Goosebumps now on Disney+! Tough. That's Freddy Martinez and his friend, Cara. They're not afraid of anything. But that was before they went exploring in Freddy's basement. Before they found the secret room. Before they found the bottle of Vampire Breath.Poor Freddy and Cara. They should have never opened that bottle of Vampire Breath. Because now there's a vampire in Freddy's basement. And he's very, very thirsty....
With her boss preoccupied researching the Founder Houses in Morganville, student Claire Danvers is left to her own devices when she learns that three vampires have vanished without a trace. She soon discovers that the last person seen with one of the missing vampires is someone new to town-a mysterious individual named Magnus. After an uneasy encounter with Morganville's latest resident, Claire is certain Magnus isn't merely human. But is he a vampire-or something else entirely?
“A welcome way to spend an adventurous time in Renaissance Italy.”—Margaret Frazer As Court Engineer to the Duke of Milan, Leonardo DaVinci turns his superior mind to a variety of pursuits—from advances in painting to the invention of war machines. And with his favorite apprentice Dino to aid him, his keen intellect is perfect for sleuthing. . . . 1483. Milan, province of Lombardy. On a royal whim, Ludovico Sforza, the Duke of Milan, orders a living chess game to be enacted by members of his court. DaVinci conjures the spectacle in a single night, but his latest success turns bitter when one of the “pieces” is murdered. With even the Duke’s closest advisors suspect to treachery, DaVinci is the only man Sforza can trust to conduct the investigation. With his scrupulous eye for detail, DaVinci uncovers a vile nest of secrets—and danger—but the most surprising secret of all may be the true identity of his most talented, most trusted apprentice. . . . “Impressive . . . Vivid.”—Publishers Weekly (starred review) “Readers can expect plenty of intrigue and danger in this refreshing new series.”—Mystery Scene Magazine
In this twist on the Sleeping Beauty fairy tale, Princess Lucette, cursed as a baby by her evil vampire aunt, discovers as she grows older that the only way to protect herself and her kingdom is to train as a vampire slayer. The reader is given chances throughout the text to choose the direction of the plot.
This is an overview of the most offbeat and underrated vampire movies spanning nine decades and 23 countries. Strange Blood encompasses well-known hits as well as obscurities that differ from your standard fang fare by turning genre conventions on their head. Here, vampires come in the form of cars, pets, aliens, mechanical objects, gorillas, or floating heads. And when they do look like a demonic monster or an aristocratic Count or Countess, they break the mold in terms of imagery, style, or setting. Leading horror writers, filmmakers, actors, distributors, academics, and programmers present their favorite vampire films through in-depth essays, providing background information, analysis, and trivia regarding the various films. Some of these stories are hilarious, some are terrifying, some are touching, and some are just plain weird. Not all of these movies line up with the critical consensus, yet they have one thing in common: they are unlike anything you've ever seen in the world of vampires. Just when you thought that the children of the night had become a tired trope, it turns out they have quite a diverse inventory after all.
This book examines how the vampire has always been connected to ideas of infection, pollution and disease—even more so in the 21st century where it expresses the horrors of unseen and unstoppable disease and the foreboding and anxiety that accompany viral outbreaks and wider epidemics. Here the vampire gives physical form to the contagion and associated anxieties around the perceived causes and spread of disease, where it can take on many forms from animal to pestilential particulate matter, creeping shadows and even malignant weather systems. If blood is life, it is the body of the vampire that is death. This timely study looks at how and why the vampire continues to fulfil this function and posits that the true patient zero in the 21st century is no longer the dangerous, ancient, outsider from the East but is the undying monster that is Western culture itself.
This book provides an engaging historical survey of the vampire in American popular culture over 100 years, ranging from Bram Stoker's classic novel Dracula to HBO's television series True Blood. Vampires in the New World surveys vampire films and literature from both national and historical perspectives since the publication of Bram Stoker's Dracula, providing an overview of the changing figure of the vampire in America. It focuses on such essential popular culture topics as pulp fiction, classic horror films, film noir, science fiction, horror fiction, blaxploitation, and the recent Twilight and True Blood series in order to demonstrate how cultural, scientific, and ideological trends are reflected and refracted through the figure of the vampire. The book will fascinate anyone with an interest in vampires as they are found in literature, film, television, and popular culture, as well as readers who appreciate horror and supernatural fiction, crime fiction, science fiction, and the gothic. It will also appeal to those who are interested in the interplay between society and film, television, and popular culture, and to readers who want to understand why the figure of the vampire has remained compelling to us across different eras and generations.
Featuring tons of fun facts about the series alongside a walkthrough of all books and covers in the Goosebumps collections, this art book is a must-have for old and new fans alike! In the summer of 1992, Scholastic tasked two terrifyingly talented artists with creating the cover paintings for the books that would premiere the Goosebumps series. At that time, four books in the line were being market-tested by the publisher to see how young readers would react to R.L. Stine’s particular brand of humor-tinged horror. One element that was sure to catch the attention of little eyes everywhere was striking cover art, and, boy, did they find it! The imagery provided by the covers of the Goosebumps series is part and parcel to the 90s Kid zeitgeist, helping to create a visual brand for R.L. Stine’s smash-hit horror series. The covers helped set the tone for the numerous adaptations of the series, including a television series, a theatre experience, and, more recently, blockbuster films!
Ariana Vrykolakis is a young woman working as a freelance artist who happens to be half-vampire. Her father Antonis Vrykolakis and his brother Grigoris are vampires who descend from the evil Vrykolakis family. They tried to blend in with society until they reconnect with an old acquaintance named James Ryder who invites the two brothers to join his clan. James happens to be longtime enemies with with Deacon Thompson, the leader of the vampire hunters. As the new leader of the vampire clan, James promotes hatred and fear of Deacon to rile up the vampires. Meanwhile, Ariana and her mother start to get pressured by Antonis to become vampires after him and his brother join the clan. Ariana becomes frustrated and hopeless until she meets a handsome vampire hunter, Lukas Vasilias. They instantly form a connection and soon Ariana learns that she was destined to be a vampire hunter herself. Lukas teaches Ariana the ways of vampire hunting even though she doesn't think she is qualified. Later Ariana and Lukas must embark on dangerous missions to free innocent people from vampires and save Lukas' father.
