history of American popular culture and a record of the influence and confluence of art, life, and Hollywood. Illustrated with hundreds of front pages, its articles chronicle everything from Debbie Reynolds’s opinions of 1960s youth to how Steven Spielberg and Jaws transformed the movie business. With new and archival photographs spanning Variety’s more-than-century-old archives, the book includes exclusive essays by a host of well-regarded artists about what Variety means to them, how Variety has impacted the entertainment industry, and what they felt like the first time they saw their names in Variety’s pages. Variety is a decade-by-decade documentation of such pivotal moments as the audience’s move from vaudeville houses to movie theaters, censorship, how Lucy and Desi changed the face of television, Walter Cronkite’s shaping of America’s view of the Vietnam War, the birth of the summer blockbuster, the game-changing technology of Jurassic Park and Avatar, and how the movies, television, and theater reflect society’s ever-changing social values and mores. The perfect gift for anyone who loves Hollywood, Variety is also a never-before-available look at the premier source of entertainment reporting.
First published in 1999, this book explores pint points, compares and dates the development of product differentiation and variety. This book also analyses’ how firms have embraced a variety of ways of efficiently managing this verity though production, the design of the product as well as in the relations with the suppliers and distributors.
A fragmentary comedy about the corruption of the judicial and monarchical systems in charge of granting aristocratic titles based on appearance instead of merit. This comedy includes several devices that are uniquely typical of Jonson’s authorial style, including the extraordinary number of five marriages in the resolution, and the intricate descriptions of the significance of outward appearance (in dance, clothing, makeup and gossip) in distinguishing anybody in Britain as superior or inferior. At the onset of the plot, Sir William is hoping to marry the wealthy-widow, Lady Beaufield, to gain access to her fortune. In parallel, Simpleton’s wealthy-widow Mother is hoping to marry a knight so she can gain the aristocratic title of a Lady. Meanwhile, Simpleton is courting Beaufield’s daughter, Lucy, who clearly favors her other suitor, Newman. Simpleton devises several schemes to win an advantage by hiring jeerers to ridicule Newman, as well as hiring Voluble to give Newman a false prophecy to manipulate him toward whoring and drinking. By the end, Simpleton even attempts to kidnap Lucy to force her into marriage. In the background of these various courtships, the French dance teacher, Galliard, is tutoring his wealthy students in dance. And Voluble and Nice are teaching proper manners, dress and other outward signs of aristocratic breeding in their Female Academy. These seemingly silly and pretty tropes are clouding the fact that Galliard confesses he has escaped being executed for attempting to overthrow the French King in 1632, and Voluble is repeatedly accused of witchcraft. More importantly, the narrative explains the corrupt process that was involved in bribing judges and administrators into allowing a wealthy gentry landowner, like Mother, to purchase her way into the aristocracy through a vacant baronet title. Mother merely has to choose between going through the ladyfying schooling herself, or completely negating her burden by hiring an actress, such as Nice (the chambermaid), to pretend to be her in public appearances. The dialogue refers to several people who were granted aristocratic titles by this corrupt process, starting with the 1st Lord of Lorne of Scotland in 1439, and as late as the Duke of Buckingham in 1623. Many of the contextual references mention the Percys’ Northumberland estate’s Scottish neighbors, as well as other Percy-associated places and people in the Buckingham Palace and Newcastle; thus, this play is likely to have been closeted by Percy until after his death because Jonson was criticizing the Percys’ involvement in these title-purchasing schemes. Percy (as the primary ghostwriter) and Jonson (as the secondary) had written about knighthood-purchasing and James I’s trade in titles to his Scottish and Scottish-adjacent comrades in Eastward Ho! These frank confessions about corruption in the monarchy led to Jonson’s temporary imprisonment in 1605. This volume includes translations of all of Jonson’s authentic letters. These include the letter he wrote in 1605, during this Eastward imprisonment, wherein Jonson asks Percy to help free him from being implicated in seditious remarks that he claims were Percy’s portion of the composition. The annotations across Variety provide a myriad of scholarly revelations, supported with precise evidence. One of these is new proof for the misdating for several antique-like forgeries of broadsheet ballads. Introductory sections explain why this play has been mis-attributed to “William Cavendish”, and the complex biographical overlaps between the Jonson and “John Donne” bylines and handwriting styles. The historical introduction to the types of dance-instructors Variety is satirizing is assisted by the translation from French into English of fragments from Apologie de la Danse or Apology for the Dance by “Par F. de Lauze” (1623). Acronyms and Figures Exordium Plot and Staging The Letters of Ben Jonson and “John Donne” “Francois de Lauze’s” Apology for the Dance (1623) Text Terms, References, Questions, Exercises
Product proliferation has become a common phenomenon. Most companies now offer hundreds, if not thousands, of stock keeping units (SKUs) in order to compete in the market place. Companies with expanding product and service varieties face with problems of obtaining accurate demand forecasts, controlling production and inventory costs, and providing high quality and good delivery performance for the customers. Marketing managers often advocate widening product lines for increasing revenue and market share. However, the breadth of product line can also decrease the efficiency of manufacturing processes and distribution systems. Thus firms must weigh the benefits of product variety against its cost in order to determine the optimal level of product variety to offer to their customers. Academics and practitioners are interested in several fundamental questions about product variety. For instance, why do companies extend their product lines? Do consumers care about product variety? Will a brand with more variety enjoy higher market share? How should product variety be measured? How can a company exploit its product and process design to deliver a higher level of product variety quickly and cheaply? What should the level of product variety be and what should the price of each of the product variants be? What kind of 'challenges would a company face in offering a high level of product variety and how can these obstacles be overcome? The solutions to these questions span multiple functions and disciplines.
This book gives a comprehensive treatment of the Grassmannian varieties and their Schubert subvarieties, focusing on the geometric and representation-theoretic aspects of Grassmannian varieties. Research of Grassmannian varieties is centered at the crossroads of commutative algebra, algebraic geometry, representation theory, and combinatorics. Therefore, this text uniquely presents an exciting playing field for graduate students and researchers in mathematics, physics, and computer science, to expand their knowledge in the field of algebraic geometry. The standard monomial theory (SMT) for the Grassmannian varieties and their Schubert subvarieties are introduced and the text presents some important applications of SMT including the Cohen–Macaulay property, normality, unique factoriality, Gorenstein property, singular loci of Schubert varieties, toric degenerations of Schubert varieties, and the relationship between Schubert varieties and classical invariant theory. This text would serve well as a reference book for a graduate work on Grassmannian varieties and would be an excellent supplementary text for several courses including those in geometry of spherical varieties, Schubert varieties, advanced topics in geometric and differential topology, representation theory of compact and reductive groups, Lie theory, toric varieties, geometric representation theory, and singularity theory. The reader should have some familiarity with commutative algebra and algebraic geometry.
Author: United States. Congress. Senate. Committee on Agriculture, Nutrition, and Forestry. Subcommittee on Agricultural Research and General Legislation
