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Author: Paul Wood
Publisher: Yale University Press
Published: 2004-01-01
Total Pages: 428
ISBN-13: 9780300102963
DOWNLOAD EBOOKThis work discusses the art of the middle third of the twentieth century. It consists of a short general introduction and four parts, each concentrating on a key aspect of the art of the period.
Author: Professor and Head of Art History Steve Edwards
Publisher: Yale University Press
Published: 2004-01-01
Total Pages: 476
ISBN-13: 9780300102307
DOWNLOAD EBOOK02 This gorgeous book presents and discusses the oils, works on paper, and other artistic creations of William Holman Hunt, one of the three major artistic talents of the Pre-Raphaelite brotherhood. This gorgeous book presents and discusses the oils, works on paper, and other artistic creations of William Holman Hunt, one of the three major artistic talents of the Pre-Raphaelite brotherhood.
Author: Craig Bradshaw Woelfel
Publisher: Univ of South Carolina Press
Published: 2018-10-15
Total Pages: 247
ISBN-13: 1611179068
DOWNLOAD EBOOKAn exploration of belief as an experience, both secular and religious, through the study of major literary works At the height of modernism in the 1920s, what did it mean to believe and how was it experienced? Craig Woelfel seeks to answer this pivotal question in Varieties of Aesthetic Experience: Literary Modernism and Dissociation of Belief, a groundbreaking exploration of the relationship between secular modernity and religious engagement. Woelfel hinges his argument on the unlikely comparison of two revered modern writers: T. S. Eliot and E. M. Forster. They had vastly different experiences with religion, as Eliot converted to Christianity later in life and Forster became a steadfast nonbeliever over time, but Woelfel contends that their stories offer a compelling model for belief as broken and ambivalent rather than constant. Narratives of faith—its loss or gain—are no longer linear but instead are just as fractured and varied as the modernists themselves. Drawing from Eliot's and Forster's major and minor creative and critical works, Woelfel makes the case for a "dissociation of belief" during the modern era—a separation of emotional and spiritual religious experience from its reduction to forms. He contextualizes belief in the modern era alongside modernist religious studies scholarship and current secularization theory, with particular attention to Charles Taylor's A Secular Age, paving the way for a more nuanced understanding of religious engagement at the time. In Varieties of Aesthetic Experience, Woelfel considers major literary works—including Eliot's The Waste Land and Forster's A Passage to India—as well as the Cambridge Clark Lectures and previously unstudied personal writings from both authors. The volume revolves around a line from Eliot himself, from a lecture in which he said that he wanted "to see art, and to see it whole." Rather than excluding belief from the conversation, Woelfel contends that modernist art can become a critical liminal space for exploring what it means to believe in a secular age.
Author: Robin Walz
Publisher: Routledge
Published: 2013-11-04
Total Pages: 235
ISBN-13: 1317860926
DOWNLOAD EBOOKRobin Walz’s updated Modernism, now part of the Seminar Studies series, has been updated to include significant primary source material and features to make it more accessible for students returning to, or studying the topic for the first time. The twentieth century was a period of seismic change on a global scale, witnessing two world wars, the rise and fall of communism, the establishment of a global economy, the beginnings of global warming and a complete reversal in the status of women in large parts of the world. The modernist movements of the early twentieth century launched a cultural revolution without which the multi-media-driven world in which we live today would not have been possible. Today modernism is enshrined in art galleries and university courses. Its techniques of abstraction and montage, and its creative impulse to innovate and shock, are the stock-in-trade of commercial advertising, feature films, television and computer-generated graphics. In this concise cultural history, Robin Walz vividly recaptures what was revolutionary about modernism. He shows how an aesthetic concept, arising from a diversity of cultural movements, from Cubism and Bauhaus to Abstract Expressionism and Pop Art, and operating in different ways across the fields of art, literature, music, design and architecture, came to turn intellectual and cultural life and assumptions upside down, first in Europe and then around the world. From the nineteenth century origins of modernism to its postmodern legacies, this book will give the reader access to the big picture of modernism as a dynamic historical process and an unfinished project which still speaks to our times.
Author: Jason Gaiger
Publisher: Yale University Press
Published: 2004-03-11
Total Pages: 374
ISBN-13: 9780300101447
DOWNLOAD EBOOKThis reader, a companion to The Open University's four-volume Art of the Twentieth Century series, offers a variety of writings by art historians and art theorists. The writings were originally published as freestanding essays or chapters in books, and they reflect the diversity of art historical interpretations and theoretical approaches to twentieth-century art. Accessible to the general reader, this book may be read independently or to supplement the materials explored in the four course texts. The volume includes a general introduction as well as a brief introduction to each piece, outlining its origin and relevance.
Author: Iftikhar Dadi
Publisher: Univ of North Carolina Press
Published: 2010-05-15
Total Pages: 356
ISBN-13: 0807895962
DOWNLOAD EBOOKThis pioneering work traces the emergence of the modern and contemporary art of Muslim South Asia in relation to transnational modernism and in light of the region's intellectual, cultural, and political developments. Art historian Iftikhar Dadi here explores the art and writings of major artists, men and women, ranging from the late colonial period to the era of independence and beyond. He looks at the stunningly diverse artistic production of key artists associated with Pakistan, including Abdur Rahman Chughtai, Zainul Abedin, Shakir Ali, Zubeida Agha, Sadequain, Rasheed Araeen, and Naiza Khan. Dadi shows how, beginning in the 1920s, these artists addressed the challenges of modernity by translating historical and contemporary intellectual conceptions into their work, reworking traditional approaches to the classical Islamic arts, and engaging the modernist approach towards subjective individuality in artistic expression. In the process, they dramatically reconfigured the visual arts of the region. By the 1930s, these artists had embarked on a sustained engagement with international modernism in a context of dizzying social and political change that included decolonization, the rise of mass media, and developments following the national independence of India and Pakistan in 1947. Bringing new insights to such concepts as nationalism, modernism, cosmopolitanism, and tradition, Dadi underscores the powerful impact of transnationalism during this period and highlights the artists' growing embrace of modernist and contemporary artistic practice in order to address the challenges of the present era.
Author: Christopher Long
Publisher: Bauer and Dean Publishers
Published: 2021-10-11
Total Pages: 304
ISBN-13: 9781735600116
DOWNLOAD EBOOKScholar and historian Christopher Long turns his attention to the little-known German-born architect and designer Jock Peters (1889-1934). This engaging study examines the architect's early development in Germany-Peters's work in Hamburg before World War I and in Berlin after the war-and the influences that shaped his thinking. Professor Long then places Peters's more mature work-created after he immigrated to America in 1922-within the context of the early history of Los Angeles modernism in the 1920s and early 1930s. Of Peters's modern work produced in America, most notable are the interiors he designed for the once-famous Hollander department store in New York City as well as those for Bullock's Wilshire in Los Angeles (the building was recently restored by Southwestern Law School). Both projects brought him international recognition. Peters also designed a dynamic sales office building for the short-lived Maddox Airlines, as well as stores and houses for the developer William Lingenbrink, a major supporter of the burgeoning modernism in Southern California. Aside from his architectural work, Peters designed film sets for Famous Lasky-Players (later Paramount Pictures), working in the famed art department of Hans Dreier. Despite his early death, Peters managed to leave his mark on the modernist landscape in Southern California at a time when the new style was just emerging.The 262 historic photographs, etchings, watercolors, drawings (including floor plans), many in color, create a visually rich study of Peters's work, including his designs for houses, retail spaces, storefronts, furniture, packaging, textiles, and film sets. Much of the material is from the architect's personal archive, still in family hands, and has never before been published.
Author: Lauren Kroiz
Publisher: Univ of California Press
Published: 2012-09-06
Total Pages: 278
ISBN-13: 0520272498
DOWNLOAD EBOOK“Creative Composites provides an intelligent, rigorous account of several under-examined figures who gathered around the photographer Alfred Stieglitz and played important roles in the first American avant-garde. Drawing on rich archival sources, Lauren Kroiz revisits the cultural debates of the period and constructs an intricate and convincing comparative analysis of the role that gender, race and ethnicity, and cultural nationalism played in the construction of American modernism. This important historical and interpretive text represents a much-needed contribution not only to the history of American art but also to American social and cultural history.”—Marcia Brennan, author of Curating Consciousness: Mysticism and the Modern Museum “Describing the associations between immigrant critics and artists enmeshed in the New York art world in the early twentieth century, Kroiz skillfully demonstrates that American modernism reached beyond its European influences and was a deeply hybrid enterprise with multiple, global, and overlapping roots. Kroiz is sure-footed when seriously addressing works of art and marvelous at working through the issues around the ethnic identities of many of the key figures. Illuminating a crucial and oft-overlooked aspect of the history of American modernism—this peripatetic and shifting multiculturalism—Creative Composites is a timely, deeply researched text that highlights the wealth of mixed ancestry in our cultural heritage.”—Jessica May, author of American Modern: Documentary Photography by Abbott, Evans, and Bourke-White
Author: Walter Kalaidjian
Publisher: Cambridge University Press
Published: 2005-04-28
Total Pages: 360
ISBN-13: 9780521829953
DOWNLOAD EBOOKOriginal essays by twelve distinguished international scholars offer critical overviews of the major genres, literary culture, and social contexts that define the current state of scholarship. This Companion also features a chronology of key events and publication dates covering the first half of the twentieth century in the United States. The introductory reference guide concludes with a current bibliography of further reading organized by chapter topics.
Author: Benjamin Kahan
Publisher: Duke University Press
Published: 2013-11-25
Total Pages: 252
ISBN-13: 0822377187
DOWNLOAD EBOOKIn this innovative study, Benjamin Kahan traces the elusive history of modern celibacy. Arguing that celibacy is a distinct sexuality with its own practices and pleasures, Kahan shows it to be much more than the renunciation of sex or a cover for homosexuality. Celibacies focuses on a diverse group of authors, social activists, and artists, spanning from the suffragettes to Henry James, and from the Harlem Renaissance's Father Divine to Andy Warhol. This array of figures reveals the many varieties of celibacy that have until now escaped scholars of literary modernism and sexuality. Ultimately, this book wrests the discussion of celibacy and sexual restraint away from social and religious conservatism, resituating celibacy within a history of political protest and artistic experimentation. Celibacies offers an entirely new perspective on this little-understood sexual identity and initiates a profound reconsideration of the nature and constitution of sexuality.
